- New Haven, Connecticut, United States
Kenneth David Jackson
Yale University, Spanish and Portuguese, Faculty Member
JACKSON, Kenneth David, "An Original Book" (2015). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 7, Spring, pp. 315-317. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0P55KZG Is Part of: Pessoa... more
JACKSON, Kenneth David, "An Original Book" (2015). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 7, Spring, pp. 315-317. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0P55KZG
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 7
An Original Book
[Um livro original]
https://doi.org/10.7301/Z0P55KZG
SEARCH, Alexander [PESSOA, Fernando] (2014). Un libro muy original | A Very Original Book. Edición bilingue y notas de Natalia Jerez Quintero. Medellin: Tragaluz, 2014, 239 p.
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 7
An Original Book
[Um livro original]
https://doi.org/10.7301/Z0P55KZG
SEARCH, Alexander [PESSOA, Fernando] (2014). Un libro muy original | A Very Original Book. Edición bilingue y notas de Natalia Jerez Quintero. Medellin: Tragaluz, 2014, 239 p.
Research Interests:
JACKSON, Keneth David, "'The Mad Fiddler': Unpublished Documents" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 302-317. Brown Digital Repository. Brown University Library.... more
JACKSON, Keneth David, "'The Mad Fiddler': Unpublished Documents" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 302-317. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0416V7D
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10
The Mad Fiddler: Unpublished Documents
[The Mad Fiddler: Poemas Inéditos]
https://doi.org/10.7301/Z0416V7D
ABSTRACT
A newly-found typescript of 47 pages of "The Mad Fiddler" belonging to Pessoa's niece, Manuela Nogueira, is described and compared to two other typescripts in the Pessoa Archive held at the National Library of Portugal. The place of the typescript in the history of the composition of the poems of "The Mad Fiddler" is relevant, since it contains a few variants and likely precedes the version considered to be definitive in the critical edition (Imprensa Nacional-Casa de Moeda, Lisbon, 1999)
RESUMO
Um dactiloscrito de "The Mad Fiddler" recém-encontrado, com 47 pp., pertencente a Manuela Nogueira, sobrinha de Pessoa, é descrito e comparado aos outros dois dactiloscritos existentes no espólio pessoano na Biblioteca Nacional de Portugal. Resgata-se a importância desse terceiro dactiloscrito na gênese de "The Mad Fiddler", pois ele contém variantes e provavelmente precede a versão considerada como definitiva na edição crítica (Imprensa Nacional-Casa da Moeda, Lisbon, 1999).
BIBLIOGRAPHY
GALVÃO, José (1968). Fontes Impressas da Obra de Fernando Pessoa. Lisbon: Gráfico Santelmo.
PESSOA, Fernando (1999). Poemas Ingleses. The Mad Fiddler. Edited by Marcus Angioni and Fernando
Gomes. Lisbon: Imprensa Nacional-Casa da Moeda. Major Series, volume V, tome III.
____ (1988). O Louco Rabequista. Translated by José Blanc de Portugal. Bilingual edition. Lisbon:
Editorial Presença.
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10
The Mad Fiddler: Unpublished Documents
[The Mad Fiddler: Poemas Inéditos]
https://doi.org/10.7301/Z0416V7D
ABSTRACT
A newly-found typescript of 47 pages of "The Mad Fiddler" belonging to Pessoa's niece, Manuela Nogueira, is described and compared to two other typescripts in the Pessoa Archive held at the National Library of Portugal. The place of the typescript in the history of the composition of the poems of "The Mad Fiddler" is relevant, since it contains a few variants and likely precedes the version considered to be definitive in the critical edition (Imprensa Nacional-Casa de Moeda, Lisbon, 1999)
RESUMO
Um dactiloscrito de "The Mad Fiddler" recém-encontrado, com 47 pp., pertencente a Manuela Nogueira, sobrinha de Pessoa, é descrito e comparado aos outros dois dactiloscritos existentes no espólio pessoano na Biblioteca Nacional de Portugal. Resgata-se a importância desse terceiro dactiloscrito na gênese de "The Mad Fiddler", pois ele contém variantes e provavelmente precede a versão considerada como definitiva na edição crítica (Imprensa Nacional-Casa da Moeda, Lisbon, 1999).
BIBLIOGRAPHY
GALVÃO, José (1968). Fontes Impressas da Obra de Fernando Pessoa. Lisbon: Gráfico Santelmo.
PESSOA, Fernando (1999). Poemas Ingleses. The Mad Fiddler. Edited by Marcus Angioni and Fernando
Gomes. Lisbon: Imprensa Nacional-Casa da Moeda. Major Series, volume V, tome III.
____ (1988). O Louco Rabequista. Translated by José Blanc de Portugal. Bilingual edition. Lisbon:
Editorial Presença.
Research Interests:
JACKSON, K. David, "Alexander Search’s immersion in English and American poets" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 18, Fall, pp. 10-26. Brown Digital Repository. Brown University Library.... more
JACKSON, K. David, "Alexander Search’s immersion in English and American poets" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 18, Fall, pp. 10-26. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/wyee-6354
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 18
Alexander Search’s immersion in English and American poets
[A imersão de Alexander Search em poetas ingleses e americanos]
https://doi.org/10.26300/wyee-6354
ABSTRACT
While a student in Durban High School, the young Fernando Pessoa / Charles Robert Anon (afterwards Alexander Search) will make of English and American poetry his first "adverse genre" by borrowing its emotions and simplicity, at the same time intellectualizing a dark questioning of existence. Pessoa's excursion through Shakespeare, Milton, and the romantics records the depth of his discontent through expressive dark themes. By 1909 these readings fade into the background of Pessoa's radical skepticism and the dramatization of his intellectual pursuit of the absolute.
RESUMO
Enquanto era estudante no liceu de Durban, o jovem Fernando Pessoa / Charles Robert Anon (posteriormente, Alexander Search) faz da poesia inglesa e norte-americana o seu primeiro "género adverso" por meio do empréstimo das suas emoções, ritmos e simplicidade, ao mesmo tempo que intelectualiza um questionamento tenebroso da existência. A viagem pessoana por Shakespeare, Milton e os românticos regista a profundidade do seu descontentamento, evidenciada nos temas críticos mais expressivos. Em 1909 estas leituras passam para um segundo plano, o do ceticismo radical de Pessoa e da dramatização da sua busca intelectual à procura do absoluto.
BIBLIOGRAPHY
BARBOSA LÓPEZ, Nicolás (2016). “The Student of Salamanca: an English translation.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10, pp. 318-551. https://doi.org/10.7301/Z07P8WKJ [republished in Patricio Ferrari (Ed.), Inside the Mask: The English Poetry of Fernando Pessoa (pp. 273-325), Providence, Gávea-Brown, 2018].
BROWNING, Elizabeth Barrett (s.d.). The Poetical Works of Elizabeth Barrett Browning. With eight original engravings. Series I. London, Glasgow: Collins’ Clear-Type Press. 576 p. 16 cm. “Illustrated Pocket Classics, no. 67”; “Illustrated by J. A. Symington”. CFP 8-72-A.
BROWNING, Robert (1907). Poems of Robert Browning: 1833-1865. London, Paris, New York, Toronto, Melbourne: Cassell and Co., Ltd. 611 p. 19 cm. “The People’s Library”. CPP 8-73.
BYRON, Lord (1905). The Poetical Works of Lord Byron. The only complete and copyright text in one volume. Edited, with a memoir, by Ernest Hartley Coleridge. London: John Murray. 1048 p. 21 cm. CFP 8-82.
COLERIDGE, Samuel Taylor (1893). The Poetical Works of S. T. Coleridge. Reprinted from the earlier editions with memoir, notes, etc. London: W. & G. Foyle. 680 p. 19 cm. CFP 8-117.
DIONÍSIO, João (2008). “Before Alexander Search: A Report on a Notebook.” Portuguese Studies, vol. 24, n.o 2, 2008, pp. 115–127. Special issue: “Pessoa: The Future of the Arcas”; guest editors, Jerónimo Pizarro, Steffen Dix. JSTOR, www.jstor.org/stable/41105308.
DONNE, John (post 1905). Poems of John Donne. Edited by E. K. Chambers. With an introduction by George Saintsbury. 2 vols. London: George Routledge and Sons, Limited; New York: E. P. Dutton & Co. “The Muse’s Library”. Vol. I, 252 p.; vol. II, 326 p. 16 cm. CFP 8-158.
FERRARI, Patricio & PIZARRO, Jerónimo (eds.) (2015). Fernando Pessoa as English Reader and Writer. Dartmouth, MA: Tagus Press, Univ. of Massachusetts.
https://ojs.lib.umassd.edu/index.php/plcs/issue/view/PLCS28
FERRARI, Patricio & PITTELLA, Carlos (2016). “The Poems of Frederick Wyatt.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10, pp. 226-301. https://doi.org/10.7301/Z00863H2 [republished in Patricio Ferrari (Ed.), Inside the Mask: The English Poetry of Fernando Pessoa (pp. 226-263), Providence, Gávea-Brown, 2018].
JENNINGS, Hubert D. (2019). Fernando Pessoa, the Poet with Many Faces: A Biography and Anthology. Edited by Carlos Pittella. Lisbon: Tinta-da-China (col. “Pessoa”).
____ (1984). Os Dois Exílios. Fernando Pessoa na África do Sul. Porto: Centro de Estudos Pessoanos e Fundação Eng. António de Almeida.
____ (1966). The D.H.S. Story, 1866-1966. Faithfully Recorded by Hubert D. Jennings. Durban: The Durban High School and Old Boy’s Memorial Trust.
KEATS, John (1898). The Poetical Works of John Keats. With Memoir, Explanatory Notes. With portrait and illustrations. London, New York: Frederic Warne and Co. 452 p. 18 cm. CFP 8-294.
KHAYYÁM, Omar (1910). Rubáiyát of Omar Khayyám. The astronomer poet of Persia rendered into English verse by Edward Fitzgerald. Leipzig: Bernhard Tauchnitz. 247, [32] p. 17 cm. “Collection of British and American Authors, no. 4231”. CFP 8-296.
MONTEIRO, George (2000). Fernando Pessoa and Nineteenth-Century Anglo-American Literature. Lexington: The University Press of Kentucky (Studies in Romance Languages).
PESSOA, Fernando (1999). Poesia. Alexander Search. Edição e tradução de Luísa Freire. Lisboa: Assírio & Alvim.
____ (1997). Poemas Ingleses. Edição crítica de João Dionísio. Lisboa: Imprensa Nacional-Casa da Moeda. Edição crítica de Fernando Pessoa, vol. 5, tomo II.
____ (1995). Poesia Inglesa. Organização e tradução de Luísa Freire; prefácio de Teresa Rita Lopes. Lisboa: Livros Horizonte.
____ (1980). Textos de Crítica e de Intervenção. Lisboa: Ática.
____ (1974). Poemas Ingleses. Prefácio, tradução, variantes e notas de Jorge de Sena. Lisboa: Ática.
____ (1965). Quadras ao gosto popular. Edição de Georg Rudolf Lind e Jacinto do Prado Coelho. Lisboa: Ática.
____ (1921). English Poems III. Lisbon: Olisipo. http://purl.pt/13967
____ (1904). “Macaulay.” The Durban High School Magazine. Durban: Durban High School, Dec, pp. 64-67.
PIZARRO, Jerónimo (2019). “Pessoa, Unknown to Paz.” Portuguese Studies, vol. 35, no. 1, pp. 77-89. JSTOR, www.jstor.org/stable/10.5699/portstudies.35.1.0077
POE, Edgar Allan (1902). The Choice Works of Edgar Allan Poe: poems, stories, essays. With an introduction by Charles Baudelaire. A new edition. London: Chatto & Windus. 676 p. 17 cm. CFP 8-442.
SEVERINO, Alexandrino (1988). “Fernando Pessoa em Durban.” Fernando Pessoa e o Mar Português, Porto: Fundação Eng. António de Almeida.
SHELLEY, Percy Bysse (1904). The Complete Poetical Works of Shelley. Including materials never before printed in any edition of the poems. Edited with textual notes by Thomas Hutchinson. Oxford: Clarendon Press. 1024 p. 23 cm. CFP 8-513.
SOUSA, Maria Leonor Machado (1978). Fernando Pessoa e a Literatura de Ficção. Lisboa: Novaera.
TENNYSON, Alfred (1902). The Complete Works of Alfred Tennyson. London: Macmillan and Co. 902 p. 19 cm. CFP 8-541.
TUFTE, Virginia J. (1970). The Poetry of Marriage: The Epitahlamium in Europe and Its Development in England. Los Angeles: Tinnon-Brown.
VIRGIL (1902). The Georgics of Virgil, Book IV. Edited by S. E. Winbolt. London: Blackie & Son. CFP 8-560.
WHITMAN, Walt (1895). Poems by Walt Whitman. Edited by William Thomas Stead. London: “Review of Reviews” Office. 60, [4] p. “The Penny Poets, no. XXVII”. CFP 8-664 MN.
WIESSE, Jorge (2016). “On Pessoa’s The Student of Salamanca.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10 (special issue: Inside the Mask: The English Poetry of Fernando Pessoa; guest editor, Patricio Ferrari), Fall, pp. 193-218. Brown Digital Repository, Brown University Library. https://doi.org/10.7301/Z0QR4V92
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 18
Alexander Search’s immersion in English and American poets
[A imersão de Alexander Search em poetas ingleses e americanos]
https://doi.org/10.26300/wyee-6354
ABSTRACT
While a student in Durban High School, the young Fernando Pessoa / Charles Robert Anon (afterwards Alexander Search) will make of English and American poetry his first "adverse genre" by borrowing its emotions and simplicity, at the same time intellectualizing a dark questioning of existence. Pessoa's excursion through Shakespeare, Milton, and the romantics records the depth of his discontent through expressive dark themes. By 1909 these readings fade into the background of Pessoa's radical skepticism and the dramatization of his intellectual pursuit of the absolute.
RESUMO
Enquanto era estudante no liceu de Durban, o jovem Fernando Pessoa / Charles Robert Anon (posteriormente, Alexander Search) faz da poesia inglesa e norte-americana o seu primeiro "género adverso" por meio do empréstimo das suas emoções, ritmos e simplicidade, ao mesmo tempo que intelectualiza um questionamento tenebroso da existência. A viagem pessoana por Shakespeare, Milton e os românticos regista a profundidade do seu descontentamento, evidenciada nos temas críticos mais expressivos. Em 1909 estas leituras passam para um segundo plano, o do ceticismo radical de Pessoa e da dramatização da sua busca intelectual à procura do absoluto.
BIBLIOGRAPHY
BARBOSA LÓPEZ, Nicolás (2016). “The Student of Salamanca: an English translation.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10, pp. 318-551. https://doi.org/10.7301/Z07P8WKJ [republished in Patricio Ferrari (Ed.), Inside the Mask: The English Poetry of Fernando Pessoa (pp. 273-325), Providence, Gávea-Brown, 2018].
BROWNING, Elizabeth Barrett (s.d.). The Poetical Works of Elizabeth Barrett Browning. With eight original engravings. Series I. London, Glasgow: Collins’ Clear-Type Press. 576 p. 16 cm. “Illustrated Pocket Classics, no. 67”; “Illustrated by J. A. Symington”. CFP 8-72-A.
BROWNING, Robert (1907). Poems of Robert Browning: 1833-1865. London, Paris, New York, Toronto, Melbourne: Cassell and Co., Ltd. 611 p. 19 cm. “The People’s Library”. CPP 8-73.
BYRON, Lord (1905). The Poetical Works of Lord Byron. The only complete and copyright text in one volume. Edited, with a memoir, by Ernest Hartley Coleridge. London: John Murray. 1048 p. 21 cm. CFP 8-82.
COLERIDGE, Samuel Taylor (1893). The Poetical Works of S. T. Coleridge. Reprinted from the earlier editions with memoir, notes, etc. London: W. & G. Foyle. 680 p. 19 cm. CFP 8-117.
DIONÍSIO, João (2008). “Before Alexander Search: A Report on a Notebook.” Portuguese Studies, vol. 24, n.o 2, 2008, pp. 115–127. Special issue: “Pessoa: The Future of the Arcas”; guest editors, Jerónimo Pizarro, Steffen Dix. JSTOR, www.jstor.org/stable/41105308.
DONNE, John (post 1905). Poems of John Donne. Edited by E. K. Chambers. With an introduction by George Saintsbury. 2 vols. London: George Routledge and Sons, Limited; New York: E. P. Dutton & Co. “The Muse’s Library”. Vol. I, 252 p.; vol. II, 326 p. 16 cm. CFP 8-158.
FERRARI, Patricio & PIZARRO, Jerónimo (eds.) (2015). Fernando Pessoa as English Reader and Writer. Dartmouth, MA: Tagus Press, Univ. of Massachusetts.
https://ojs.lib.umassd.edu/index.php/plcs/issue/view/PLCS28
FERRARI, Patricio & PITTELLA, Carlos (2016). “The Poems of Frederick Wyatt.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10, pp. 226-301. https://doi.org/10.7301/Z00863H2 [republished in Patricio Ferrari (Ed.), Inside the Mask: The English Poetry of Fernando Pessoa (pp. 226-263), Providence, Gávea-Brown, 2018].
JENNINGS, Hubert D. (2019). Fernando Pessoa, the Poet with Many Faces: A Biography and Anthology. Edited by Carlos Pittella. Lisbon: Tinta-da-China (col. “Pessoa”).
____ (1984). Os Dois Exílios. Fernando Pessoa na África do Sul. Porto: Centro de Estudos Pessoanos e Fundação Eng. António de Almeida.
____ (1966). The D.H.S. Story, 1866-1966. Faithfully Recorded by Hubert D. Jennings. Durban: The Durban High School and Old Boy’s Memorial Trust.
KEATS, John (1898). The Poetical Works of John Keats. With Memoir, Explanatory Notes. With portrait and illustrations. London, New York: Frederic Warne and Co. 452 p. 18 cm. CFP 8-294.
KHAYYÁM, Omar (1910). Rubáiyát of Omar Khayyám. The astronomer poet of Persia rendered into English verse by Edward Fitzgerald. Leipzig: Bernhard Tauchnitz. 247, [32] p. 17 cm. “Collection of British and American Authors, no. 4231”. CFP 8-296.
MONTEIRO, George (2000). Fernando Pessoa and Nineteenth-Century Anglo-American Literature. Lexington: The University Press of Kentucky (Studies in Romance Languages).
PESSOA, Fernando (1999). Poesia. Alexander Search. Edição e tradução de Luísa Freire. Lisboa: Assírio & Alvim.
____ (1997). Poemas Ingleses. Edição crítica de João Dionísio. Lisboa: Imprensa Nacional-Casa da Moeda. Edição crítica de Fernando Pessoa, vol. 5, tomo II.
____ (1995). Poesia Inglesa. Organização e tradução de Luísa Freire; prefácio de Teresa Rita Lopes. Lisboa: Livros Horizonte.
____ (1980). Textos de Crítica e de Intervenção. Lisboa: Ática.
____ (1974). Poemas Ingleses. Prefácio, tradução, variantes e notas de Jorge de Sena. Lisboa: Ática.
____ (1965). Quadras ao gosto popular. Edição de Georg Rudolf Lind e Jacinto do Prado Coelho. Lisboa: Ática.
____ (1921). English Poems III. Lisbon: Olisipo. http://purl.pt/13967
____ (1904). “Macaulay.” The Durban High School Magazine. Durban: Durban High School, Dec, pp. 64-67.
PIZARRO, Jerónimo (2019). “Pessoa, Unknown to Paz.” Portuguese Studies, vol. 35, no. 1, pp. 77-89. JSTOR, www.jstor.org/stable/10.5699/portstudies.35.1.0077
POE, Edgar Allan (1902). The Choice Works of Edgar Allan Poe: poems, stories, essays. With an introduction by Charles Baudelaire. A new edition. London: Chatto & Windus. 676 p. 17 cm. CFP 8-442.
SEVERINO, Alexandrino (1988). “Fernando Pessoa em Durban.” Fernando Pessoa e o Mar Português, Porto: Fundação Eng. António de Almeida.
SHELLEY, Percy Bysse (1904). The Complete Poetical Works of Shelley. Including materials never before printed in any edition of the poems. Edited with textual notes by Thomas Hutchinson. Oxford: Clarendon Press. 1024 p. 23 cm. CFP 8-513.
SOUSA, Maria Leonor Machado (1978). Fernando Pessoa e a Literatura de Ficção. Lisboa: Novaera.
TENNYSON, Alfred (1902). The Complete Works of Alfred Tennyson. London: Macmillan and Co. 902 p. 19 cm. CFP 8-541.
TUFTE, Virginia J. (1970). The Poetry of Marriage: The Epitahlamium in Europe and Its Development in England. Los Angeles: Tinnon-Brown.
VIRGIL (1902). The Georgics of Virgil, Book IV. Edited by S. E. Winbolt. London: Blackie & Son. CFP 8-560.
WHITMAN, Walt (1895). Poems by Walt Whitman. Edited by William Thomas Stead. London: “Review of Reviews” Office. 60, [4] p. “The Penny Poets, no. XXVII”. CFP 8-664 MN.
WIESSE, Jorge (2016). “On Pessoa’s The Student of Salamanca.” Pessoa Plural—A Journal of Fernando Pessoa Studies, no. 10 (special issue: Inside the Mask: The English Poetry of Fernando Pessoa; guest editor, Patricio Ferrari), Fall, pp. 193-218. Brown Digital Repository, Brown University Library. https://doi.org/10.7301/Z0QR4V92
Research Interests: Poetry, Exclusion, Fernando Pessoa, Occultism, Skepticism, and 15 moreQuestioning, Ceticismo, Ocultismo, Emoção, Restlessness, American Poets, Alexander Search, Exclusão, Inquietação, English poets, Stylistic conventions, Questionamento, Convenções estilísticas, Poetas americanos, and Poetas ingleses
ABSTRACT
Research Interests:
Les textes oraux - vers, histoires, devinettes et cantiques - transportes par les navires portuguais ont pu survivre jusqu'a nos jours a travers d'innombrables vestiges en Inde et au Sri Lanka, jouant un role fondamental dans la... more
Les textes oraux - vers, histoires, devinettes et cantiques - transportes par les navires portuguais ont pu survivre jusqu'a nos jours a travers d'innombrables vestiges en Inde et au Sri Lanka, jouant un role fondamental dans la creation et la preservation d'une expression culturelle luso-indienne bien nette. Cette expression s'est developpee tout au long de siecles de contact, contribuant a la promotion de nouvelles formes d'identite culturelle et de cohesion sociale. Les peuples luso-indiens habitent un monde spirituel tisse d'alterite, situe a mi-chemin entre les realites portuguaises et indiennes. Leur mode de vie est en soi symbole de transformation, car en lui viennent se rejoindre continents, races, langues et pratiques religieuses, au sein d'un syncretisme singulier compose d'elements dont l'origine remonte au Portugal, a l'Afrique et a l'Asie.
Research Interests:
Research Interests:
Research Interests:
... such as those held by Nelida Piiion (U Miami), Boaventura Sousa Santos and Irene Ramalho (U ... SA A QUAL PEDE A QVEM ISTO LER QVE PECA MISIRICORDIA A DEOS PERA SVA ALMA.'~ ... A medical doctor, Pedro Nava, was all the... more
... such as those held by Nelida Piiion (U Miami), Boaventura Sousa Santos and Irene Ramalho (U ... SA A QUAL PEDE A QVEM ISTO LER QVE PECA MISIRICORDIA A DEOS PERA SVA ALMA.'~ ... A medical doctor, Pedro Nava, was all the while taking notes on all the modernists ...
Research Interests:
Um estudo de uma cantiga em crioulo indo-português da comunidade de descendentes de portugueses da costa oriental do Sri Lanka, gravada pelo autor em pesquisa de campo, incluindo uma orientação à história e persistência da língua... more
Um estudo de uma cantiga em crioulo indo-português da comunidade de descendentes de portugueses da costa oriental do Sri Lanka, gravada pelo autor em pesquisa de campo, incluindo uma orientação à história e persistência da língua portuguesa crioula na ilha. Relata a origem do poema “Cantiga de Ceilão” de Jorge de Sena e a relevância dos versos para o pensamento e a situação do poeta, separado da língua portuguesa.
With the rebelliousness characteristic of his self-description as an “experimental youth,” Murilo Mendes creates a critical distance between his poetic consciousness and his liberty of action. With the term, he retrospectively... more
With the rebelliousness characteristic of his self-description as an “experimental youth,” Murilo Mendes creates a critical distance between his poetic consciousness and his liberty of action. With the term, he retrospectively characterizes his entire literary production, from the poetry of the 1930s to the 1960s and 70s. To be indisciplined is to challenge norms and introduce thematic and graphic innovations, such as linguistic play, kitsch, graffiti, miniaturization and new tendencies of visual arts and electronic communications. Murilo is always attentive to the independence of the word and the musicality of poetry. Indiscipline is his self-described source of expression and method, thus a discipline in reverse that motives his poetic imagination
Testimonial on the translation ofGALVÃO, P. Industrial Park. Elizabeth Jackson and K. David Jackson, trans. Lincoln: U Nebraska P,... more
Testimonial on the translation ofGALVÃO, P. Industrial Park. Elizabeth Jackson and K. David Jackson, trans. Lincoln: U Nebraska P, 1993.----------------------------------------------------------------------------------------------TRADUZINDO O PARQUE INDUSTRIAL DE PAGU: SÃO PAULO, 1933 - INTERNACIONALIZAÇÃO DO ROMANCE MODERNISTA.Depoimento sobre a tradução de:GALVÃO, P. Industrial Park. Elizabeth Jackson and K. David Jackson, trans. Lincoln: U Nebraska P, 1993.
L'Humanisme portugais et l'Europe: Actes du XXIe Colloque International d'Etudes Humanistes. Centre d'Etudes de la Renaissance, Université de Tours. Paris: Fondation Calouste Gulbenkian, Centre Culturel Portugais, 1984. 25 pls. + 888 pp. - Camões à la Renaissance. (Travaux de l'lnstitut pour l'Ét...more
Research Interests:
... Jobson as "dark-skinned or half-caste kafrinha and chicote invoke African influence in claimants of Portuguese descent, and Christian verses dominated by the negrinha... more
... Jobson as "dark-skinned or half-caste kafrinha and chicote invoke African influence in claimants of Portuguese descent, and Christian verses dominated by the negrinha 'local girl' profession"; and Kaffirs (Cafres), or East Afni-rather than the Portuguese nona 'lady' and, ac-cans ...
Research Interests:
... In an uncanny parallel to Eça's novel of the same year, Brás first took the form of a Chinese barber shaving a mandarin, who mistreated him ... At the culmination of Brás Cubas's wild ride in the delirium,Pandora carries him... more
... In an uncanny parallel to Eça's novel of the same year, Brás first took the form of a Chinese barber shaving a mandarin, who mistreated him ... At the culmination of Brás Cubas's wild ride in the delirium,Pandora carries him to the top of a mountain, from whence he can view a ...
Research Interests:
... 3 Bishop Sardinha by the Caet?s Indians.9 The structure of his idea involves civilizations in conflict, challenges the noble savage of ... to the critical method of Pau-Brasil poetry.12 The magazine's first phase documents the... more
... 3 Bishop Sardinha by the Caet?s Indians.9 The structure of his idea involves civilizations in conflict, challenges the noble savage of ... to the critical method of Pau-Brasil poetry.12 The magazine's first phase documents the progressive irritation between Mario de Andrade and ...
Research Interests:
Research Interests:
This study analyzes the oral traditions of Sri Lanka Creole Portuguese as a syncretism of European, African, and Asian sources, evidenced in literary themes, linguistic practice, and cultural traditions. Resulting musical, dramatic, and... more
This study analyzes the oral traditions of Sri Lanka Creole Portuguese as a syncretism of European, African, and Asian sources, evidenced in literary themes, linguistic practice, and cultural traditions. Resulting musical, dramatic, and textual practices play a central role in defining tradition and maintaining group identity in the creole communities. Both the co-existence and the interrelationship of oral texts establish traditions which contribute to a system of creole culture that spread throughout Asia. References are primarily to Sri Lankan and Indian materials collected by scholars in the late nineteenth century and during my field work in the 1970s and 1980s. Sri Lankan verses refer to the east coast Burghers of Bat-ticaloa and Trincomalee and to the Kaffirs of Puttalam. This study also presents for the first time a unique source for data and comparative analysis from the H. Nevill collection at the British Library, which is an extensive manuscript of Sri Lankan Creole texts...
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... Jobson as "dark-skinned or half-caste kafrinha and chicote invoke African influence in claimants of Portuguese descent, and Christian verses dominated by the negrinha... more
... Jobson as "dark-skinned or half-caste kafrinha and chicote invoke African influence in claimants of Portuguese descent, and Christian verses dominated by the negrinha 'local girl' profession"; and Kaffirs (Cafres), or East Afni-rather than the Portuguese nona 'lady' and, ac-cans ...
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Research Interests:
... 37. cheiro de urina Salvador , Bahia. 38. o ó a palavra ó Mariana, Minas Gerais NS de Ó. 39. circulado de violeta France Monet in Paris . 40. como quem está num navio Cluny Woman in a café, Raphael. 41. tudo isto tem que ver writing... more
... 37. cheiro de urina Salvador , Bahia. 38. o ó a palavra ó Mariana, Minas Gerais NS de Ó. 39. circulado de violeta France Monet in Paris . 40. como quem está num navio Cluny Woman in a café, Raphael. 41. tudo isto tem que ver writing Joyce. 42. a criatura de outro fable Sanscrit ...
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Em edição paga por Oswald de Andrade, romance de Patrícia Galvão passou quase despercebido em seu lançamento, mas hoje vem recebendo cada vez mais atenção da crítica como obra-prima do romance social urbano e um dos grandes textos... more
Em edição paga por Oswald de Andrade, romance de Patrícia Galvão passou quase despercebido em seu lançamento, mas hoje vem recebendo cada vez mais atenção da crítica como obra-prima do romance social urbano e um dos grandes textos perdidos do modernismo. Apoiado numa montagem visual e cinematográfica, combina, numa prosa sintética e concisa, o retrato da vida paulistana de cinco trabalhadoras do Brás com a denúncia social.
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Um estudo das conferências acadêmicas que pronunciou Joaquim Nabuco, embaixador do Brasil em Washington, D.C., na Universidade de Yale e mais cinco universidades americanas durante o período 1908-1909. Nabuco volta a Camões como exemplo... more
Um estudo das conferências acadêmicas que pronunciou Joaquim Nabuco, embaixador do Brasil em Washington, D.C., na Universidade de Yale e mais cinco universidades americanas durante o período 1908-1909. Nabuco volta a Camões como exemplo do amor a uma língua e uma cultura, das quais o Brasil seria a maior realização, e aproxima o espírito do nacionalismo das duas grandes nações como exemplos para a política do pan-americanismo da época.