Chiara Monterumisi
EPFL, ENAC IA LCC, Post-Doc
- Architecture, Architectural History, Urban History, Architecture and Public Spaces, Nordic Architecture, Swedish Design, and 27 moreModern Architecture, Swedish architecture, Ragnar Östberg, Scandinavian Studies, National Romanticism, Arts and Crafts, The trip to North of Italian Architects, Role of Culture in Architecture, Exhibition Design (Architecture), Theory Of Architecture, Architecture and Travel, Grand Tour, Architectural Theory, Fin de Siecle Literature & Culture, Revivalism and historicism in architecture, particularly medievalism, Art Nouveau, Nordic Studies, History of Residential Architecture and Urban Planning, Housing and Dwelling (Architecture), History of architecture, Historia y Teoria del Arte y la Arquitectura, Arquitectura y Diseño, Historia de la Arquitectura, Teoria de la Arquitectura, Swedish History, History and Theory of Modern Architecture, and Housing & Residential Designedit
- Chiara Monterumisi (PhD) is architect and now visiting researcher at the EPFL-École Polytecnique Fédérale de Lausanne... moreChiara Monterumisi (PhD) is architect and now visiting researcher at the EPFL-École Polytecnique Fédérale de Lausanne (Switzerland). She joined the Laboratory of Construction and Conservation (LCC) head by Luca Ortelli in March 2016 as Post-Doc Fellow, where she stayed for three years. There, she conducted two research projects about social housing interventions in the interwar-period, with a particular regard to Sweden and Denmark. The methodology applied here comprises of a historical examination based on archival items and dedicated literature with a typological and morphological analysis of the selected case-studies.
The first research project, Stockholm: Housing in the Interwar Period, was entirely granted from the SNSF-Swiss National Science Foundation. The goal was to examine the transformations in the urban policies of the Swedish capital city and, then, comparing the multiple experimentations in architectural models and dwelling layout for the design of the housing districts.
After completing the SNSF research grant, she aims to widen the perspective on the Nordic housing production. The focus goes to the nearby Denmark, specifically she investigates the work of Kay Fisker in Copenhagen.
Her pieces of writing have been published as papers and books’ chapters in international publications, mainly in Italian, English and French.
As a member of the LCC, she is one of the scientific curators of the exhibition “HOUSING” (18th September - 2nd November 2018) held at the EPFL aims to display the morphological and typological variety through a selection of remarkable examples of Frankfurt, Wien and Stockholm 1920s-1930s housing complexes.
Together with professor Luca Ortelli (head of the Lab LCC) and Dr. Alessandro Porotto, she is guest curator for the forthcoming issue (vol. 4, issue 3, September 2019) entitled «Housing Builds Cities» for the open access double blind reviewed journal “Urban Planning”.
She is also one of the session coordinators, namely “News from the Nordic countries or an epoch of action”, for the forthcoming 9th AISU International Conference which will take place at the Alma Mater Studiorium – Università di Bologna in September 2019.
She has recently published a book, entitled «Ragnar Östberg. Villa Geber: a house in the archipelago» (Vicenza: Edibus, July 2017), which was entirely supported by the C.M. Lerici Stiftelsen. The book recasts the twofold focus of the Ph. D. dissertation by addressing here, with much more details, the domestic project of villa Geber.
In 2011, she completed the B.Sc. and M.Sc. in Architecture at the Alma Mater Studiorum - Università di Bologna (Italy). There, she also obtained the Ph.D. degree in “Architecture and Design Cultures” in 2015 with the thesis «Ragnar Östberg. Genius loci and urban memories. Stockholms Stadshus-Nämndhus and villa Geber». During the doctoral school, she was also teaching assistant at the I B.Sc.’s design studio. Thanks to the 6-month research scholarship provided by the C.M. Lerici Stiftelsen, she was visiting researcher at the KTH-Kungliga Tekniska Högskolan i Stockholm (Sweden) for finalizing her Ph.D. study.edit
ITA. Il principale obiettivo del libro è il superamento dell’univocità di interesse manifestata dalla critica per quella chef-d’oeuvre di Ragnar Östberg che è il Municipio di Stoccolma. Ciò si concretizza nel tentativo di delineare un... more
ITA. Il principale obiettivo del libro è il superamento dell’univocità di interesse manifestata dalla critica per quella chef-d’oeuvre di Ragnar Östberg che è il Municipio di Stoccolma. Ciò si concretizza nel tentativo di delineare un nuovo apporto esegetico analizzando un altro volto della sua produzione: Villa Geber (1911-1913); in quanto la riconoscibilità identitaria tanto ricercata dal movimento romantico nazionale non trovò espressione unicamente negli edifici a carattere pubblico. Le vite dei due edifici si intrecciano anche sotto il profilo temporale e si è portati a intravedere una vicendevole influenza. «Con le sue linee semplici e originali, e la sua incantevole corte, è una perla della moderna architettura svedese». A partire dalla fascinazione esercitata su H. Ahlberg e F. R. Yerbury (1924), il libro intende esplorare l’armoniosa sintesi di culture e forme lontane fra loro nel tempo e nello spazio contenute in Villa Geber, a cui si è reso necessario aggiungere un quadro conoscitivo più ampio sulla “democratizzazione” del concetto di villa e sulla concezione abitativa al Nord.
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ENG. The main purpose of the book is to break the monotony of interest by the critics in what is Ragnar Östberg’s masterpiece, the Stockholm Town Hall. This is attempted by sketching out a new line of critical analysis focusing on another aspect of his output, Villa Geber (1911-1913); indeed, the national romantic movement’s quest for a recognisable identity was not confined to public buildings. The lives of the two
design projects interwove in time, such that one glimpses a mutual influence. «With its simple and original lines, and its extraordinarily beautifully designed courtyard is a pearl of modern Swedish architecture». Starting from the fascination that the Villa Geber held for H. Ahlberg and F. R. Yerbury (1924), the book explores the harmonious blend of cultures and forms it comprises, widely differing in space and time; to which there is necessarily appended a broader treatment of the villa concept in the North, and how it became an increasingly “democratic” style of dwelling.
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ENG. The main purpose of the book is to break the monotony of interest by the critics in what is Ragnar Östberg’s masterpiece, the Stockholm Town Hall. This is attempted by sketching out a new line of critical analysis focusing on another aspect of his output, Villa Geber (1911-1913); indeed, the national romantic movement’s quest for a recognisable identity was not confined to public buildings. The lives of the two
design projects interwove in time, such that one glimpses a mutual influence. «With its simple and original lines, and its extraordinarily beautifully designed courtyard is a pearl of modern Swedish architecture». Starting from the fascination that the Villa Geber held for H. Ahlberg and F. R. Yerbury (1924), the book explores the harmonious blend of cultures and forms it comprises, widely differing in space and time; to which there is necessarily appended a broader treatment of the villa concept in the North, and how it became an increasingly “democratic” style of dwelling.
Research Interests:
In recent decades the digitalisation of analogue documents has facilitated remote access to collections while helping preserve archival files. However, as James M. O’Toole pointed out, while ‘preserving the documents [is] certainly... more
In recent decades the digitalisation of analogue documents has facilitated remote access to collections while helping preserve archival files. However, as James M. O’Toole pointed out, while ‘preserving the documents [is] certainly worthwhile’ it is not ‘as important as preserving the information’.1 To critically transform unique archival records into information understandable to a wider audience (including not only research insiders) in the first place and, secondarily, use the information in order to develop historically accurate architectural narratives are two of the most significant goals of the Omega Project: a multidisciplinary and collaborative endeavour, jointly pursued by the Department of the Arts of the University of Bologna and the Centro Studi e Archivio della Comunicazione (CSAC) of the University of Parma.
Research Interests:
Although from the 1930s on Sweden led and inspired the rest of war-ravaged Europe in town planning and housing, its 1920s contributions tend to be overlooked, and the so-called Swedish Grace, with its classical echoes, appeared alien to... more
Although from the 1930s on Sweden led and inspired the rest of war-ravaged Europe in town planning and housing, its 1920s contributions tend to be overlooked, and the so-called Swedish Grace, with its classical echoes, appeared alien to avant-gardism. But mass housing was not just a product of functionalism (generally identified with the 1930 Stockholm exhibition). Even before then, Swedish municipalities and housing cooperatives had made great strides in shaping large areas and improving communal areas in courtyard housing blocks, later paving the way for successful models. In contrast to all the image of rupture circulating at the time, Swedish modern architecture followed a peaceful transition. As of the 1980s, the mainstream critics changed their tune: from being seen as an interlude between National Romanticism and Functionalism (Funkis), Swedish Grace became to be viewed as a facet of modernity.
Research Interests:
On the rocky peaks of the hilly area in north-western outskirts Stockholm, more than forty architects gave their contribution to approximately 2,500 dwelling units comprising the neighbourhood so-called Rödabergsområdet, which corresponds... more
On the rocky peaks of the hilly area in north-western outskirts Stockholm, more than forty architects gave their contribution to approximately 2,500 dwelling units comprising the neighbourhood so-called Rödabergsområdet, which corresponds to one of the longest-pondered and biggest housing plans of the 1910s and 1920s, although its knowledge is still limited outside Nordic countries. The shape of the district stems from progressive refinements and conflations: from the first proposal (1906–1909) by the Swedish urban planner Per Olof Hallman, via crucial improvements by the architect Sigurd Lewerentz (1921) down to integrations (1922 and 1928) by the team of the Stockholm City Building Board.
This contribution sheds new light on urban design history and development of the residential estate via key findings: on the one hand, some drawings and texts from Hallman’s collection (Stockholm Stadsarkiv) as well as drawings and photos of the H.S.B. housing cooperative archive (Centrum för Näringslivshistoria), and, on the other hand, the never-discovered four drawings plates of Lewerentz (ArkDes, Stockholm) that for the first time demonstrate how his design inputs affected significantly the district layout. Organic and structured in form, Rödabergsområdet belongs as much to the collective memory and cultural heritage of Stockholm as to the cityscape.
> Link to the full paper: https://doi.org/10.1080/02665433.2021.1871774
This contribution sheds new light on urban design history and development of the residential estate via key findings: on the one hand, some drawings and texts from Hallman’s collection (Stockholm Stadsarkiv) as well as drawings and photos of the H.S.B. housing cooperative archive (Centrum för Näringslivshistoria), and, on the other hand, the never-discovered four drawings plates of Lewerentz (ArkDes, Stockholm) that for the first time demonstrate how his design inputs affected significantly the district layout. Organic and structured in form, Rödabergsområdet belongs as much to the collective memory and cultural heritage of Stockholm as to the cityscape.
> Link to the full paper: https://doi.org/10.1080/02665433.2021.1871774
Research Interests:
The 1930 Stockholm exhibition was promoted as a breaking point in Swedish architecture, especially for its proposals for novel housing production and design. Starting from that moment, Swedish building initiatives progressively gained... more
The 1930 Stockholm exhibition was promoted as a breaking point in Swedish architecture, especially for its proposals for novel housing production and design. Starting from that moment, Swedish building initiatives progressively gained worldwide acclaim on account of mass production of household goods and effective planning and housing. Suggesting that architectural experimentation with housing started before this event inevitably challenges the almost mythical allure of the exhibition. The multiple interventions by architects, planners and politicians in tackling the housing question from the Stockholm exhibition onwards are commonly thought to have been, for the first time, no longer reserved for a privileged social elite, but available to the general population. However, such a view is only partly true because already before 1930 some municipalities and building associations as well as certain newly established housing cooperatives, brought about transformations in planning provisions and erected housing blocks on an improved design for low-income groups: workers, single women and the elderly. Skimming through the pages of the functionalist manifesto Acceptera (1931), authored by the group responsible for the 1930 Stockholm exhibition, the strictures against the 1920s examples can be summarized under three main headings: employment of classical and traditional vocabulary in façades, arrangement in the form of large courtyard blocks, and insufficient typological experimentation. The goal of this paper is to legitimize the inclusion of these examples within the portrayal of a nation generally considered as inspiring for the rest of the world, especially for its contribution to housing produced in the ensuing decades. Indeed, beyond the classical allure these also express ”proto-modern qualities” (Seelow, 2016) that paved the way for the years after 1930 on.
Research Interests:
The paper explores the city of Stockholm, apparently far from the main tracks of other significant European examples due to its peculiar morphological features. The study investigates the Stockholm Town Hall (Stadshuset) and the nearby... more
The paper explores the city of Stockholm, apparently far from the main tracks of other significant European examples due to its peculiar morphological features. The study investigates the Stockholm Town Hall (Stadshuset) and the nearby never-to-be realized Commission Building (Nämdhuset) designed by the leading exponent of the national romanticism Ragnar Östberg (1866-1945). He published the drawing of the entire complex forming an open square, but it has never been studied by critics as a whole entity. The project responds to the Rossi’s concept of a being a «part of the city» and it shows a dialectic relationship between the genius loci of the archipelago and urban memories which were the result of his interpretation of different townscapes. Particularly, the focus is on explicit, yet subtly concealed, influences of Venice and the Swedish traditional castles. The complex is an oscillation between the locus and types assembled according to spatial sequences of collective spaces.
The book chapter presents also the translation in Italian of many Östberg's travelling notes concerning Sicily published in form of celebrative pamphlet in 1940. A selection of original sketches accompany the critical text. The chapter... more
The book chapter presents also the translation in Italian of many Östberg's travelling notes concerning Sicily published in form of celebrative pamphlet in 1940. A selection of original sketches accompany the critical text.
The chapter is the result of the contribution to the conference "Sicily through foreign eyes: travelling architects" - Università degli Studi di Catania - Struttura didattica di Siracusa, ITALY, May 18 -19, 2017
The chapter is the result of the contribution to the conference "Sicily through foreign eyes: travelling architects" - Università degli Studi di Catania - Struttura didattica di Siracusa, ITALY, May 18 -19, 2017
Research Interests:
The label «People’s home» coined by Swedish Social-Democrats expresses the first step towards the 1930s, 40s and early 50s, which would make Sweden a model for war-ravaged Europe. But “people” and “home” attracted planners, architects,... more
The label «People’s home» coined by Swedish Social-Democrats expresses the first step towards the 1930s, 40s and early 50s, which would make Sweden a model for war-ravaged Europe. But “people” and “home” attracted planners, architects, co-operatives and politicians well before. The aim is to trace the origins of their social concerns in first initiatives of land policies and mass-housing by discussing spatial experiments with housing districts on Stockholm’s fringe in the 1910s and 20s.
The attention here goes to two valuable examples: Röda Bergen (1909- 1929) and Vasastaden (1913-1924) situated in two nearby North-West hilly sites of Stockholm.
The attention here goes to two valuable examples: Röda Bergen (1909- 1929) and Vasastaden (1913-1924) situated in two nearby North-West hilly sites of Stockholm.
Research Interests:
Research Interests:
The paper examines how the leading exponent of the National-Romanticism Ragnar Östberg (1866-1945) contributed to conferring a proper and national character to the Stockholm’s "imago urbis" at the turn of the nineteenth century. The... more
The paper examines how the leading exponent of the National-Romanticism Ragnar Östberg (1866-1945) contributed to conferring a proper and national character to the Stockholm’s "imago urbis" at the turn of the nineteenth century. The Swedish capital, once a provincial city on the margins of Europe, became rapidly a metropolis of the North. It called for new plans shaping its appearance: architects were not interested in a global urban design, rather they focused on specific points of the city, according to the "renovatio urbis" concept. This approach was mostly due to those topographical features, that distinguished it from other European cities: being scattered on islands of the archipelago. Therefore, Stockholm has to be interpreted in its interrupted continuity, like its sibling lagoon city on islands: Venice. More than a repertoire of images, the latter was a real wonderland for Nordic architects. Nature and city join their hands and form the backdrop for Östberg’s projects, as in the two presented case-studies: the Stockholm City Hall with its unbuilt nearby part Commission Building and villa Geber. They express a character adherent to the soul of the archipelago and hark back to urban forms of the tradition. To sum up, the locus where a city is rooted has always been essential since the antiquity. As Rossi stated (1966), there is a connection between architecture and its location, considered as the resulting artefact of its space and its time, of its topographical dimensions and its form.
Research Interests:
Research Interests:
Volume e mostra organizzate dal DA - Università di Bologna
http://casabellaweb.eu/wp/2013/03/05/architetture-padane/
http://casabellaweb.eu/wp/2013/03/05/architetture-padane/
Research Interests:
presented at 17th Annual International Conference of the AHRA - Architectural Humanities Research Association
"HOUSING AND THE CITY"
University of Nottingham (UK) – zoom conference
19th-21th November 2020
"HOUSING AND THE CITY"
University of Nottingham (UK) – zoom conference
19th-21th November 2020
Research Interests:
presented at the 9th AISU CONGRESS "The global city / La città globale" within the D2 panel "News from nordic countries or an epoch of action" . 11st -14th September Alma Mater Studiorum - Università di Bologna Dipartimento di... more
presented at the 9th AISU CONGRESS
"The global city / La città globale"
within the D2 panel "News from nordic countries or an epoch of action"
.
11st -14th September
Alma Mater Studiorum - Università di Bologna
Dipartimento di Architettura
(ITALY)
http://www.storiaurbana.org/images/Bologna2019/programma/aisu_programma_21x21.pdf
"The global city / La città globale"
within the D2 panel "News from nordic countries or an epoch of action"
.
11st -14th September
Alma Mater Studiorum - Università di Bologna
Dipartimento di Architettura
(ITALY)
http://www.storiaurbana.org/images/Bologna2019/programma/aisu_programma_21x21.pdf
Research Interests:
presented at the International Study Days
"Die Multiple Moderne / The Multiple Modernity"
31st January-2nd February
Archiv für Baukunst - Universität Innsbruck (AUSTRIA)
https://archiv-baukunst.uibk.ac.at/
"Die Multiple Moderne / The Multiple Modernity"
31st January-2nd February
Archiv für Baukunst - Universität Innsbruck (AUSTRIA)
https://archiv-baukunst.uibk.ac.at/
Research Interests:
presented at the Symposium on Architectural History
18th December 2018
ArkDes, Stockholm (SWEDEN)
https://arkdes.se/en/call-for-papers-symposium-on-architectural-history-at-arkdes/
18th December 2018
ArkDes, Stockholm (SWEDEN)
https://arkdes.se/en/call-for-papers-symposium-on-architectural-history-at-arkdes/
presented at: "Sicily through foreign eyes: travelling architetti / La Sicilia nello sguardo degli altri: architetti in viaggio" , Università degli Studi di Catania - Struttura didattica di Siracusa, ITALY, May 18 -19, 2017... more
presented at: "Sicily through foreign eyes: travelling architetti / La Sicilia nello sguardo degli altri: architetti in viaggio" , Università degli Studi di Catania - Struttura didattica di Siracusa, ITALY, May 18 -19, 2017
http://www.agenda.unict.it/12856-la-sicilia-nello-sguardo-degli-altri-architetti-in-viaggio.htm
http://www.agenda.unict.it/12856-la-sicilia-nello-sguardo-degli-altri-architetti-in-viaggio.htm
Research Interests:
presented at the Seminar "Beyond Rome. Architects' travel between the Nordic Countries and the Mediterranean" Italienska Kulturinstitutet "C.M. Lerici" (Stockholm) 20th-21th May 2016... more
presented at the Seminar "Beyond Rome. Architects' travel between the Nordic Countries and the Mediterranean"
Italienska Kulturinstitutet "C.M. Lerici" (Stockholm)
20th-21th May 2016
http://www.sah.org/jobs-and-careers/recent-opportunities/2016/05/20/default-calendar/beyond-rome-architects'-travels-between-the-nordic-countries-and-the-mediterranean
Italienska Kulturinstitutet "C.M. Lerici" (Stockholm)
20th-21th May 2016
http://www.sah.org/jobs-and-careers/recent-opportunities/2016/05/20/default-calendar/beyond-rome-architects'-travels-between-the-nordic-countries-and-the-mediterranean
Research Interests:
presented at the Congreso internacional “La cultura y la ciudad. Imagen y representaciones de lo urbano, ciudades históricas y eventos culturales" ETSAG. Escuela Técnica Superior de Arquitectura de la Universidad de Granada (Spain),... more
presented at the Congreso internacional “La cultura y la ciudad. Imagen y representaciones de lo urbano, ciudades históricas y eventos culturales"
ETSAG. Escuela Técnica Superior de Arquitectura de la Universidad de Granada (Spain), 15th-17th April 2015
https://laculturaylaciudad.wordpress.com/temas/
ETSAG. Escuela Técnica Superior de Arquitectura de la Universidad de Granada (Spain), 15th-17th April 2015
https://laculturaylaciudad.wordpress.com/temas/
Research Interests:
presented at the "Third international meeting of EAHN. European architectural history network - Round table for Phd students "
Politecnico di Torino, Castello del Valentino
19th - 23th June 2014
http://www.eahn.org/conference-2/
Politecnico di Torino, Castello del Valentino
19th - 23th June 2014
http://www.eahn.org/conference-2/
Research Interests:
presented at the International Seminar "Italy and the Nordic architect"
Accademia di San Luca, Rome (Italy)
14th-15th November 2013
http://www.accademiasanluca.eu/it/news/id/1619/italy-and-the-nordic-architects
Accademia di San Luca, Rome (Italy)
14th-15th November 2013
http://www.accademiasanluca.eu/it/news/id/1619/italy-and-the-nordic-architects
Research Interests:
presented at the III Symposium of SAHN. The historiography of Swedish architecture
Uppsala Universitet (Sweden), 11th- 12th October 2013
http://sahnetwork.wordpress.com/chiara-monterumisi/
Uppsala Universitet (Sweden), 11th- 12th October 2013
http://sahnetwork.wordpress.com/chiara-monterumisi/
Research Interests:
presented at the International seminar “Architects' travels. Swedish-Italian connections in the tradition of the Grand Tour (1830-1950)”, Italienska Kulturinstitutet i Stockholm "C.M. Lerici" (Sweden)... more
presented at the International seminar “Architects' travels. Swedish-Italian connections in the tradition of the Grand Tour (1830-1950)”, Italienska Kulturinstitutet i Stockholm "C.M. Lerici" (Sweden)
http://www.univpm.it/Entra/Engine/RAServeFile.php/f/congressi_seminari/2012/Travels_stockholm_11102012.pdf
http://www.univpm.it/Entra/Engine/RAServeFile.php/f/congressi_seminari/2012/Travels_stockholm_11102012.pdf
Research Interests:
"Akzeptiere: Das Buch und seine Geschichte" is the latest in-depth contribution by Atli Magnus Seelow, one of several by him on the 1930 Stockholm exhibition and the book accepetera, the 200-page text often referred to as ‘the manifesto... more
"Akzeptiere: Das Buch und seine Geschichte" is the latest in-depth contribution by Atli Magnus Seelow, one of several by him on the 1930 Stockholm exhibition and the book accepetera, the 200-page text often referred to as ‘the manifesto of Swedish functionalism’ which was co-authored by the group – Erik Gunnar Asplund, Wolter Gahn, Sven Markelius, Gregor Paulsson Eskil Sundahl and Uno Åhrén – responsible for what is still an important event in Nordic countries. In Nordic circles accepetera has had ‘a major impact over time in relation to the short-lived Stockholm exhibition, ‘ (Seelow 2018) but the Swedish manifesto lacks all textual or historical analysis until recently, unlike many manifestos of the time which were thoroughly explored and also translated. As stressed in the title, Seelow examines both the ‘book‘ (Das Buch) in all its facets, and the ‘ history‘ (seine Geschichte) or historical background from which the manifesto sprang. Eighty-seven years after accepetera, Seelow’s 2018 contribution provides the first thorough contextualisation of the text within the Swedish architectural, theoretical and political panorama, though he also eschews any uniquely Swedish-oriented perspective. The author says quite plainly that the main reason for his contribution was to get the text translated in its entirety, made at last available to a German readership. His intention of disseminating the manifesto outside Swedish borders is not a lone voice among recent studies - Lucy Creagh was a forerunner in curating the full English reprint translation in 2008. Nevertheless, Seelow’s is a pivotal contribution in that German culture was a primary reference point for Sweden. The choice of language for the book and the translation is hardly coincidental.
Research Interests:
Book review on the last contribution of Nicholas Adams, dealing with Gordon Bunshaft. The review is comprised in the bilingual thematic issue: "ARTSCHITECTURE. The arts as a solicitation of architectural thought" edited by L. Amistadi... more
Book review on the last contribution of Nicholas Adams, dealing with Gordon Bunshaft.
The review is comprised in the bilingual thematic issue:
"ARTSCHITECTURE. The arts as a solicitation of architectural thought"
edited by L. Amistadi and E. Prandi
The review is comprised in the bilingual thematic issue:
"ARTSCHITECTURE. The arts as a solicitation of architectural thought"
edited by L. Amistadi and E. Prandi