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rafael diazcasas
  • New York City

rafael diazcasas

Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios.... more
Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolours, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work-from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of qu...
Member of the Cuban 10 Pintores Concretos group, Pedro de Oraa is the only visual artist of his generation to stabled a direct link between painting a poetry.  Catalog design by Gory.
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An overview of Jose Rosabal's body of work from the 1960s to the present as part of his first solo exhibition in Miami, Florida
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Salvador Corratgé. Fragment of a Symphony. September 29th to October 30th, 2017. A text from the last version of this remarkable body of work produced and exhibited in Cuba on 1970s. A minimalist corpus of artwork by the laters Concrete... more
Salvador Corratgé. Fragment of a Symphony. September  29th to October 30th, 2017. A text from the last version of this remarkable body of work produced and exhibited in Cuba on 1970s. A minimalist corpus of artwork by the laters Concrete Abstract Cuban Painter, Salvador Corratge, showed @ Latin Art Core, Miami, FL>
A review of Carmen Herrera exhibition with an historical expose of her link to the Cuban art scene.
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Consuelo Castañeda is back in Havana  for her first show after three decades of exile.
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A review of the historical exhibition Dialogos Constructivistas en la Vanguardia Cubana: Amelia Peláez, Lolo Soldevilla and Zilia Sánchez (April 28 – June 25, 2016) at Lelong Galleries in New York City addressing the constructivist... more
A review of the historical exhibition Dialogos Constructivistas en la Vanguardia Cubana: Amelia Peláez, Lolo Soldevilla and Zilia Sánchez (April 28 – June 25, 2016) at Lelong Galleries in New York City addressing the constructivist approach by these women artists. The review also address some of the art historical events that lead these women to develop their body of work within the Cuban art context.
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Latin American Studies, Art History, Art, Latin American and Caribbean History, Contemporary Art, and 46 more
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A conversation with the curators of  Tatuare la storia, an exhibition of Cuban Contemporary Art at IPAC Milano, July 2016
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A report about a panel presentation at Cisneros Fontanals about the Volumen I generation of Cuban artists.
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Installation Art, Contemporary Art, Public Art, Latin American Art, Site-Specific Art, and 29 more
An article honoring Pedro de Oraa, abstract Cuban painter member of the 10 Pintores Concretos Cubanos, for his National Visual Art Award, Cuba 2015. It have an significant historical and insightful information about Pan Latin American Art... more
An article honoring Pedro de Oraa, abstract Cuban painter member of the 10 Pintores Concretos Cubanos, for his National Visual Art Award, Cuba 2015. It have an significant historical and insightful information about Pan Latin American Art World from the 1950s-60s
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Latin American Studies, Latin American and Caribbean History, Contemporary Art, Latin American politics, Cuban Studies, and 27 more
A review of Martinez Celaya's exhibition at Jack Shainman Gallery
in Chelsea, New York. Sept 10 - Oct 24, 2015
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The 12 Havana Bienal that run from May  - June 2015 had several art public projects by artists with a Cuban background, here is a summary of some of the once it feel most relevant
Review of Tomas Sanchez first photographic exhibition in Miami. Oct - Nov 2011
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A profile of Jose Rosabal, a geometric abstract artist of a Cuban background, member of the 10 Pintores Concretos (1958 -1961)
Published in ArtonCuba, Vol I No 7  June - August, 2015
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Contemporary Art, Latin American Art, Abstract Art, Abstraction, Abstract Painting, and 41 more
A review of Teresita Fernandez mayor exhibition at MASS MoCA
An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview... more
An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview was published in three parts.
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An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview... more
An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview was published in three parts.
Research Interests:
An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview... more
An interview with Cuba contemporary artist Sandra Ceballos creator, main curator and director of Espacio Aglutinador the longest running privately own not-for-profit art gallery in Havana after the 1959 Castro's revolution. This interview was published in three parts.
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Independent curator and art critic Janet Batet organized the recent Miami exhibition Cachita: The infinite lightness of being, which celebrated Cuba’s patron saint, La Virgen de la Caridad, through the work of contemporary Cuban artists... more
Independent curator and art critic Janet Batet organized the recent Miami exhibition Cachita: The infinite lightness of being, which celebrated Cuba’s patron saint, La Virgen de la Caridad, through the work of contemporary Cuban artists living outside the island.
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A review of Teresita Fernandez mural installation in Anacostia, DC
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Contemporary Art, Public Art, Cuban Studies, Latin American Art, Site-Specific Art, and 19 more
An interview with Ruben Torres Llorca in the frame of his exhibition One of us can be wrong and other essays, his latest exhibition at Juan Ruiz Gallery in Miami. Published in Cuban Art News January 29, 2013.
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A review of Pepón Osorio at Ronald Feldman Fine Arts Gallery (September 10 – October 22, 2011) Published in ArtNexus Vol 10, no. 83, 2011. pp. 122 - 123.
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A review of Observed by Milagros de la Torre. Americas Society, New York (February 8 –April 14, 2012) published in ArtNexus ArtNexus #85 - Arte en Colombia #131 Jun - Aug 2012
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Latin American Studies, Latin American and Caribbean History, Contemporary Art, Latin American Art, Latin American History, and 18 more
A review of Two Citizens of Utopia. Ibrahim Miranda & Douglas Perez . The 8th Floor, New York, July – October 2012, published in Arte por Excelencia  issue #16, Dec 2012
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Ramón Alejandro: Elogio de los sentidos / L’éloge des sens. / In praise of the senses. The Eightieth Anniversary Celebration. February 24 - March 24, 2023. Latin Art Core is pleased to present an homage exhibition of Ramón Alejandro... more
Ramón Alejandro: Elogio de los sentidos / L’éloge des sens. / In praise of the senses. The Eightieth Anniversary Celebration. February 24 - March 24, 2023.
Latin Art Core is pleased to present an homage exhibition of Ramón Alejandro (Havana, 1943) on the occasion of his 80th birthday. The exhibition will feature historical works that cover his oeuvre alongside some of his recent creations.

Ramón Alejandro started painting in the late sixties after leaving Cuba, his country of birth. He developed almost his entire career in Europe while living in Paris. Over the years, his particular approach to painting had been identified as neo-surrealist; however, he does not seeing himself intentionally following any specific artistic canon. This exhibition sheds light on the evolution of his work building upon key motifs of his pictorial interests. Within his painting, Ramón Alejandro constructs personal and social narratives while challenging preconceived ideas of the erotic and the religious.

The exhibition opening will take place on February 24 from 7:30 PM to 9:30 PM at the Miami galley location. This will be the fourth exhibition of Ramón Alejandro with the gallery, and he will be present.

At the occasion, a catalogue will be presented with text by independent New York-based art historian Rafael DiazCasas. The catalogue’s essay is an analysis of how Alejandro’s oeuvre developed and how, since early on in his career, he has received significant attention from 20th-century relevant writers and thinkers like Roland Barthes.
Loló Soldevilla (1901-1971) lived in Paris between 1949 -1956, the presence of her work remains today in private collections that acquired her artworks while she lived there. Her return to Havana in 1956 did not cut her ties with her... more
Loló Soldevilla (1901-1971) lived in Paris between 1949 -1956, the presence of her work remains today in private collections that acquired her artworks while she lived there. Her return to Havana in 1956 did not cut her ties with her Parisian dealers, among then Gallerie Arnaud. This essay traced Loló Soldevilla's journey through her collages.
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Latin American Studies, Latin American and Caribbean History, Latin American politics, Cuban Studies, Abstract Art, and 22 more
Linden Lane Magazine is a quaterly journal founded in March 1982 by Cuban poets and writers Heberto Padilla and Belkis Cuza Malé, in Princeton, NJ. LLM is dedicated to Cuban art and literature produced around the world.
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Curated by Janet Batet, Rafael DiazCasas and Jose Angel Vincench, the exhibition The Silent Shout is a rendition of Pinturas del Silencio, the historical exhibit done within the framework of the VI Havana Biennale in 1997 that explore... more
Curated by Janet Batet, Rafael DiazCasas and Jose Angel Vincench, the exhibition The Silent Shout is a rendition of Pinturas del Silencio, the historical exhibit done within the framework of the VI Havana Biennale in 1997 that explore Cuban Abstraction. It is not a survey exhibition, but rather a curatorial vision taking Pinturas del Silencio as its departure, a continuation of the themes, attitudes and ideas explored in that landmark show. Since the 1950s, abstraction has been viewed by Cuban-born artists as an artistic form and movement closely associated with ideals of social engagement. This exhibition is the first show since Pinturas del Silencio to explore those ideals through works taken from a range some of the most significant Cuban abstract artists of the past 60 years. It is the first historical exhibition outside Cuba that includes a variety of Cuban artists of different generations working in abstraction.
A beautifully compiled monograph is the first to bring to light the prolific career and life of Emilio Sanchez, an imaginative and spirited twentieth-century Cuban American artist. Although barely acknowledged in his native country in the... more
A beautifully compiled monograph is the first to bring to light the prolific career and life of Emilio Sanchez, an imaginative and spirited twentieth-century Cuban American artist. Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun-soaked colors onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolors, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work--from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of queer theory and aesthetics. This prismatic presentation gives readers a fresh look at this unique artist's vision while firmly positioning Sanchez within the discourse on twentieth-century art history.
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