- Cinema, Narrative, Classical Hollywood, Contemporary Hollywood, Series TV, Audiovisual, David Bordwell, Rick Altman, Epic Films, Audiovisual language, and 9 moreAnatol Rosenfeld, Audiovisual Translation, Cinema Theory, Analyzing and Critics, Audiodescription, Subtitling, Dubbing, Literature Compared, and Linguisticsedit
- Master (2014) in Imagem e Som by the Post-Graduate Program in Imagem e Som (Image and Sound) at the Universidade Federal de São Carlos (UFSCar), specialist in Teaching in Higher Education from the Centro Universitário Barão de Mauá (2010), Bachelor of Image and Sound - Audiovisual Production at UFSCar (2002). He teaches film and video since 2000 in lectures, workshops, commented sessions, disciplines of free courses, technical and higher level education at institutions such as Oficinas Culturais da Secretaria de Estado da Cultura d... moreMaster (2014) in Imagem e Som by the Post-Graduate Program in Imagem e Som (Image and Sound) at the Universidade Federal de São Carlos (UFSCar), specialist in Teaching in Higher Education from the Centro Universitário Barão de Mauá (2010), Bachelor of Image and Sound - Audiovisual Production at UFSCar (2002). He teaches film and video since 2000 in lectures, workshops, commented sessions, disciplines of free courses, technical and higher level education at institutions such as Oficinas Culturais da Secretaria de Estado da Cultura de São Paulo, Centro Universitário Barão de Mauá, the school of Visual Arts and Creation Immaginare the NGO Sao Paulo Film Commission, the SESCSP-RP, the RP-SENACSP, CIEE-SP, among others. His professional experience ranges from journalistic documentaries shown on national television such as TV Cultura (Fundação Padre Anchieta), through advertising VTs to the realization of short films shown at various film festivals in Brasil, at Universidade de Coimbra in Portugal, ibe.tv from Televisión Educativa y Cultural Iberoamericana (TEIb) in Spain and at the whole Cinebarre´s chain of movie theaters in the United States. Won the Silver ET Trophy in the Video category from the 4º Festival de Cinema de Varginha in 2005 and ran for best cinematography prize for short film at the Prêmio ABC (Brazilian Association of Cinematographers) in 2009 and 2010. Among the short films he adapted texts by authors such as Carlos Heitor Cony and Fernando Bonassi.edit
This research presents the investigation of the epic genre´s manifestations within Brazilian audiovisual environment having as object the miniseries A muralha (TV Globo, 2000), based on the novel A muralha (1954) by Dinah Silveira de... more
This research presents the investigation of the epic genre´s manifestations within
Brazilian audiovisual environment having as object the miniseries A muralha (TV
Globo, 2000), based on the novel A muralha (1954) by Dinah Silveira de Queiroz,
written by Maria Adelaide Amaral and directed by Denise Saraceni, Carlos Araújo and
Luís Henrique Rios. The intersections between the productive practices of TV Globo
and the referential legacy of the epic genre in film and television fields are discussed,
taking into account aspects of interculturalism and the context of the celebrations of the
500th anniversary of the discovery of Brazil, a period marked by a boom of historic
telefictions and the modernization of production strategies and marketing of audiovisual
works made by the television network. The work performs an approximation to the
binomial TV-cinema relationship in the open television programming and how this
articulated the epic genre in his schedule in primetime serial form.
Keywords: Audiovisual Genre (Epic); Brazilian Television History; Mediatic
Interculturalism.
Brazilian audiovisual environment having as object the miniseries A muralha (TV
Globo, 2000), based on the novel A muralha (1954) by Dinah Silveira de Queiroz,
written by Maria Adelaide Amaral and directed by Denise Saraceni, Carlos Araújo and
Luís Henrique Rios. The intersections between the productive practices of TV Globo
and the referential legacy of the epic genre in film and television fields are discussed,
taking into account aspects of interculturalism and the context of the celebrations of the
500th anniversary of the discovery of Brazil, a period marked by a boom of historic
telefictions and the modernization of production strategies and marketing of audiovisual
works made by the television network. The work performs an approximation to the
binomial TV-cinema relationship in the open television programming and how this
articulated the epic genre in his schedule in primetime serial form.
Keywords: Audiovisual Genre (Epic); Brazilian Television History; Mediatic
Interculturalism.
