Maori Art
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Recent papers in Maori Art
"Earlier provisional title was "Archaeology, Tourism, Museum...." "This chapter is divided into two distinct sections that are positioned in a point-counterpoint structure of dialogue. These two position statements invoke the... more
In Aotearoa New Zealand, Māori are overrepresented in criminal and mental health contexts, comprising only 14.9% of the nation, yet over 50% of institutional populations. These figures are not unique, but represent a broader struggle to... more
To everyone who worked on this project we warmly express our thanks to you all for the wairua and manaakitanga generously given to breathe life into the Ngä Pounamu Mäori Centre on the 2 nd floor in Christchurch Central City Library Tihei... more
Te Hau ki Turanga, built on the East Coast last century and now situated inside the Museum of New Zealand (formerly known as the Dominion Museum) in Wellington, is the oldest extant meeting house in New Zealand. By recounting its... more
In 1967, philosopher Richard Rorty edited a volume with the programmatic title The Linguistic Turn. Since then, the social and cultural sciences have gone through several ›turns‹, e. g. the ›interpretative‹, ›iconic/pictorial‹, or the... more
Full text and images available @ UCL blogs online : http://blogs.ucl.ac.uk/researchers-in-museums/2013/03/04/pulling-teeth-ovarian-teratomas-vagina-dentata/
Updated and expanded account of Maori and Polynesian moving image and artists' cinema.
Māori architectural discourse is only emerging gradually, as there is a great amount of oral, written, drawn, photographic and physical source material to reinterpret. This article, which is an architectural analysis of the architecture... more
Rjabchikov, Sergei V., 2018. The Bird-man Cult in the Rapanui Rock Art and Oral Literature. Polynesia Newsletter, 16, pp. 2-32. Keywords: writing, rongorongo, folklore, rock art, Rapanui, Rapa Nui, Easter Island, Polynesia, Quechua,... more
Two recent carved Maori meeting houses, one in a museum and the other on a polytech campus, manage to break down the boundaries between “contemporary” and “traditional” Maori art. Both houses also attempt to represent the whole of the... more
A brief overview of landscape in New Zealand experimental film 1970 to 2015. Includes reference to recent Maori moving image making and possible future conceptions of landscape. Abridged and updated version of... more
Māori warrior chief Hongi Hika carved a self‑portrait in Sydney in the early 19th century. Dr Deidre Brown asks where it is today.
In this essay I aim to use an art object, namely the 'Hei Tiki neck pendant', from the Sainbsury Centre for Visual Arts collection in Norwich to discuss issues of display and representation if it was to be placed in an other museological... more
Museum collections are increasingly subjected to scientific scrutiny, including molecular, isotopic and trace-element analyses. Recent advances have extended analyses from natural history specimens to historical artefacts. We highlight... more
This article draws upon a ‘tale from the field’ (Van Maanen, 1988) to encourage New Zealand and Australian teachers of history and social studies to appraise how their own perceptions of place and teaching about Indigenous peoples’... more
The core theme of this essay is how far it is possible to actively construct identity through the appropriation of the ‘other’ when the ‘other’ is in dominant power relation vis-à-vis the appropriator. How far is this appropriation an act... more
A response to Lisa Reihana's magnificent Emissaries, at the 2017 Venice Biennale
This was one of a number of essays produced as part of the CD-Rom catalogue for the 'Techno Maori: Maori art in the digital age' exhibition I curated with Jonathan Mane-Wheoki when we both worked at the School of Fine Arts at the... more
In this paper I use interviews with one Maori artist to provide some preliminary thoughts on the ways Maori art can be used to understand Maori personhood. Art work is defined as taonga-whakairo and artistic talent as taonga-tuku-iho.... more
Vincent, Nina. “Curadoria Nativa” no Museu “do Outro”: Um estudo sobre a exposição “Maori. Seus tesouros têm alma” e outros diálogos curatoriais no Museu do quai Branly. Dissertação (Mestrado em Sociologia e Antropologia). Instituto de... more
While Aotearoa/New Zealand is a world leader in the arena of family violence policy, it has a long history of violence between its Maori and Western inhabitants that continues to manifest in its policy-making structures. In this chapter,... more
Book Review
Peters, G. (2010). Images of Dignity: Barry Barclay and Fourth Cinema. NZSA Bulletin of New Zealand Studies, 2, 293-295.
Peters, G. (2010). Images of Dignity: Barry Barclay and Fourth Cinema. NZSA Bulletin of New Zealand Studies, 2, 293-295.
The Arts in the New Zealand Curriculum document (2000) is recognised by many arts educators as an innovative and inclusive model of arts education that establishes every child’s right to an education in Dance, Drama, Music and the Visual... more
Review essay published in CULTURAL ANALYSIS 3 (2002)
This file is a pre-publication version. Consult published volume for correct pagination and final version of text. Te Papa is a state museum, funded by taxpayers of a secular nation. Its major goal is to articulate the spirit of New... more
This paper presents a comparative study of how Canadian First Nations and New Zealand Maori peoples have employed digital technologies in the recording, reproduction, promotion and discussion of their cultural heritage. We explore a... more
Blending and contouring are fundamental tools in a tranny’s bag of tricks. Both empower, because they take for granted that light will create shadows; through blending and contouring makeup, concretized binaries can be infiltrated and... more