Research Interests:
Research Interests:
Associated with Dante and the Divine Comedy is also one of Franz Liszt’s most experimental works: his Dante-Symphonie, which the composer had originally hoped to present in an audio-visual performance of new conception. The work, which... more
Associated with Dante and the Divine Comedy is also one of Franz Liszt’s most experimental works: his Dante-Symphonie, which the composer had originally hoped to present in an audio-visual performance of new conception. The work, which was praised also by Wagner as an example of music with a strong and innovative significance, was never performed in the composer’s lifetime as he had originally conceived it, but only in concert form. The events in Rome for the sixth centenary of Dante’s birth, however, gave Liszt the opportunity to connect the work to an exhibition of paintings on Dante subjects organized by Romualdo Gentilucci and inaugurated in Rome on 26 February 1866. On this occasion the composer was the recipient of a poetic tribute from Domenico Venturini, a writer from Roman academic circles, who dedicated two sonnets to the composer and his Dante-Symphonie, that were also published by L'Osservatore Romano.
The Soundscape of the Venetian Terraferma in the Early Modern Era is an international conference organized by the Accademia Filarmonica of Verona on the occasion of the 475th anniversary of its foundation (23 May 1543), in collaboration... more
The Soundscape of the Venetian Terraferma in the Early Modern Era is an international conference organized by the Accademia Filarmonica of Verona on the occasion of the 475th anniversary of its foundation (23 May 1543), in collaboration with the University of Verona, Ca’ Foscari University of Venice, the University of St Andrews and the Conservatorio “E. F. Dall’Abaco” of Verona. Natural sequel to The Soundscape of Early Modern Venice (Ca’ Foscari University of Venice, 24-27 May 2017 – Visit the Venice conference web section ), this further initiative has the aim of increasing debate on the varied soundscape of the Venetian Terraferma in the early modern period. This territory, which stretched from Bergamo in the west to the Friulian Alps in the north-east and the river Po at the Republic’s southern extremity, formed one of the three subdivisions of the Serenissima; the others were the Dogado (Venice and surrounding area) and the Stato da mar (Venetian possessions in the eastern Adriatic and Mediterranean areas). The articulate system that regulates musical and non-musical sound in the Venetian territories prior to the fall of the Serenissima in 1797 is highly conducive to an interdisciplinary approach which draws on the new perspectives offered by urban history, humanistic geography and historical anthropology. Emblematic, in this sense, are the activities of the Accademia Filarmonica, which have dominated almost five centuries of local musical history.
http://www.accademiafilarmonica.org/filarmonica/en/convegno-internazionale-2018
http://www.accademiafilarmonica.org/filarmonica/en/convegno-internazionale-2018
Research Interests: Semiotics, History, Cultural History, Economic History, Cultural Studies, and 141 moreMusic, Church Music, Early Music, Music History, Media and Cultural Studies, Cultural Sociology, Early Modern History, Cultural Heritage, Performance Studies, Human Perception and Performance, Material Culture Studies, Catholic Studies, Liturgy, Industrial History, Renaissance Studies, Renaissance Humanism, Urban History, Social and Cultural Anthropology, Renaissance, Music Theater, Cultural Semiotics, Opera, Ritual, Renaissance Art, Renaissance Literature (Renaissance Studies), Identity (Culture), Soundscape Studies, Sound studies, Cultural Transfer Studies, Oral Traditions, Urban Studies, Italian Cultural Studies, Cross-Cultural Studies, Sound, Cultural Economics, Cultural Identity, Cultural Musicology, Performance Studies (Music), Catholic Theology, Venetian History, Renaissance drama, Early Modern Church History, Urban Culture, Church History, Baroque Music, Social History, Dance History, Italian Renaissance Art, Urban Sociology, Early Modern Italy, Renaissance music, Renaissance literature, Baroque music theatre, Patronage (History), Republic of Letters (Early Modern History), Oral Traditions (Culture), Identity And Culture, Choral Music, Instrumental Music, Identity construction and cultural production, Cultural Anthropology, Critical Musicology, Music Perception, History of Dance, Early Modern Catholicism, Sacred Music, History of music, Renaissance Music (Music), Renaissance Drama (Theatre Studies), Eighteenth-Century Music, Theater History, Republic of Venice, Patronage and collecting, Cultural History of Music, Social History and Cultural Study of Music, Venetian Renaissance art, Venice and the Veneto, Italian Renaissance and Baroque Art, Renaissance Verona, 16th century Venice, History of Venice, Pittura Rinascimento, Catholic Church History, Grand Tour, Rinascimento, Cultural and Social Anthropology, Padova, Liturgics, Counter-Reformation, Musicology/Cultural Studies, 16th Century Sacred Music, Soundscape Studies, music, embodiment, Performance Studies and Musical Theatre, Liturgy, Sacred Music, History of Venetian Republic, Musikwissenschaft, Monastic music (all periods), Sacred Music (XVII-XVIIIe siècles), Early modern venice, Italian Renaissance Studies, Catholicism and music, Theater and Performance Studies, Eighteenth-Century Instrumental Music, Civic Ritual and Society, Baroque Instrumental Music, Catholic Church music, Terraferma veneta, Soundscape Studies Research, Counterreformation, Venezia E Terraferma Veneta (XV-XVIII), Italian Baroque Music, Urban musicology, History of Verona, History of the Venetian Republic, Renaissance and Baroque Music, Grand Tour Studies, 17th c Venetian Intellectual History, Musicology, Historical, Analytical and Cultural Study of Music, Venetian Renaissance Music, History of Serenissima Repubblica Di Venezia, History of the Theater, Theater Studies, Pittura veronese, 18th Century Grand Tour, Musicologia, Venetian Baroque Music, History of Grand Tours, Storia e estetica della musica, Choir Books, Liturgy and Sacred Music, Civic Ritual in Renaissance Italy, Accademia Filarmonica di Verona, History of Vicenza, Venetian Terraferma, History of the Venetian Terraferma, Early Modern Terraferma, Early Moedrn Age, Museo Lapidario Maffeiano, Monastic music, Teatro Filarmonico di Verona, and Soundscape of the Venetian Terraferma
Research Interests:
Research Interests:
Project of Accademia Filarmonica di Verona, Conservatorio Statale di Musica di Verona and Fondazione Cariverona. The project aims to study and publish in a diplomatic edition (with summaries, essays and chronology) the documents produced... more
Project of Accademia Filarmonica di Verona, Conservatorio Statale di Musica di Verona and Fondazione Cariverona. The project aims to study and publish in a diplomatic edition (with summaries, essays and chronology) the documents produced by the Accademia Filarmonica di Verona from its foundation (1543) to the begining of the twentieth century. The first three volumes of the project (1543-1605, 1605-1634, 1637-1733) were published in 2015.
The project was funded from 2004 to 2006 by Fondazione Cariverona; since 2007 it has been funded by the Accademia Filarmonica di Verona.
The project was funded from 2004 to 2006 by Fondazione Cariverona; since 2007 it has been funded by the Accademia Filarmonica di Verona.