- Academic and visual artist undertaking practice lead rearch in and of public space.edit
Research Interests:
Research Interests:
In a world fundamentally changed by global warming and mass urbanization the question of urban sustainability is a central challenge for the professions of the built environment and the education of their professionals. This essay... more
In a world fundamentally changed by global warming and mass urbanization the question of urban sustainability is a central challenge for the professions of the built environment and the education of their professionals. This essay discusses the triadic relationship in architectural education between academic research, the Architecture Design Studio (ADS) model and the strategic approach for the Faculty of Architecture and Urbanism at the University of Chile. The authors present three case studies that together, attempt to embed the question of urban sustainability as a focus in the research, curriculum and practice of this faculty. This essay firstly considers academic research undertaken into two socially integrated housing developments and the segregation of cities as a teaching environment and as a catalyst to create a forum for academic and students research activities. The authors then combine the unique aspects of the ADS model with urban intervention to connect the design problem of urban sustainability to a physical reality. Lastly, the strategic approach of the Faculty of Architecture and Urbanism is used as a structural opportunity to embed urban sustainability across, between and through curriculum and academic development and teaching. In conclusion, the authors unpack the tensions revealed in this triadic relationship at the leading public university of Chile-a country of the Global South and member of the OECD.
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ABSTRACTJacques Rancière perceives the image as what is sayable and visible and 20C film montage as an Image-sentence: the closest proximity of parallel realities (Rancière 2007). Prohibited from public view, Marcel Duchamp’s 1917... more
ABSTRACTJacques Rancière perceives the image as what is sayable and visible and 20C film montage as an Image-sentence: the closest proximity of parallel realities (Rancière 2007). Prohibited from public view, Marcel Duchamp’s 1917 Readymade revolution is re-membered in a photographic image: a fountain-urinal. On the mourning after WWII, George Orwell noted readymade-sentences of what could(n’t) be said (Duchamp 1997). Captured by Rene Magritte, the treachery of a painted-word-image-thought, could have been a film about what it wasn’t (Flavia, 2014). About now, Walter Benjamin saw an optical unconscious in the photograph miraculously inverting the awe of culture and nature. (Benjamin 2004) After 1989, Bruno Latour held this modern Constitution as equally anti-modern (before ever having been modern) and postmodern, after which there would be nothing, except the digital image (Latour 1993). Before this, Situationist International and Fluxus showed life as the other side art. Keep your ...
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PurposeThe highly contagious coronavirus and the rapid spread of COVID-19 disease have generated a global public health crisis. Crises are being addressed at various local and global scales through social distancing measures and... more
PurposeThe highly contagious coronavirus and the rapid spread of COVID-19 disease have generated a global public health crisis. Crises are being addressed at various local and global scales through social distancing measures and guidelines, emerging working and living patterns and the utilisation of technology to partially replace physical learning environments. The purpose of this article is to capture the key messages of the contributions published in this special edition of Archnet-IJAR: International Journal of Architectural Research, Volume 15, Issue 1, March 2021. Reviewing more than 70 submissions, 15 articles have been identified that are contributed by 35 scholars, educators and practitioners from 12 countries. The article calls for the need to embed trans-disciplinarity in current and future built environment research.Design/methodology/approachDriven by the fact that architecture, urban design and planning and built environment studies interact and have direct correlation...
Within Santiago, Chile's capital city, Barrio is a fundamental urban concept: an identity of place that defines a social space more than the territorial boundary of a designated area. Nearly 30 years of sustained, economic growth have... more
Within Santiago, Chile's capital city, Barrio is a fundamental urban concept: an identity of place that defines a social space more than the territorial boundary of a designated area. Nearly 30 years of sustained, economic growth have positioned Chile, and Santiago with 40% of the country's population, as a tourist, financial and investment centre for South America. After a general decline of the inner-city area during the time of dictatorship (1973-1990), three inner-city residential barrios are being re-defined by their social and urban heritage as part of the “coolest” city of South America. These residential barrios possess the social characteristics of an urban unit within the concept of an ethical city—autonomy, conviviality, connectivity and diversity—and, in form and use, the basis of urban cultural tourism, a living heritage of residential architecture, public space and urban culture. The spatial and economic transformation of these barrios shifts the existing dynam...