- Università di Teramo
Dipartimento di Scienze Politiche
Via R. Balzarini, 1
64100 Teramo
maddalena carli
University of Teramo, Scienze politiche, Faculty Member
- Fascism and Modernism, Fascism, Fascist Architecture & Art, History Of Madness And Psychiatry, Exhibition, Museum, Expositions and Worlds Fairs, History of Exhibitions, and 49 moreArt History, Exhibition History, Museum and Curating Studies, Colonial Exhibitions, Modernism, Futurism, Italian fascism, Propaganda, Contemporary Art, History and Memory, Architecture, Photography, Contemporary Italian History and Politics, Fascismo, Italian (European History), History of photography, Photography (Visual Studies), Photography Theory, Documentary Photography, European History, Photomontage, Aerial Photography, Art and Politics, History Of Propaganda, War Propaganda, Propaganda & Indoctrination Studies, Political propaganda and Literature, Fascist propaganda, Art & Propaganda, Ruins, Archaeology and politics, Fascism and Classical Antiquity, Reception of Antiquity, Cesare Lombroso, Criminology, Social Representations, Physiognomy, History of Physiognomy, History of Crime and Punishment, Race and Racism, History of Science, Modern Ruins, Urban Ruins, Styles in Art and Architecture, Gender and Sexuality, Gender Studies, Queer Studies, Feminism, Feminist Theory, Queer Theory, and Michel Foucaultedit
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L’eredità difficile propone una selezione ragionata degli studi che Maria Ferretti ha dedicato alle rivoluzioni russe del 1917, alla resistenza operaia di fronte all’industrializzazione forzata, alla genesi dello stalinismo e al sistema... more
L’eredità difficile propone una selezione ragionata degli studi che Maria Ferretti ha dedicato alle rivoluzioni russe del 1917, alla resistenza operaia di fronte all’industrializzazione forzata, alla genesi dello stalinismo e al sistema del Gulag, alla memoria storica e agli usi pubblici del passato nella Russia contemporanea, selezione da cui emerge una coerente e originale analisi di processi spesso colti nella loro “dimensione umana” e con un’attenzione fuori dal comune per i fattori di modernizzazione e le circostanze di crisi.
La rivoluzione bolscevica e lo stalinismo vi appaiono situati al punto di intersezione fra la lunga durata della storia russa, con la stabilità delle sue politiche, le sue credenze messianiche e il preponderante ruolo dello Stato nel plasmare la società, e la storia dell’Occidente, col suo modello industriale, il mito del progresso e il fascino dell’ingegneria sociale.
Un volume necessario per decifrare una tra le potenze protagoniste dello scacchiere mondiale attuale, e del recente passato.
La rivoluzione bolscevica e lo stalinismo vi appaiono situati al punto di intersezione fra la lunga durata della storia russa, con la stabilità delle sue politiche, le sue credenze messianiche e il preponderante ruolo dello Stato nel plasmare la società, e la storia dell’Occidente, col suo modello industriale, il mito del progresso e il fascino dell’ingegneria sociale.
Un volume necessario per decifrare una tra le potenze protagoniste dello scacchiere mondiale attuale, e del recente passato.
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The exhibitions, promoted and attended by the Fascist régime, repeatedly dealt with the colonies even when Italy had not yet been formally granted the status of Empire. This article aims to explore the representation of the Oltremare... more
The exhibitions, promoted and attended by the Fascist régime, repeatedly dealt with the colonies even when Italy had not yet been formally granted the status of Empire. This article aims to explore the representation of the Oltremare before and after 1936 through a number of case studies, paying particular attention to the numerous installations through which the colonial territories and their inhabitants were portrayed and/or concealed. The interaction between the myth of Rome and the practice of exoticization provides an opportunity to explore the different functions assigned to the image of the colonies. This concentrates on a decade in which the legitimization of expansionist ambitions was followed by the need to organize (and administer) Italian East Africa, and to promote it as a testimony to the country’s renewed international power.
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L’article analyse une série de textes de jeunesse consacrés aux rêves par Cesare Lombroso. La première partie aborde son journal intime, rédigé alors qu’il était étudiant en médecine entre les universités de Pavie, Padoue et Vienne... more
L’article analyse une série de textes de jeunesse consacrés aux rêves par Cesare Lombroso. La première partie aborde son journal intime, rédigé alors qu’il était étudiant en médecine entre les universités de Pavie, Padoue et Vienne (1854-1857) : à côté des réflexions sur sa vie quotidienne, sur ses rencontres et sur ses lectures, on y trouve le récit de ses songes et des expériences que lui racontent des amis. La deuxième partie se concentre sur les articles que Lombroso publie, entre 1855 et 1864, sur les rêves : l’activité onirique y devient un sujet d’études à part entière, sur lequel l’auteur commence à exprimer des hypothèses, en dialoguant avec les œuvres de ses contemporains et celles des auteurs du passé. Dans la troisième partie, sont formulées quelques réflexions sur le parcours de Lombroso, qui passe de l’observation des rêves à l’interprétation de leur nature. Si son travail sur la norme et la déviance changera de formes et de significations, l’attention pour l’activité du sommeil nous semble constituer une étape de la formation intellectuelle du médecin turinois et de son insertion dans les milieux européens qui s’y intéressaient dans la seconde moitié du XIXe siècle.
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The article deals with iconographic sources related to the history of Italian brigandage through a case study: the photographs in the Historical Archives of the Cesare Lombroso Museum of Criminal Anthropology at the Univeristy of Turin. I... more
The article deals with iconographic sources related to the history of Italian brigandage through a case study: the photographs in the Historical Archives of the Cesare Lombroso Museum of Criminal Anthropology at the Univeristy of Turin. I will try to explain the reasons why there are more than 200 photographs of brigands in the Lombroso Museum, and to reflects on how to read them through ah historical approach
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At the end of the 19th century, the representations of faits divers involved the emerging field of criminology; its academics as well as institutionals actors, consultant and especially the police force. The article focuses on the... more
At the end of the 19th century, the representations of faits divers involved the emerging field of criminology; its academics as well as institutionals actors, consultant and especially the police force. The article focuses on the contribution of R.A. Reiss (1875-1929) to forensic photography, an activity to which he dedicated articles, publications and a long and rich work. Notably, Reiss was the founder of the Institut de Police Scientifique at the University of Lausanne - the first university police school in Europe. The article will analyze two aspects of his pictures. Firts, following the obsession with identification and anthropological typification whic was typical of his time, Reiss maintained an explicit scientific concern. Second, his depiction of the murder site allows to reflect on what the space of the crime brings about its construction of the frame and its trace of life.
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The twenty-year political period on which this paper focuses opened and closed with two highly symbolic commemorations. On 25 April 1994, just a few weeks after the electoral victory of the political alliance led by Silvio Berlusiconi... more
The twenty-year political period on which this paper focuses opened and closed with two highly symbolic commemorations. On 25 April 1994, just a few weeks after the electoral victory of the political alliance led by Silvio Berlusiconi (Pole of Liberty), more than 500,000 people took to the streets to commemorate the anti-Fascist foundations of the post-war Italian Republic: this was a timely reaction that ran counter to the climate of disaffection that since the 1980s had marked the annual celebrations of the Liberation. The second commemoration was on the night of 11 March 2011, when thousands of citizens took part in the ‘All Night Tricolor’ parties that marked the start of the celebrations of the 150th anniversary of Italian Unification. The scale of popular participation was in part a response to President Ciampi's commitment to re-launching a sense of ‘civil religion’, to the variety of ways in which the event was turned into a spectacle and the work of the organizing committee. But it also reflected the ways in which the significance of the commemoration of the distant founding of the Kingdom of Italy was considered to be ‘above’ (even ‘anti’) party politics. Both commemorations were rooted deeply in Italian history but took place in very different institutional circumstances: this essays compares the two commemorations and how they illustrate the changing political cultures in the time of the Italian transition.
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... Merita molto più del mio affetto silenzioso. Grazie per tutto quello che hai fatto finora, e per quello che continui a fare per i nostri nipotini Alessandra, Daniel, Mi-chela, Gabriel, Nicole e per le nostre nuore Miriam, Angela e... more
... Merita molto più del mio affetto silenzioso. Grazie per tutto quello che hai fatto finora, e per quello che continui a fare per i nostri nipotini Alessandra, Daniel, Mi-chela, Gabriel, Nicole e per le nostre nuore Miriam, Angela e Sabrina. Vostro marito, padre e nonno Shlomo Venezia ...