Research Interests: Sculpture, Neoclassicism, Funeral Monuments, Cemetery Sculpture and Monuments, Monumenti funerari, and 12 moreNeoclassical sculpture, Felice Giani, Antonio Canova, Neoclassicismo, Tommaso Minardi, Sepolcri Funerari, I Sepolcri, Giacomo De Maria, Sepulchral Monuments, Giuseppe De Fabris, Pietro Fancelli, and Giacomo Mellerio
Research Interests: Romanticism, Johann Wolfgang von Goethe, Vesuvius, Pompeii and Herculaneum, Neoclassicism, and 15 moreBatoni, Pompeo, Ottocento, Grand Tour, Poseidonia - Paestum, Romanticismo, Anton Raphael Mengs, Giovanni Battista Piranesi 1720-1778, The Grand Tour, Settecento, Antonio Canova, Bertel Thorvaldsen, Neoclassicismo, Grand Tour Studies, Giovanni Paolo Panini, and Vesuvio
Research Interests: Giacomo Leopardi, Batoni, Pompeo, Giovanni Battista Piranesi 1720-1778, Francesco Hayez, Antonio Canova, and 15 moreBertel Thorvaldsen, Giulio Aristide Sartorio, Paolo De Matteis, Andrea Appiani, Guido Cadorin, Gaspare Landi, Ettore Ximenes, Luigi Ademollo, Pompeo Marchesi, Giambattista Gigola, Fernando Mazzocca, Filippo Marsigli, Ademollo Luigi, Lorenzo Cardelli, and Francesco Corneliani
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Research Interests: The Classical Tradition, Friedrich Schiller, Lord Byron, Neoclassicism, Neoclassical sculpture, and 15 moreAntonio Canova, Bertel Thorvaldsen, Neoclassicismo, Johannes Wiedewelt, Carlo Finelli, Antonio Solá, 19th Century Sculpture in Rome, Scultura neoclassica, Leopold Kiesling, Pietro Tenerani, Georg Zoëga, Reception of Anacreon, Johann Tobias Sergel, Rudolph Schadow, and John Deare
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Improvvisazioni virtuose sui temi canoviani della fama e dei sepolcri, tra Accademia d'Italia e Accademia dei Pensieri, in Canova e il dolore. Le stele Mellerio. Il rinnovamento della rappresentazione sepolcrale, a cura di Stefano Grandesso, Francesco Leone, Crocetta del Montello 2022, pp. 42-59.more
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Research Interests: Mexican Studies, Mexican Art, 19th Century Mexican History, Accademia di San Luca, Roma, Bertel Thorvaldsen, and 15 moreAmerican Art Nineteenth Sculpture, Arte Mexicano, Arte mexicano siglo xix, XIX century Italian sculpture, 19th Century Sculpture in Rome, Pietro Tenerani, José María Labastida, Scultura Italiana Dell'Ottocento, Academia de San Carlos de México, 19th Century American Sculpture, 19th Century Mexican Sculpture, Pedro Patiño Ixtolinque, Manuel Vilar, Thomas Crawford, and Miguel Noreña
Research Interests: Romanticism, Giacomo Leopardi, Neoclassicism, Lorenzo Bartolini, Romanticismo, and 13 moreHiram Powers, Neoclassical sculpture, Antonio Canova, Bertel Thorvaldsen, Pietro Selvatico Estense, Amore E Psiche, Neoclassicismo, Pietro Giordani, Scultura neoclassica, Pietro Tenerani, Giovanni Duprè, Romantic Sculpture, and Scultura romantica
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Research Interests: Romanticism, Neoclassicism, Bartolomeo Pinelli, Neoclassical sculpture, Antonio Canova, and 11 moreBertel Thorvaldsen, Genre Sculpture, François Rude, 19th century Roman Art, RIdolfo Schadow, Antonio Piatti, Pierre-Jean David d'Angers, Rudolph Schadow, Franciscque-Joseph Duret, Romantic Sculpture, and 19th Century Roman Sculpture
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Research Interests: Sculpture, XXth Century Italian Art, Monumentality, Fausto Melotti, Lucio Fontana, and 14 moreFascist Architecture & Art, Xxth century sculpture, Edoardo Persico, Arturo Martini, Aesthetics of Totalitarianism, EUROPEAN Sculpture from the XIX and XX centuries, Libero Andreotti, Marcello Piacentini, Adolfo Wildt, Domenico Rambelli, Arrigo Minerbi, Palanti Giuseppe, Romanelli Romano, and Dazzi Arturo
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La fortuna dell’Ebe canoviana in scultura come personificazione della grazia giovanile e prototipo delle statue “aeree”, in Canova l’ideale classico tra scultura e pittura , exh. cat. (Forlì) by F. Mazzocca, with S. Grandesso and F. Leone , Cinisello Balsamo, Silvana Editoriale, 2009, pp. 45-57.more
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Le arti e la storia davanti a Roma, in Maestà di Roma. Da Napoleone all'Unità d’Italia. Universale ed Eterna. Capitale delle Arti, progetto di S.Susinno, realizzazione di S.Pinto con L.Barroero e F. Mazzocca (Roma, Scuderie del Quirinale-Galleria Nazionale d’Arte Moderna), Milano 2003, pp. 132-138.more