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Using Michael Warner’s (2002) conception of publics and counterpublics, we can see that historically much of fandom was situated in the position of counterpublic as fans not only were placed on the outskirts by others but also actively... more
Using Michael Warner’s (2002) conception of publics and counterpublics, we can see that historically much of fandom was situated in the position of counterpublic as fans not only were placed on the outskirts by others but also actively participated in acts that ran counter to the mainstream reading and consumption of media content. Current media fans of popular American franchises, however, are often courted by corporations and those with the power to influence the mainstream. There is an interest in the types of transformative practices in which fans engage. In actively seeking these audience members and their practices, corporations are forcing these groups into a more public position while helping to shift the types of activities that are considered part of fandom. Essentially, by bringing ‘desirable’ and ‘affirmational’ media fans into the mainstream, corporations are reorganizing them as publics in terms of their position within society, and this shift could contribute to a cha...
Book Review of Cynthia B. Meyers's book A Word from Our Sponsor: Admen, Advertising, and the Golden Age of Radio.
Film sequels are a pervasive part of film consumption practices and have become an important part of the decision making process for Hollywood studios and producers. This thesis indicates that sequels are not homogenous groups of films,... more
Film sequels are a pervasive part of film consumption practices and have become an important part of the decision making process for Hollywood studios and producers. This thesis indicates that sequels are not homogenous groups of films, as they are often considered, but offer a variety of story construction and utilize a variety of production methods. Three types of blockbuster sequel sets are identified and discussed in this thesis. The Traditional Blockbuster Sequel Set, as exemplified by Back to the Future (1985, 1989, 1990) films, is the most conventional type of sequel set and capitalizes on the winning formula of the first film in the franchise. The MultiMedia Sequel Set, such as The Matrix (1999,2003) trilogy, allows the user/viewer to experience and consume the story as well as the world of the film through many different media. The Lord a/the Rings (2001, 2002, 2003) set of films is an illustration of The Saga Sequel Set where plot lines are continuous over the entire franc...
Using Michael Warner’s (2002) conception of publics and counterpublics, we can see that historically much of fandom was situated in the position of counterpublic as fans not only were placed on the outskirts by others but also actively... more
Using Michael Warner’s (2002) conception of publics and counterpublics, we can see that historically much of fandom was situated in the position of counterpublic as fans not only were placed on the outskirts by others but also actively participated in acts that ran counter to the mainstream reading and consumption of media content. Current media fans of popular American franchises, however, are often courted by corporations and those with the power to influence the mainstream. There is an interest in the types of transformative practices in which fans engage. In actively seeking these audience members and their practices, corporations are forcing these groups into a more public position while helping to shift the types of activities that are considered part of fandom. Essentially, by bringing ‘desirable’ and ‘affirmational’ media fans into the mainstream, corporations are reorganizing them as publics in terms of their position within society, and this shift could contribute to a change in what it means to be a media fan.
The Lethbridge Journal Incubator is a joint project of the University of Lethbridge Library, School of Graduate Studies, and Faculty of Arts and Science. Its goal is to address the issue of the sustainability of gold open access journals... more
The Lethbridge Journal Incubator is a joint project of the University of Lethbridge Library, School of Graduate Studies, and Faculty of Arts and Science. Its goal is to address the issue of the sustainability of gold open access journals by aligning the publication process with the educational and research missions of the public University. In this way, the open access publication, which is more commonly understood as a cost center that draws resources away from a host university's core missions, is transformed into a sustainable, high-impact resource that improves retention and recruitment. It does this by providing graduate students with early experience with scholarly publishing (a proven contributor to in- and post-program student satisfaction and career success), highly-sought after research and technical skills, and project management experience. This article provides a background to the problem of financing gold open access publication and reports on the experience of the researchers responsible for establishing the incubator as it leaves its experimental phase and becomes a center of the University.
Fanfiction is the practice of fans writing stories using the world and/or characters of an established work of fiction in order to rework this material. This thesis examines the relationship between fanfiction and digital self-publication... more
Fanfiction is the practice of fans writing stories using the world and/or characters of an established work of fiction in order to rework this material. This thesis examines the relationship between fanfiction and digital self-publication within the popular fiction genre of urban fantasy. Emerging technologies in digital publishing have created a new world for authors and readers alike. Online publishing companies make it possible for any author to self-publish an ebook and distribute it through a global platform without an agent.
The practice of writing fanfiction connected with urban fantasy has combined with the relative ease of digital self-publication to create an environment within which many new authors can explore non-traditional forms of publication. While all genres have access to this possibility, I suggest that urban fantasy is one of the few that is poised to revolutionise the publication industry due to its historical connection with digital fanfiction. (Master's Thesis)
Research Interests:
Research Interests:
Review of Smith's Storytelling Industries (2018).
Book Review of Cynthia B. Meyers's book A Word from Our Sponsor: Admen, Advertising, and the Golden Age of Radio.
Research Interests:
Calgary Expo 2014 panel on Ender's Game. A consideration of Ender in his role as a hero and a child. This presentation makes use of Northrop Frye's Romance Mythos to ground the definition of hero.
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In this video I discuss my experience using data visualization to guide my research on fanfiction.
Research Interests:
Research Interests:
A defining feature of life in academia is the degree to which we get to decide what is important to us. In many fields there is broad agreement as to what must be taught or what the major research questions are. But there are, outside... more
A defining feature of life in academia is the degree to which we get to decide what is important to us. In many fields there is broad agreement as to what must be taught or what the major research questions are. But there are, outside some certification requirements in the professional faculties, no provincial or national curricula we are required to follow. Likewise, in our work as researchers, we decide what topics and approaches are interesting and appropriate to pursue. We set our own research agendas and through our citation and publication patterns decide collectively what our generation considers to be the most important questions and results. Many of us end up on the editorial boards and agency panels that select the research that is to be funded and published. If we are lucky enough to be tenured, we serve on the committees that decide who our colleagues will be. Not everybody shares in this autonomy, of course, including a growing number of adjunct faculty. And even for those of us who do share in it, a few brilliant exceptions aside, the exercise of our freedom is constrained by our need to work within the consensus we have helped establish. But for the most part the working lives of tenured researchers and teachers, at the very least, are marked by a remarkable degree of autonomy.
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Why should we let Google and Facebook decide which news is valuable to us, the public? Considering the role of 'Big Tech' and government regulation in Canada given recent (2021) moves by Google and Facebook to reject regulation in... more
Why should we let Google and Facebook decide which news is valuable to us, the public? Considering the role of 'Big Tech' and government regulation in Canada given recent (2021) moves by Google and Facebook to reject regulation in Australia.
Discussion of the pairing of John Watson and Sherlock Holmes as one of the earliest slash pairings in fanfiction, though before "slash"  or fan fiction were defined. Publication for University Newspaper's Queer Special Section.
Introduction to the idea of The Hawkeye Initiative for University Newspaper's Queer Special Section.
Review of the fourth episode of the first season of the The Librarians (2014-2018), "And Santa's Midnight Run" for the Christmas Advent Calendar series on Next Projection's Television section.