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2019
L'intervento approfondisce l'attività di alcune delle architette, tra le più rilevanti (anche se spesso poco note) del panorama italiano e regionale del Novecento.
DonnArchitettura, a cura di Maria Grazia Eccheli e Mina Tamborrino, Franco Angeli Editore
POLIS/POLITICS | Nel segno di Atena: politico femminile plurale [2014]2014 •
MoMoWo: 100 Works in 100 Years. European Women in Architecture and Design: 1918-2018. Editors Ana Maria Fernández García, Caterina Franchini, Emilia Garda, Helena Seražin. Založba ZRC, France Stele Institute of Art History ZRC SAZU, Ljubljana
Museum of Contemporary Art - Ivanka Raspopovic. 1965, Belgrade, Serbia2016 •
The Museum of Contemporary Art in Belgrade, joint work by Ivanka Raspopovic and Ivan Antic, with expressive tectonics, rational geometric form, free plan, and interior that elevated visitors’ responses, set a benchmark for museum buildings design. The first prize on architectural competition held 1959-60 was awarded to team Raspopović and Antić. Museum, opened on October 20, 1965, is located in New Belgrade at the confluence of the Danube and the Sava rivers, facing the Belgrade Fortress.
Women's Creativity since the Modern Movement (1918-2018). Toward a New Perception and Reception
Sapienti Romane: Pioneers and Heirs at the Faculty of Architecture in Rome2018 •
Currently chaired by a woman, the Faculty of Architecture "Sapienza" in Rome was the first created in Italy in 1920. However, differently from Florence, Milan and Venice, the ‘School of Rome’ did not outline a unique ‘tendency’. Nevertheless, it is unquestionable that the presence of prominent figures like Marcello Piacentini, Gustavo Giovannoni, Adalberto Libera, Bruno Zevi and Ludovico Quaroni have traced well-defined paths and left a complex inheritance, absorbed and metabolized in a diversified language. Among the students, more than 200.000, female architects, graduated during almost a hundred years of activity, represent an ever-increasing percentage, although, on them, nothing has been said as a group yet. How was the comparison with their male colleagues? What were their reference models? What are the difficulties they still face today? The aim of the research is to provide a wide frame of women graduated from the Faculty of Architecture in Rome and comparing the different generational outcomes by pondering the historical fate of the pioneers and by collecting the personal experiences of the heirs with a series of direct interviews.
Territorio Della Ricerca Su Insediamenti E Ambiente Rivista Internazionale Di Cultura Urbanistica
Muse, committenti, progettiste. Il lungo percorso delle donne in architettura2013 •
Alegre, A., Bacharel, M., Fernandes, A. (2018). The Design of Educational Buildings in Portugal: a Feminine Contribution in the 1960s. Ljubljana: ZRC SAZU, France Stele Institute of Art History, Založba ZRC, MoMoWo, pp.1025-1034. ISBN 978-961-05-0106-0
The design of educational buildings in Portugal: a feminine contribution in the 1960’sIn the 1960s, the paradigm of school architecture in Portugal shifted from a traditional to a more experimental educational approach. Maria do Carmo Matos (1935-89) played a central role in this process, since she led a team of architects in the Department of Construction for Technical and Secondary Education (1934-69). In a men’s world, she stood out not only for her ideas on an innovative design and construction approach but also by promoting international contacts with intergovernmental organizations. Maria do Carmo largely contributed to the pursuit of the right to education to all children with the adoption of rational procedures in school building design. A new approach was adopted to increase school construction efficacy based on a new design methodology, on industrialized and rationalised systems, and on effective cost and planning control procedures. This paper focuses on the contribution of Maria do Carmo to the promotion of an innovative design for educational buildings. The schools constitute simple and pragmatic buildings, without any particular architectural aspirations or significant expression of modern design vocabulary. However, those schools accomplished the social aim of the modern movement, and Maria do Carmo played a crucial but mostly anonymous role.
Women’s Creativity since the Modern Movement (1918–2018) - Toward a New Perception and Reception
Un Día Una Arquitecta - Three Years of Activism toward Inclusion2018 •
2011 •
La présentation propose un parcours chronologique à travers le débat, les dessins d’architecture et les réalisations qui ont marqué l’histoire des musées en Italie au cours du xxe siècle. Certes, le panorama italien se caractérise historiquement par un engagement particulier pour la réhabilitation de monuments historiques. Cependant, il est important, parallèlement, de mettre en lumière le rôle fondamental joué par la construction de nouveaux musées, dont l’architecture a été conçue expressément dans un souci de conservation des oeuvres d’art, de leur étude et de leur exposition au public. Ce sont donc ces deux aspects – réaménagement et création architecturale ex novo du musée – qui caractérisent les réalisations des premières années du xxe siècle, encore partiellement inspirées par les modèles de la fin du xixe siècle et influencées par le contexte historique complexe et réglementé de l’époque (notamment du point de vue politique, institutionnel et législatif). Dans les années 1950, les musées italiens connaissent une vaste campagne de réaménagements, avec l’intervention et la participation, à Venise, Vérone, Florence, Gênes et Milan, des principaux architectes italiens : de Giovanni Michelucci à Franco Albini, de Ignazio Gardella à Carlo Scarpa en passant par le studio bbpr. La ville de Turin se démarque en revanche avec les réalisations muséales les plus significatives de ces années-là : la Galleria Civica d’Arte Moderna et le Musée de l’automobile. Après quelques constructions sporadiques sur le territoire national, des projets de plus grande envergure réapparaissent au cours des années 1980 (restauration et réaménagement du Castello di Rivoli). Cependant, du côté des créations architecturales, il faudra attendre le « nouvel essor » des années 1990 pour que de grands architectes internationaux s’impliquent dans des projets, tels Mario Botta pour le mart de Rovereto, Zaha Hadid pour le maxxi à Rome (en cours) et Daniel Libeskind à Milan pour le projet de Cagliari.
Revista proyectodiseño No. 70
De las diseñadoras para la humanidad (sobre diseño género y sexo) [Español] (2011)2011 •
EL PAPEL DE LAS MUJERES EN LAS PROFESIONES DE DISEÑO: CONTEXTO, HISTORIA, PENSAMIENTO, PRODUCCIÓN, DIVERSIDAD. Cada diseñadora en este recuento tiene aportes e historia documentada, comunicarlos en sucesión y conjunto quizás sea denso o aburrido, pero dé una idea del viaje de las mujeres del campo privado decorativo al campo productivo y público. La dimensión de género y la sexualidad —de quien diseña y de sus usuarios— son aspectos proyectuales importantes en diseño, tanto como la ergonomía o la tecnología; muchos hombres diseñadores habrían de considerar el asunto y muchas mujeres, mayoritarias en los estudiantados, argumentarlo para encontrar modos de estructurar dinámicas profesionales (que les permitan mantenerse activas en la profesión cuando, por ejemplo, los hijos vengan). Ahora bien, la recapitulación incluye pocas latinoamericanas y ninguna colombiana por dos motivos: primero, porque toda esta edición de proyectodiseño (la número 70) se dedica a ellas; y segundo porque ellas son las indicadas para narrar sus historias y dar sus versiones del diseño, no de mujeres para mujeres, sino de diseñadoras colombianas para toda la humanidad.
IN: H. Serazin, C. Franchin & E. Garda (eds.) 2018: Women's Creativity since the Modern Movement (1918/2018): Toward a New Perception and Reception, International Symposium, Turin, 13-16 June 2018, ZRC Publishing House, Ljubljana, pp. 628-637
The "Built" Legacy of Poldi Hirsch: A European Architect who Became an American Pioneer of the Modern Movement2018 •
Journal of Architectural Education
The Canon and the Void. Gender, Race, and Architectural History Texts2006 •
Women's Creativity since the Modern Movement (1918-2018) Toward a New Perception and Reception, ed. by Helena Seražin, Caterina Franchini and Emilia Garda, Ljubljana 2018. ISBN 978-961-05-0106-0
Foreign Women in Italian Architecture and Art during the Fascism2018 •
Anfione e Zeto
Malfona L., "Essere Andrea Palladio. Il teorema di Peter Eisenman", in Anfione e Zeto, n. 28/20182018 •
2018 •
Women's Creativity since the Modern Movement (1918-2018) Toward a New Perception and Reception. pp.183-192
Alternative Education Environments: Working with the Socio-Physical Conditions2018 •
Women's Creativity since the Modern Movement (1918-2018) Toward a New Perception and Reception
Designing the Growth: Planners of Belgrade Housing2018 •
2018 •
P.O. Rossi, "Documentare la città contemporanea", in: G. Ciucci, F. Ghio, P.O. Rossi, "Roma, la nuova architettura", Electa, Milano 2006, pp. 34-47
POR_ROMA: La nuova architettura_Documentare la città contemporaneaAngelica e Bradamante. Le donne del design
professione designer. indagine su “donne designer” e mondi professionali2017 •
Angelica e Bradamante. Le donne del design
Anna Maria Fundarò. Protagonista della didattica per lo sviluppo dei contesti meridionali e mediterranei (1970-1990)Tevere cavo una infrastruttura di nuova generazione per Roma tra passato e futuro
Foreste urbane. Strategie per la riqualificazione delle aree estrattive2013 •
2019 •
2018 •