Phillip Vannini
Royal Roads University, FSAS, Faculty Member
- Performance Theory, Sociology of Everyday Life, Arts-based methodologies, Cultural Geography, Island Studies, Sense of Place, and 56 moreAnthropology of the Senses, Anthropology Of Technology (Anthropology), Sociology of the Body, Maritime Transport Geography, Symbolic Interaction, Sociology of the Senses, Place Attachment, The Spatiality of the Senses, Spatial Practices, Spatiality (Cultural geography), Space and Place, Phenomenology of Space and Place, Visual Ethnography, Experiences of Place and Space, Time Perception, Social Experience of Time, Phenomenology of Temporality, Spatio Temporal Analysis, Performance Ethnography, Mobility/Mobilities, Ethnography, Material Culture Studies, Sensory Ethnography, Place Identity, Authenticity, British Columbia and the Canadian West, Qualitative Methods, Qualitative Research, Qualitative methodology, Social Geography, Public ethnography, Sociology, Phenomenology of the body, The Body, Anthropology of Mobility, Anthropology of Technology, Technoculture, Tim Ingold, Non Representational Theory, SOCIOLOGY AND THE BODY, Visual Anthropology, Body and Embodiment, Anthropology, Cultural Studies, Social Sciences, Geography, Technology, Tourism Studies, Phenomenology, Human Geography, Non-representational theory, Environmental Sustainability, Science and Technology Studies, Computer Networks, Databases, and Softwareedit
- I earned my M.A. in Communication in 1999 and my Ph.D. in Sociology in 2004—both from Washington State University. My... moreI earned my M.A. in Communication in 1999 and my Ph.D. in Sociology in 2004—both from Washington State University. My dissertation was an ethnography of the occupational culture of professors, and focused on the experience of self-authenticity in the context of professorial work. I joined Royal Roads University in 2005 and became Professor and Canada Research Chair in 2011.edit
Over three years of travel across ten Canadian UNESCO Natural World Heritage sites, Inhabited introduces us to the individuals, communities, and families who live there and invites us to re-imagine our connection to wild ecosystems.... more
Over three years of travel across ten Canadian UNESCO Natural World Heritage sites, Inhabited introduces us to the individuals, communities, and families who live there and invites us to re-imagine our connection to wild ecosystems.
Inhabited takes us on a journey to Kluane, Nahanni, Gros Morne, Wood Buffalo, Miguasha, Waterton Lakes, and Rockies National Park, as well as Joggins Fossil Cliffs, Mistaken Point Ecological Reserve, Dinosaur Provincial Park and shows us the interdependent relations of nature and culture.
Inhabited takes us on a journey to Kluane, Nahanni, Gros Morne, Wood Buffalo, Miguasha, Waterton Lakes, and Rockies National Park, as well as Joggins Fossil Cliffs, Mistaken Point Ecological Reserve, Dinosaur Provincial Park and shows us the interdependent relations of nature and culture.
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Low and Slow follows seaplane pilots at work throughout coastal British Columbia, exploring their passion, skill, knowledge of place, and teachnologies.
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John Urry's ideas and observations on mobility have been profoundly inspirational throughout my career. In this video, voiced by the late John Urry himself, some of his thoughts reverberate in my mind and in the landscapes I travel... more
John Urry's ideas and observations on mobility have been profoundly inspirational throughout my career. In this video, voiced by the late John Urry himself, some of his thoughts reverberate in my mind and in the landscapes I travel through. This video was created to accompany an essay written in John Urry's memory, forthcoming in a book edited by Mimi Sheller, Ole B. Jensen, and Sven Kesselring.
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This video outlines the scope and agenda of public ethnography and how and why to make research popular.
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A film about people who have chosen to build their lives around renewable energy, with beautiful, inspiring, and often challenging results. View at: https://vimeo.com/ondemand/lifeoffgrid
Research Interests: Cultural Studies, Environmental Sociology, Cultural Geography, Social Geography, Canadian Studies, and 24 moreSustainable Production and Consumption, Ethnography, Material Culture Studies, Renewable Energy, Wind Energy, Space and Place, Sustainable Building Design, Energy and Environment, Environmental Sustainability, Ethnographic Film, Sustainable Architecture, Alternative Energy, Visual Ethnography, Sustainable Design, Consumption and Material Culture, Phenomenology of Space and Place, Non-representational theory, Non-representational theories, Tim Ingold, Canada, Solar Energy, Thermal comfort, Alternative Energy, Renewable Energy, Renewable Energy Systems, and Smart Grid, Microgrid, Plug-In Hybrid Electric Vehicles, Fuel Cell Vehicles, Hydrogen Economy, Renewable Energy, and Off-grid Electricity
The Routledge International Handbook of Sensory Ethnography reviews and expands the field and scope of sensory ethnography by fostering new links amongst sensory, affective, more-than-human, non-representational, and multimodal sensory... more
The Routledge International Handbook of Sensory Ethnography reviews and expands the field and scope of sensory ethnography by fostering new links amongst sensory, affective, more-than-human, non-representational, and multimodal sensory research traditions and composition styles. From writing and film to performance and sonic documentation, the handbook re-imagines the boundaries of sensory ethnography and posits new possibilities for scholarship conducted through the senses and for the senses.
Sensory ethnography is a trans-disciplinary research methodology focused on the significance of all the senses in perceiving, creating, and conveying meaning. Drawing from a wide variety of strategies that involve the senses as a means of inquiry, objects of study, and forms of expression, sensory ethnography has played a fundamental role in the contemporary evolution of ethnography writ large as a reflexive, embodied, situated, and multimodal form of scholarship. The handbook dwells on subjects like the genealogy of sensory ethnography, the implications of race in ethnographic inquiry, opening up ethnographic practice to simulate the future, using participatory sensory ethnography for disability studies, the untapped potential of digital touch, and much more.
This is the most definitive reference text available on the market, and is intended for advanced undergraduates, graduate students, and researchers in anthropology, sociology and the social sciences, and will serve as a state-of-the-art resource for sensory ethnographers worldwide.
Sensory ethnography is a trans-disciplinary research methodology focused on the significance of all the senses in perceiving, creating, and conveying meaning. Drawing from a wide variety of strategies that involve the senses as a means of inquiry, objects of study, and forms of expression, sensory ethnography has played a fundamental role in the contemporary evolution of ethnography writ large as a reflexive, embodied, situated, and multimodal form of scholarship. The handbook dwells on subjects like the genealogy of sensory ethnography, the implications of race in ethnographic inquiry, opening up ethnographic practice to simulate the future, using participatory sensory ethnography for disability studies, the untapped potential of digital touch, and much more.
This is the most definitive reference text available on the market, and is intended for advanced undergraduates, graduate students, and researchers in anthropology, sociology and the social sciences, and will serve as a state-of-the-art resource for sensory ethnographers worldwide.
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This chapter introduces the subject of the book: mobilities and immobilities in/of remote places. Beginning with a basic definition of remoteness, the chapter goes on to conceptualize remote not as a physical condition but as a relational... more
This chapter introduces the subject of the book: mobilities and immobilities in/of remote places. Beginning with a basic definition of remoteness, the chapter goes on to conceptualize remote not as a physical condition but as a relational outcome of mobility constellations. More precisely, remoteness is approached as a tension between overlapping dynamics that simultaneously make it and unmake it. Remoteness is thus the emergent outcome from the interaction between the connections intended to extinguish it and the disconnections-either intentional or unintended-that end up reproducing it. From this perspective the focus shifts to understanding how a place and its residents practice, experience, and
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The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research. With more and more researchers turning to... more
The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research. With more and more researchers turning to film and video as a key element of their projects, and as research video production becomes more practical due to technological advances as well as the growing acceptance of video in everyday life, this critical volume supports young researchers looking to develop the skills necessary to produce meaningful ethnographic films and videos, and serves as a comprehensive resource for social scientists looking to better understand and appreciate the unique ways in which film and video can serve as ways of knowing and as tools of knowledge mobilization.
Comprised of 31 chapters authored by some of the world’s leading experts in their respective fields, the book’s contributors synthesize existing literature, introduce the historical and conceptual dimensions of the field, illustrate innovative methodologies and techniques, survey traditional and new technologies, reflect on ethics and moral imperatives, outline ways to work with people, objects, and tools, and shape the future agenda of the field. With a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it, from a variety of methodological approaches and styles, the Handbook provides both a comprehensive introduction and up-to-date survey of the field for a vast variety of audio-visual researchers, such as scholars and students in sociology, anthropology, geography, communication and media studies, education, cultural studies, film studies, visual arts and related social science and humanities. As such, it will appeal to a multidisciplinary and international audience, and features a dynamic, forward-thinking, innovative, and contemporary focus oriented toward the very latest developments in the field, as well as future possibilities.
Comprised of 31 chapters authored by some of the world’s leading experts in their respective fields, the book’s contributors synthesize existing literature, introduce the historical and conceptual dimensions of the field, illustrate innovative methodologies and techniques, survey traditional and new technologies, reflect on ethics and moral imperatives, outline ways to work with people, objects, and tools, and shape the future agenda of the field. With a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it, from a variety of methodological approaches and styles, the Handbook provides both a comprehensive introduction and up-to-date survey of the field for a vast variety of audio-visual researchers, such as scholars and students in sociology, anthropology, geography, communication and media studies, education, cultural studies, film studies, visual arts and related social science and humanities. As such, it will appeal to a multidisciplinary and international audience, and features a dynamic, forward-thinking, innovative, and contemporary focus oriented toward the very latest developments in the field, as well as future possibilities.
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Ethnography and qualitative research methodology in general have witnessed a staggering proliferation of styles and genres over the last three decades. Modes and channels of communication have similarly expanded and diversified. Now... more
Ethnography and qualitative research methodology in general have witnessed a staggering proliferation of styles and genres over the last three decades. Modes and channels of communication have similarly expanded and diversified. Now ethnographers have the opportunity to disseminate their work not only through traditional writing but also through aural, visual, performative, hypertext, and many diverse and creative multimodal documentation strategies. Yet, many ethnographers still feel insufficiently proficient with these new literacies and opportunities for knowledge mobilization, and they therefore still limit themselves to traditional modes of communication in spite of their desire for innovation. As university-based, community-driven and politically mandated agendas for broader knowledge transfer keep increasing worldwide, the demand for public scholarship continues to grow. Arguing for the need to disseminate innovative ethnographic knowledge more widely and more effectively, this book outlines practical strategies and tools for sharing ethnographic and qualitative research through widely accessible media such as magazines, trade books, blogs, newspapers, video, radio, and social media. Drawing from practical experiences and hands-on lessons, Doing Public Ethnography provides social scientists across all disciplines with concrete tactics for mobilizing knowledge beyond the academic realm.
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Myriad lines surround our day-to-day lives, exiting and entering our homes. Wires connect to electricity posts which power and heat our dwellings. Cables hook us to telephone and internet networks. Other lines stretch the world closer to... more
Myriad lines surround our day-to-day lives, exiting and entering our homes. Wires connect to electricity posts which power and heat our dwellings. Cables hook us to telephone and internet networks. Other lines stretch the world closer to us and our homes closer to the world: paved driveways link us with roads and highways, mains tap us into common water reserves and flow into municipal sewers, satellite beams reach into the atmosphere to download television signals into our living rooms. Together these lines—and possibly many others—constitute extensive and powerful webs of material and cultural significance in which our lives are suspended. These webs are the grids upon which society is pegged, the grids through which our material and social relations are entangled.
Not everyone, however, is reliant on these grids. People who—for a variety of motives—have spun alternative webs have come to know their lifestyle as “off-the-grid.” Off-the-grid dwelling refers to ways of living marked by disconnection from the infrastructural assemblages (or grids) that provide societies with the potential for power, light, and speed.
Grids of light, speed, and power can make our life comfortable and convenient but they are also troublesome companions. Grids deeply shape social relations and entrench them in differential access to power. In light of this, off-the-grid dwelling has recently emerged as an oppositional (but often negotiated and contradictory) everyday life practice. By delinking from one or more grids, an individual, group, or community needs to reinvent a different way of life and practice a different way of living.
Couched in cultural studies, cultural geography, and cultural sociology, this book aims to uncover the day-to-day practice off-grid living across Canada in order to understand why and how a person or community chooses to live off-grid; how off-the-grid dwellers cope with a world increasingly governed by the grid logic of light, power, and speed; what distinguishes off-grid dwellers' technologies and material cultures; how they accomplish comfort and convenience in their everyday life; and in what ways off-the-grid dwelling constitutes a sustainable, environmentally and culturally, lifestyle practice. In order to document the diversity of ways of life off-the-grid, the book unfolds as a series of ethnographic narratives focusing on individuals and groups who dwell in households and/or communities removed from roads, electricity, sewage, garbage collection, natural gas pipelines, water mains, telephone, internet, and television.
In addition to shedding light on off-grid lifestyles, however, this book prompts us to reflect on often taken-for-granted aspects of modern living. It aims to shows us what it means and what resources it takes to do the things we do every day: from bathing and washing and cleaning to cooking and refrigerating, from heating to cooling, from growing and hunting food to disposing of it in garbage cans and toilets, from switching on the light to flicking on appliances.
Not everyone, however, is reliant on these grids. People who—for a variety of motives—have spun alternative webs have come to know their lifestyle as “off-the-grid.” Off-the-grid dwelling refers to ways of living marked by disconnection from the infrastructural assemblages (or grids) that provide societies with the potential for power, light, and speed.
Grids of light, speed, and power can make our life comfortable and convenient but they are also troublesome companions. Grids deeply shape social relations and entrench them in differential access to power. In light of this, off-the-grid dwelling has recently emerged as an oppositional (but often negotiated and contradictory) everyday life practice. By delinking from one or more grids, an individual, group, or community needs to reinvent a different way of life and practice a different way of living.
Couched in cultural studies, cultural geography, and cultural sociology, this book aims to uncover the day-to-day practice off-grid living across Canada in order to understand why and how a person or community chooses to live off-grid; how off-the-grid dwellers cope with a world increasingly governed by the grid logic of light, power, and speed; what distinguishes off-grid dwellers' technologies and material cultures; how they accomplish comfort and convenience in their everyday life; and in what ways off-the-grid dwelling constitutes a sustainable, environmentally and culturally, lifestyle practice. In order to document the diversity of ways of life off-the-grid, the book unfolds as a series of ethnographic narratives focusing on individuals and groups who dwell in households and/or communities removed from roads, electricity, sewage, garbage collection, natural gas pipelines, water mains, telephone, internet, and television.
In addition to shedding light on off-grid lifestyles, however, this book prompts us to reflect on often taken-for-granted aspects of modern living. It aims to shows us what it means and what resources it takes to do the things we do every day: from bathing and washing and cleaning to cooking and refrigerating, from heating to cooling, from growing and hunting food to disposing of it in garbage cans and toilets, from switching on the light to flicking on appliances.
Research Interests: Sociology, Cultural Studies, Human Geography, Canadian Studies, Ethnography, and 20 moreMaterial Culture Studies, Renewable Energy, Space and Place, Qualitative methodology, Environmental Studies, Social and Cultural Anthropology, Water resources, Energy, Sense of Place, Technology And Culture, Domestic Space, Affect (Cultural Theory), Non-representational theories, Voluntary Simplicity, Everyday Life, Electricity, Canada, Lifestyle, Lifestyle Migration, and Off-grid Electricity
"Non-representational theory (or as it is sometimes referred to, “more-than-representational” theory) is one of the contemporary moment’s most influential theoretical perspectives within social and cultural theory. And yet, it is often... more
"Non-representational theory (or as it is sometimes referred to, “more-than-representational” theory) is one of the contemporary moment’s most influential theoretical perspectives within social and cultural theory.
And yet, it is often poorly understood. This is in part because of its complexity, but in large part also because of its limited treatment in few volumes chiefly dedicated to it. Indeed anyone wishing to better understand non-representational theory today has limited choices and is therefore left with a lot of interrogatives. Amongst the most important questions left unanswered are questions of method. All social and cultural theories—if they are to be proven useful—need to be applicable to the scopes of data analysis and representation. In other words, theories must be useful to researchers keen on utilizing concepts and analytical frames for their personal interpretive purposes. How useful non-representational theory is, in this sense, is yet to be understood. This book tackles this very subject and outlines a variety of ways in which non-representational ideas can influence the research process, the very value of empirical research, the nature of data, the political value of data and evidence, the methods of research, the very notion of method, and the styles, genres, and media of research.
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And yet, it is often poorly understood. This is in part because of its complexity, but in large part also because of its limited treatment in few volumes chiefly dedicated to it. Indeed anyone wishing to better understand non-representational theory today has limited choices and is therefore left with a lot of interrogatives. Amongst the most important questions left unanswered are questions of method. All social and cultural theories—if they are to be proven useful—need to be applicable to the scopes of data analysis and representation. In other words, theories must be useful to researchers keen on utilizing concepts and analytical frames for their personal interpretive purposes. How useful non-representational theory is, in this sense, is yet to be understood. This book tackles this very subject and outlines a variety of ways in which non-representational ideas can influence the research process, the very value of empirical research, the nature of data, the political value of data and evidence, the methods of research, the very notion of method, and the styles, genres, and media of research.
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What do road infrastructures, media networks, ferry boats, cell phones, automobiles, and airplanes have in common? As attempts to come to terms with the virtual and material distance separating people, objects, and information they are... more
What do road infrastructures, media networks, ferry boats, cell phones, automobiles, and airplanes have in common? As attempts to come to terms with the virtual and material distance separating people, objects, and information they are all technologies of mobility which deeply shape our ways of life, informing ideas, demanding new skills and practices, facilitating or impeding relationships, and restricting or enabling access to crucial resources.
Forms of mobility challenge us to question the separation of disciplines such as those between communication and transportation, and of concepts such as time and space, or human subjects and material objects. The study of mobilities has recently begun to take on these challenges and to examine the social, political, historical, cultural, economic, geographic, communicative, and material dimensions of movement. Mobility studies concentrate on the intersecting movements of bodies, objects, capital, and signs across time-space, dissecting how practices, experiences representations, and political dynamics shape new networks and lifeworlds. The multiple forms of mobility examined by this young and growing field include—amongst others—subjects such as: transportation; travel and tourism; migration; transnational flows of people, objects, information, and capital; mobile communications; and social networks and meetings. This book aims to reflect on the simultaneously technological and cultural (hence, technocultural) processes underpinning many of these forms of mobility, concentrating in particular in the North, Central, and South American social context.
Whereas in Europe the study of mobilities has begun to take a strong hold in academic units, professional research networks, and recognized publication outlets, the study of mobilities is still in its adolescence in the Americas. Yet, in contrast, mobility is very much part of the core of the social imaginary, geo-politics, and cultural life of the Americas. Indeed, to be “on the move” is amongst the most quintessential characteristics of what it means to be a citizen of the Americas. This book aims to be the first to reflect on these dynamics within this large geo-cultural context.
Forms of mobility challenge us to question the separation of disciplines such as those between communication and transportation, and of concepts such as time and space, or human subjects and material objects. The study of mobilities has recently begun to take on these challenges and to examine the social, political, historical, cultural, economic, geographic, communicative, and material dimensions of movement. Mobility studies concentrate on the intersecting movements of bodies, objects, capital, and signs across time-space, dissecting how practices, experiences representations, and political dynamics shape new networks and lifeworlds. The multiple forms of mobility examined by this young and growing field include—amongst others—subjects such as: transportation; travel and tourism; migration; transnational flows of people, objects, information, and capital; mobile communications; and social networks and meetings. This book aims to reflect on the simultaneously technological and cultural (hence, technocultural) processes underpinning many of these forms of mobility, concentrating in particular in the North, Central, and South American social context.
Whereas in Europe the study of mobilities has begun to take a strong hold in academic units, professional research networks, and recognized publication outlets, the study of mobilities is still in its adolescence in the Americas. Yet, in contrast, mobility is very much part of the core of the social imaginary, geo-politics, and cultural life of the Americas. Indeed, to be “on the move” is amongst the most quintessential characteristics of what it means to be a citizen of the Americas. This book aims to be the first to reflect on these dynamics within this large geo-cultural context.
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This new methodological book/website hybrid offers academics, professional researchers, and students a broad survey of ways to popularize research. As an edited interdisciplinary book accompanied by a website featuring samples of... more
This new methodological book/website hybrid offers academics, professional researchers, and students a broad survey of ways to popularize research. As an edited interdisciplinary book accompanied by a website featuring samples of popularized research, it will have the potential of not only telling its readers about new genres, new media, new strategies, and new imperatives for popularizing research, but most importantly it will also be useful in showing how these new processes work in the end, what they sound like, and what they look like. Visit the book’s website for more: www.popularizingresearch.net
Research Interests: Social Research Methods and Methodology, Research Methods and Methodology, Research Methodology, Qualitative Methods (Sociology), Qualitative methodology, and 6 moreQualitative Methods, Qualitative Methods (Methodology), Qualitative Research, Innovation and Knowledge Management, Qualitative Research Methods, and Qualitative Methodology (Sociology)
This book aims to be the definitive guide to the sociological and anthropological study of the senses. Through a thorough analytical review of classical, recent, and emerging scholarship and the use of grounded original empirical material... more
This book aims to be the definitive guide to the sociological and anthropological study of the senses. Through a thorough analytical review of classical, recent, and emerging scholarship and the use of grounded original empirical material as strategy for sparking interest and deepening review and analysis, this comprehensive map to the field intends to be the first reference tool for both students and scholars for years to come.
In bridging cultural/qualitative sociology and cultural/humanistic anthropology we intend to explicitly blur boundaries which, in this field, are particularly weak due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socio-ecological approaches to embodiment and sensuousness. The Senses in Self, Culture, and Society is intended to be a milestone in the social sciences’ somatic turn.
In bridging cultural/qualitative sociology and cultural/humanistic anthropology we intend to explicitly blur boundaries which, in this field, are particularly weak due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socio-ecological approaches to embodiment and sensuousness. The Senses in Self, Culture, and Society is intended to be a milestone in the social sciences’ somatic turn.
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Imagine living in a place where feet and cars won’t get you very far without the help of a ferry boat. Picture having to surrender your freedom of movement to the vagaries of marine weather, to restrictions imposed by ferries’ timetables... more
Imagine living in a place where feet and cars won’t get you very far without the help of a ferry boat. Picture having to surrender your freedom of movement to the vagaries of marine weather, to restrictions imposed by ferries’ timetables and loading capacity, and to the unpredictable fluctuations of daily and seasonal traffic. Visualize having to travel up to 36 hours to reach the nearest grocery store (and having to pay up to $300 for the privilege to get to it) and then needing to wait a week for the next homebound ferry.
How would your life change? What would home feel like? What would time mean? Would you have to re-learn how to move? And how would you feel about the technology—the ferry boat and the marine highways—that shapes your life? Would you antagonize your ferry like you would antagonize an abductor, an unreliable trickster, a greedy loan shark? Or would you embrace it as a protector? An ally in your quest to make your life different? A guardian angel keeping your place safe from the perils of the outside world? Would your ferry become part of your community, of your family, of your home? Would you use it to baby-sit your kids? Would it become part of your memories, of your biography? Would you risk your life to catch it? Would you fight to defend your island from the threat of a bridge?
Based on three years of fieldwork, 250 ferry trips, 381 interviews in three dozen island and remote coastal communities this book tells stories of movement, technoculture, and sense of place, highlighting the mundane rituals and dramas of life lived amidst routes and roots. The book will be accompanied by a 1-hour radio documentary, and a collection of images and digital narratives embedded in an interactive map.
How would your life change? What would home feel like? What would time mean? Would you have to re-learn how to move? And how would you feel about the technology—the ferry boat and the marine highways—that shapes your life? Would you antagonize your ferry like you would antagonize an abductor, an unreliable trickster, a greedy loan shark? Or would you embrace it as a protector? An ally in your quest to make your life different? A guardian angel keeping your place safe from the perils of the outside world? Would your ferry become part of your community, of your family, of your home? Would you use it to baby-sit your kids? Would it become part of your memories, of your biography? Would you risk your life to catch it? Would you fight to defend your island from the threat of a bridge?
Based on three years of fieldwork, 250 ferry trips, 381 interviews in three dozen island and remote coastal communities this book tells stories of movement, technoculture, and sense of place, highlighting the mundane rituals and dramas of life lived amidst routes and roots. The book will be accompanied by a 1-hour radio documentary, and a collection of images and digital narratives embedded in an interactive map.
Research Interests: Cultural Geography, Social Geography, Ethnography, Spatial Practices, Mobility/Mobilities, and 14 moreMaritime Transport Geography, Island Studies, Transportation Studies, Anthropology of Mobility, Ritual, Transport Geography, Sense of Place, Social Experience of Time, Spatiality (Cultural geography), Anthropology of Technology, Performance Theory, Phenomenology of Temporality, Non-representational theory, and Non-representational theories
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Drawing from multisite ethnographic research conducted at four Canadian UNESCO World Heritage natural sites, this writing focuses on the geosocialities of fossils and argues that fossils are alive: vitalist matter capable of affecting and... more
Drawing from multisite ethnographic research conducted at four Canadian UNESCO World Heritage natural sites, this writing focuses on the geosocialities of fossils and argues that fossils are alive: vitalist matter capable of affecting and being affected by the geosocial meshworks in which they are entangled. In the present writing, these relations are explored through more-than-representational ethnographic fragments intended to enliven the geophilia of fossils by underscoring the way they are animated through affect, memory, performance, narrative, possibility, and imagination.
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This 40-day diary tracks the ordinary effects of self-isolation and quarantine on a small island off the British Columbia coast. Drawing on reflections on the emotional and embodied dimensions of self-isolation, and on observations of the... more
This 40-day diary tracks the ordinary effects of self-isolation and quarantine on a small island off the British Columbia coast. Drawing on reflections on the emotional and embodied dimensions of self-isolation, and on observations of the effects of physical distancing in public spaces, the writing paints a picture of COVID-19 as atmospheric dis-ease. Whereas disease is sickness and disorder, dis-ease is a social malaise infecting the body public via atmospheric contagion. Atmospheric disease, it is argued, is a shared mode of attention and a mix of effects permeating a place with the diffused rhythms, shared sensations, contagious moods, and common orientations typical of self-isolation.
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Drawing from our fieldwork conducted at three Canadian parks inscribed as Natural on the UNESCO World Heritage list (Kluane National Park, Dinosaur Provincial Park, and Wood Buffalo National Park) this paper describes wildness as an... more
Drawing from our fieldwork conducted at three Canadian parks inscribed as Natural on the UNESCO World Heritage list (Kluane National Park, Dinosaur Provincial Park, and Wood Buffalo National Park) this paper describes wildness as an atmosphere. Through three ethnographic vignettes we paint a picture of wildness as a kind of ephemeral and uncontrollable event that can be felt and sensed, something that can be affected by a more-than-human life and something that can affect a more-than human life. Rather than thinking of wildness as a concept marked by absence—the absence of people, the absence of development, the absence of human history and society—we describe wildness as a presence. In doing so we re-envision wildness as the expression of the vitality of the sacred: a vitalist, life-giving energy that transcends human nature, a vitalist energy worthy of respect and honour. As ethnographic moments highlight, at times these vital energies are present and obvious, but at other times they are mere possibilities, speculations, implications, gestures suspended between presence and absence, vital forces of natures acting almost in excess of human comprehension and demanding careful attunement.
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The present article is a brief reflection accompanying Low and Slow: a 26 min ethnographic video documenting the occupation of commercial floatplane pilots, with a particular focus on their skills, technologies, sense of place and... more
The present article is a brief reflection accompanying Low and Slow: a 26 min ethnographic video documenting the occupation of commercial floatplane pilots, with a particular focus on their skills, technologies, sense of place and knowledge of weather. The video was independently produced, directed and edited by the author of this article. To date the video is slated to air in the fall of 2016 on the Canadian TV channel Knowledge Network. The paper offers a reflection on the video’s objectives, its production and distribution in order to encourage others to practice video-based mobile methods, to edit their audiovisual work, and to disseminate it more widely than video-based research has been disseminated so far. To this effect, the article offers reflections on the fruitful intersection between mobile methods and ethnographic video, on precisely how Low and Slow was produced and distributed, and on why mobility students and scholars should view the use of video documentation as an important methodological research tool.
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During 2014–2015, we produced a short video documentary, titled The Art of Wild, which focused on the audiovisual practices of outdoor adventurers. This short written report reflects on an idea inspired by the video: the GoPro gaze.... more
During 2014–2015, we produced a short video documentary, titled The Art of Wild, which focused on the audiovisual practices of outdoor adventurers. This short written report reflects on an idea inspired by the video: the GoPro gaze. Enacted by increasingly sophisticated, portable and affordable recording audiovisual technologies such as the GoPro Hero camera, the ‘GoPro gaze’ entails not just the pursuit of pleasures derived from adventure and nature-based travel, but also the production and distribution of professional-quality independent videos for Internet audiences. Based on a series of ‘go-along’ interviews with adventure travelers/athletes/artists, this article and the accompanying video prompt us to reflect on how the affective pleasures and technological affordances of the ‘GoPro gaze’ trouble the established idea of the ‘tourist gaze’.
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Over the last decade and a half, socio-cultural geographies have witnessed a genuine explosion of interest in the ethnographic tradition. Such interest is due in part to the increasing acceptance of non-representational ideas across the... more
Over the last decade and a half, socio-cultural geographies have witnessed a genuine explosion of interest in the ethnographic tradition. Such interest is due in part to the increasing acceptance of non-representational ideas across the field and the way these ideas have constructively informed the long-standing debate on the analytics, esthetics, and politics of ethnographic representation. Non-representational theoretical ideas have influenced the way ethnographers tackle important methodological and conceptual undercurrents in their work, such as vitality, performativity, corporeality, sensuality, and mobility. This article aims to capture a few of the characteristics of this constantly evolving non-representational ethnographic style. Non-representational ethnography seeks to cultivate an affinity for the analysis of events, practices, assemblages, structures of feeling, and the backgrounds of everyday life against which relations unfold in their myriad potentials. Non-representational ethnography emphasizes the fleeting, viscous, lively, embodied, material, more-than-human, precognitive, non-discursive dimensions of spatially and temporally complex lifeworlds.
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A film review of Pegi Vail's 2013 film, depicting the consequences of nature-based tourism.
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Academic ethnographers have been utilizing film, and more recently video, for a variety of research purposes including the collection, analysis, and dissemination of data. But ethnographic film and video are not the exclusive domain of... more
Academic ethnographers have been utilizing film, and more recently video, for a variety of research purposes including the collection, analysis, and dissemination of data. But ethnographic film and video are not the exclusive domain of university-based ethnographers or professionally trained ethnographic researchers. More and more ethnographic films and video documentaries are nowadays produced by filmmakers who aren’t necessarily interested in utilizing their work to advance anthropological, sociological, or other disciplines’ theoretical or substantive agendas. Interestingly, these documentaries often garner wider distribution and larger audiences than ethnographic films and videos made by academics, leading us to question the identity of ethnographic documentary and the potential of this genre to both advance ethnological knowledge and the sociocultural imagination. In this article, I examine this phenomenon focusing on nonacademic wide-distribution ethnographic documentaries available on cable and satellite TV, Netflix, and iTunes, reflecting on their content, style, distribution strategies, and their status as social scientific ethnographic representations
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Though research on back-to-the-landers, smallholders, organic farmers, community gardeners and eco-villagers is copious, extremely little knowledge exists on off-grid living. “Off-grid” refers to a home or community disconnected from... more
Though research on back-to-the-landers, smallholders, organic farmers, community gardeners and eco-villagers is copious, extremely little knowledge exists on off-grid living. “Off-grid” refers to a home or community disconnected from regional electricity and natural gas infrastructures. Off-gridder dwellers not only generate power and heat but in general also practice relative self-sufficiency when it comes to food production. Drawing from ethnographic research conducted in Canada, this paper examines the practices of growing, cooking, eating and disposing of off-grid organic food. Off-gridders’ practices present a counter-hegemonic idea of convenience which emphasizes the importance of food that is local, self-produced, sustainably-cooked and sustainably disposed of. We argue that off-gridders engage in acts of “deconcession,” that is, practices that respatialize and reconfigure food-based assemblages of materials, institutions, practices, representations and experiences by way of reduced reliance on the dominant system of distant food supply.
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Solar energy harnessed through photovoltaic panels powers the greatest majority of the domestic electricity needs of off-grid homes. Solar energy can be rather easily stored in batteries; however, the cost of battery banks and the need to... more
Solar energy harnessed through photovoltaic panels powers the greatest majority of the domestic electricity needs of off-grid homes. Solar energy can be rather easily stored in batteries; however, the cost of battery banks and the need to limit draining these batteries to increase their life, means that solar-powered home dwellers need to carefully monitor their energy consumption and reduce electricity use when solar energy becomes scarce. So what happens during fall and winter months when cloudy skies and long dark days make solar energy scarce? Drawing from ethnographic research with Canadian off-grid homeowners, this paper examines the everyday ways in which off-gridders adapt to seasonal darkness. Ethnographic data show how people’s diurnal and seasonal rhythms change in accordance with available sunlight and therefore more broadly how people’s relationships with place are shaped by changing temporalities of light and darkness. Focusing in particular on the alternative domestic technologies off-gridders use to reduce wattage consumption (e.g. LED televisions, DC lights, non-use of heat-producing appliances, use of manually-operated tools) and juxtaposing their lifestyles with domestic practices of the past this paper argues that off-gridders challenge the speed, light, and power assemblages of modernity, by cultivating slower rhythms and power self-sufficiency.
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Drawing from ethnographic research in Canadian off-grid homes, this paper examines the notion of visual comfort. Like other types of comfort, visual comfort is an affective sensibility whose intensity and achievement are highly variable.... more
Drawing from ethnographic research in Canadian off-grid homes, this paper examines the notion of visual comfort. Like other types of comfort, visual comfort is an affective sensibility whose intensity and achievement are highly variable. Through their unique historical trajectories grid-connected homes have achieved and normalized visual comfort in particular ways, but—as the experiences of off-grid homes show—in no way is domestic visual comfort achievable only by flicking on an electric lightbulb powered by distant sociotechnical assemblages. Comfort is, in fact, not a uniform experience and off-gridders’ practices show vividly what it means to achieve it differently—in variable intensities and through alternative entanglements of nature and culture. In particular, we argue that off-gridders’ comfort is a direct reflection of their involvement in its production, ensuing from their participation in electricity generation
Research Interests: Cultural Studies, Cultural Geography, Social Geography, Visual Studies, Renewable Energy, and 12 moreVisual Culture, Consumer Behavior, Visual Ethnography, Consumer Research, Affect (Cultural Theory), Visual comfort, Living off the Grid, The Senses, Rural studies, Alternative Energy, New Energy, Non-Renewable Energy, Renewable Energy, Transition Energy, Solar Energy, Lighting, Off Grid, Off-grid Electricity, and Home Power
In the contemporary, industrialized, urban world practices of domestic water usage typically transcend the physical boundaries of the home as indoor plumbing connects with municipal sewer lines and water mains. These infrastructural... more
In the contemporary, industrialized, urban world practices of domestic water usage typically transcend the physical boundaries of the home as indoor plumbing connects with municipal sewer lines and water mains.
These infrastructural connections sever the sites of individual water consumption from the sites of its collection, storage, purification, and distribution. But what happens when individual homeowners become self-sufficient for gathering, conserving, and recycling water? Drawing from ethnographic research conducted amidst off-grid homeowners this paper examines how practices of domestic water conservation and usage unfold when individuals become self-sufficient for water. We find that off-grid homeowners engage in what we call “onerous consumption”—a type of alternatively hedonistic consumption characterized by burdensome involvement in the gathering, conserving, channeling, utilization, and disposal of resources. We argue that “onerous consumption” results in a profound awareness of resource utilization and consequently leads to greater resource conservation. We reflect on the value of the concept of onerous consumption for research and theorizing on sustainable and ethical consumption.
These infrastructural connections sever the sites of individual water consumption from the sites of its collection, storage, purification, and distribution. But what happens when individual homeowners become self-sufficient for gathering, conserving, and recycling water? Drawing from ethnographic research conducted amidst off-grid homeowners this paper examines how practices of domestic water conservation and usage unfold when individuals become self-sufficient for water. We find that off-grid homeowners engage in what we call “onerous consumption”—a type of alternatively hedonistic consumption characterized by burdensome involvement in the gathering, conserving, channeling, utilization, and disposal of resources. We argue that “onerous consumption” results in a profound awareness of resource utilization and consequently leads to greater resource conservation. We reflect on the value of the concept of onerous consumption for research and theorizing on sustainable and ethical consumption.
Research Interests: Cultural Studies, Cultural Geography, Sustainable Production and Consumption, Water, Renewable Energy, and 14 moreConservation, Water resources, Ethical Consumption, Consumption, Consumption Studies, Domestic Space, Renewable energy resources, Sociology of consumption, Consumption and Material Culture, Home, Living off the Grid, Responsible Consumption, Consumption Culture, and Waste, Materials and Consumption
Drawing from ethnographic research conducted in Alberta, as well as across multiple sites in Canada, this article describes and discusses the practices and experiences of heating off the grid with renewable resources (i.e. passive solar... more
Drawing from ethnographic research conducted in Alberta, as well as across multiple sites in Canada, this article describes and discusses the practices and experiences of heating off the grid with renewable resources (i.e. passive solar and wood). Heating with renewable resources is herein examined in order to apprehend the cultural significance of dynamics of corporeal involvement in the process of creating indoor warmth. A distinction between energy for which corporeal involvement is relatively high (hot energy) and relatively low (cool energy) is then made. Off-grid indoor warmth is therefore understood as a hot energy requiring intense involvement. The authors argue that thermoception is a type of affect with catalytic properties.
Research Interests: Architecture, Renewable Energy, Anthropology of the Body, Energy, The Body, and 12 moreEnergy and Environment, Sociology of the Body, Phenomenology of the body, Anthropology of the Senses, Visual Ethnography, Affect (Cultural Theory), Tim Ingold, Home, Solar Energy, Heating, Ventilating, Air Conditioning & Refrigeration, The Senses, and Off-grid Electricity
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Drawing from ethnographic research on Canadian people living off-grid we describe and interpret how people without formal training in architecture or construction manage to build their own homes. Our findings show that they do so thanks... more
Drawing from ethnographic research on Canadian people living off-grid we describe and interpret how people without formal training in architecture or construction manage to build their own homes. Our findings show that they do so thanks to what we call regenerative life skills. Juxtaposing our argument in the context of DIY (do-it-yourself) research and discourse we argue that rather than in a solo endeavor off-grid builders engage in relational practices, becoming entangled with others, with historical traditions, with place-specific resources, and with the affordances of the materials they utilize. DIW (do-it-with) relies on the engagement of what we call regenerative life skills – drawing from relational theory and regenerative design.
Research Interests: Cultural Studies, Cultural Geography, Visual Anthropology, Material Culture Studies, Renewable Energy, and 12 moreWind Energy, Sustainable Building Design, Vernacular Architecture, Alternative Energy, Visual Ethnography, Material Culture, Home, Electricity, Green Building, DIY culture, Solar Energy, and Home Power
Ethnography has witnessed a staggering proliferation of genres over the last three decades. Modes of communication have similarly expanded. In spite of this, most ethnographers still rely on the prototypical media of their trade: the book... more
Ethnography has witnessed a staggering proliferation of genres over the last three decades. Modes of communication have similarly expanded. In spite of this, most ethnographers still rely on the prototypical media of their trade: the book and the journal article. The objective of this article is to examine the process of communicating ethnography through more widely accessible media such as popular print magazines, web-based magazines, and blogs. Drawing examples from my own public ethnography, I reflect on practical considerations that ethnographers might want to entertain whenever they attempt to popularize their work through these channels. I also provide reflections on the risks and limitations typical of these media.
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In what ways do paces of movement shape places, and how do different places shape their movements’ paces? The objective of this paper is to provide exploratory answers to these questions by focusing on the mobility constellations of... more
In what ways do paces of movement shape places, and how do different places shape their movements’ paces? The objective of this paper is to provide exploratory answers to these questions by focusing on the mobility constellations of ferry-dependent islands and coastal communities of Canada’s west coast. I focus on the slower temporalities and spatialities of mechanized technologies of mobility by drawing upon research conducted for a larger ethnographic project aimed at understanding the multiple roles played by ferry mobilities in the lives of British Columbia’s ferry-dependent islands and coastal residents. Boats’ rhythms, speed, and the duration of journeys occasion the conditions for the cultivation of an empirically unique region-specific sense of time. Within this ethnographic context ferry boats serve as technologies through which residents of island and coastal communities weave distinct place temporalities and mobility constellations. Islanders and coasters employ the affordances of ferries to break away from the place temporalities typical of the city. Such movement toward separation from the urban is what I refer to as moving ‘out of time’. Moving ‘out of time’ is done in order to tune into the alternative insular and coastal temporal regimes deemed more desirable by the locals. Such movement toward attunement is what I refer to as moving ‘in time’.
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Research Interests: Cultural Studies, Cultural Geography, Renewable Energy, Space and Place, Energy, and 13 moreSustainable Building Design, Energy and Environment, Sustainable Energy, Sociology of Technology, Sociology of Everyday Life, Sustainable Architecture, Visual Ethnography, Smart Grid, Microgrid, Fuel Cell Vehicles, Geography of Energy, Plug In Hybrid Electric Vehicles, and Hydrogen Economy
Drawing from sensory ethnography, the present multimodal writing—accompanied by photography and digital video—documents and interprets the mobilities of off-grid living on Lasqueti Island, British Columbia, Canada. The data presentation... more
Drawing from sensory ethnography, the present multimodal writing—accompanied by photography and digital video—documents and interprets the mobilities of off-grid living on Lasqueti Island, British Columbia, Canada. The data presentation focuses in particular on the embodied experience of off-grid inhabitation, highlighting the sensory and kinetic experiences and practices of everyday life in a community disconnected from the North American electrical grid and highway network. The mobilities of fuel and energy are presented in unison with ethnographic attention to the taskscape of everyday activities and movements in which off-grid islanders routinely engage. The analysis, based on Tim Ingold's non-representational theory on place, movement, and inhabitation, focuses on how the material and corporeal mobilities of off-grid life body forth a unique sense of place.
Research Interests: Cultural Studies, Cultural Geography, Sustainable Communities, Mobility/Mobilities, Renewable Energy, and 18 moreSpace and Place, Island Studies, Energy, Sustainable Building Design, The Body, Sense of Place, Energy and Environment, Sociology of the Body, Phenomenology of the body, Sustainable Energy, Sociology of Technology, Sociology of Everyday Life, Environmental Sustainability, Sustainable Architecture, Phenomenology of Space and Place, Renewable Energy Systems, British Columbia and the Canadian West, and Geography of Energy
Drawing from recent analytical developments in semiotics and postmodern ethnography, this article exposes and assesses the combination of social semiotics and fieldwork as a form of qualitative inquiry. Approaches to semiotics and... more
Drawing from recent analytical developments in semiotics and postmodern
ethnography, this article exposes and assesses the combination of social
semiotics and fieldwork as a form of qualitative inquiry. Approaches to semiotics
and fieldwork are not new—structural ethnographers in cultural anthropology
and structural interactionists in sociology and communication studies
have previously laid the foundations for the integration of formal methods of
analysis and inductive approaches to data collection—yet, as this article
argues, structuralism’s limitations have hampered the growth of semiotics
within qualitative inquiry. By presenting social semiotics as a viable alternative
to structural semiotics, by describing in clear pedagogical fashion how
social semiotics can be used as a research strategy, and by exposing its potential
for applicability, this article attempts to bring sociosemiotic ethnography
to the forefront of contemporary qualitative inquiry.
ethnography, this article exposes and assesses the combination of social
semiotics and fieldwork as a form of qualitative inquiry. Approaches to semiotics
and fieldwork are not new—structural ethnographers in cultural anthropology
and structural interactionists in sociology and communication studies
have previously laid the foundations for the integration of formal methods of
analysis and inductive approaches to data collection—yet, as this article
argues, structuralism’s limitations have hampered the growth of semiotics
within qualitative inquiry. By presenting social semiotics as a viable alternative
to structural semiotics, by describing in clear pedagogical fashion how
social semiotics can be used as a research strategy, and by exposing its potential
for applicability, this article attempts to bring sociosemiotic ethnography
to the forefront of contemporary qualitative inquiry.
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Within social psychology, the concept of authenticity of the self has traditionally suffered from lack of definitional clarity. In this article, after conceptualizing authenticity as the phenomenological emotional experience of feeling... more
Within social psychology, the concept of authenticity of the self has traditionally
suffered from lack of definitional clarity. In this article, after conceptualizing
authenticity as the phenomenological emotional experience
of feeling true to one’s self, the author empirically examines the diversity
of emotions associated with various degrees of authenticity and inauthenticity.
Data for this study are from semi-structured in-depth interviews
with forty-six faculty members employed at a public research
university in the United States. Professors’ experiences of and dispositions
toward teaching, and their experiences of authenticity and inauthenticity,
are examined against the background of structural and cultural
forces and changes in American higher education. Data interpretation
shows that teaching is mostly a source of authenticity for professors in the
humanities, and less for those professors who identify themselves primarily
as researchers.
suffered from lack of definitional clarity. In this article, after conceptualizing
authenticity as the phenomenological emotional experience
of feeling true to one’s self, the author empirically examines the diversity
of emotions associated with various degrees of authenticity and inauthenticity.
Data for this study are from semi-structured in-depth interviews
with forty-six faculty members employed at a public research
university in the United States. Professors’ experiences of and dispositions
toward teaching, and their experiences of authenticity and inauthenticity,
are examined against the background of structural and cultural
forces and changes in American higher education. Data interpretation
shows that teaching is mostly a source of authenticity for professors in the
humanities, and less for those professors who identify themselves primarily
as researchers.
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My book review of Tim Ingold's Being Alive, Ways of Walking, and Redrawing Anthropology
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See the book's website at: http://www.popularizingresearch.net/
Research Interests: Social Research Methods and Methodology, Research Methods and Methodology, Research Methodology, Qualitative Methods (Sociology), Qualitative methodology, and 7 moreQualitative Methods, Knowledge Transfer, Qualitative Research, Qualitative Research Methods, Arts-based methodologies, Arts-Based Research, and Knowledge Mobilization
See accompanying multimedia essay here: http://ferrytales.innovativeethnographies.net/content/ghosts-sailings-past
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What do road infrastructures, media networks, ferry boats, cell phones, automobiles, and airplanes have in common? As attempts to come to terms with the virtual and material distance separating people, objects, and information they are... more
What do road infrastructures, media networks, ferry boats, cell phones, automobiles, and airplanes have in common? As attempts to come to terms with the virtual and material distance separating people, objects, and information they are all technologies of mobility which deeply shape our ways of life, informing ideas, demanding new skills and practices, facilitating or impeding relationships, and restricting or enabling access to crucial resources.
Mobility studies concentrate on the intersecting movements of bodies, objects, capital, and signs across time-space, dissecting how practices, experiences, representations, and political dynamics shape new networks and lifeworlds. This book aims to reflect on the simultaneously technological and cultural (hence, technocultural) processes underpinning many of these forms of mobility, concentrating in particular in the North, Central, and South American social context.
Whereas in Europe the study of mobilities has begun to take a strong hold in academic units, professional research networks, and recognized publication outlets, the study of mobilities is still in its adolescence in the Americas. Yet, in contrast, mobility is very much part of the core of the social imaginary, geo-politics, and cultural life of the Americas. Indeed, to be "on the move" is among the most quintessential characteristics of what it means to be a citizen of the Americas. This book is the first to reflect on these dynamics within this large geo-cultural context.
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Mobility studies concentrate on the intersecting movements of bodies, objects, capital, and signs across time-space, dissecting how practices, experiences, representations, and political dynamics shape new networks and lifeworlds. This book aims to reflect on the simultaneously technological and cultural (hence, technocultural) processes underpinning many of these forms of mobility, concentrating in particular in the North, Central, and South American social context.
Whereas in Europe the study of mobilities has begun to take a strong hold in academic units, professional research networks, and recognized publication outlets, the study of mobilities is still in its adolescence in the Americas. Yet, in contrast, mobility is very much part of the core of the social imaginary, geo-politics, and cultural life of the Americas. Indeed, to be "on the move" is among the most quintessential characteristics of what it means to be a citizen of the Americas. This book is the first to reflect on these dynamics within this large geo-cultural context.
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This paper presents both an empirical characterization and a theoretical treatment of an island as practice. Through video and ethnographic description we describe and interpret how one kind of islandness is done. Thus we understand... more
This paper presents both an empirical characterization and a theoretical treatment of an island as practice. Through video and ethnographic description we describe and interpret how one kind of islandness is done. Thus we understand islandness corporeally, affectually, practically, intimately, as a visceral experience. Basing our conceptual treatment on the non-representational idea of dwelling, we approach place as a kind of practice. We view the key performances through which an island becomes such as practices of incorporation. Inhabitants, we believe, incorporate a place not by way of mental design or blueprints, or by way of signifying comparisons and juxtapositions, but rather by sheer practical, creative, skillful engagement with its affordances. Thus we understand the practices of an islander as someone who assembles together an island by way of making use of whatever is at hand, solving going concerns as they present themselves.
Read more: http://publicethnography.net/projects/it-me-or-does-paper-move
Read more: http://publicethnography.net/projects/it-me-or-does-paper-move
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Living off the grid tie doesn’t mean living without a road to take home. It's true that there are some small island communities (such as British Columbia’s Lasqueti Island) which thrive without a bridge or a car ferry, but it is uncommon... more
Living off the grid tie doesn’t mean living without a road to take home. It's true that there are some small island communities (such as British Columbia’s Lasqueti Island) which thrive without a bridge or a car ferry, but it is uncommon for off-grid dwellings to be without some kind of road access. And while it's true that you’re unlikely to run into an off-grid home near a freeway exit or along a littered cup's windblown flight route from the nearest Tim Horton's, the acreages in the exurban and rural areas that off-gridders call home are always located at the end of a driveway.
http://publicethnography.net/ice-roads-mobilities-photo-essay-mackenzie-delta
http://publicethnography.net/ice-roads-mobilities-photo-essay-mackenzie-delta
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Culture is what people do together (cf. Becker 1986; Ingold 2000). Such a focus on collective doing, making, and the materiality and consequentiality of action-based cultural processes is what sensitizing concepts like “material culture”... more
Culture is what people do together (cf. Becker 1986; Ingold 2000). Such a focus on collective doing, making, and the materiality and consequentiality of action-based cultural processes is what sensitizing concepts like “material culture” and “technoculture” are meant to highlight. Conceptualizing culture as action and interaction is intended to downplay the importance of cognitive cultural dimensions such as values, beliefs, codes, and ideas and to emphasize instead bodily engagements, techniques, skills, habits, and the materiality of the world of interaction. The scope of this chapter is to survey the ontological foundations of such ideas and therefore of perspectives that view material culture and technoculture as interaction. By taking some license in blurring boundaries amongst theoretical traditions, in what follows I review four basic principles of pragmatism, symbolic interactionism, performance theory, and social semiotics. The chapter is divided into four parts. Each part reviews one of the four principles that distinguish this pan-theoretical perspective: diffused agency, semiotic power, ecology, and emergence.
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Drawing from fieldwork conducted to examine the roles played by ferry mobilities in the lives of residents of ferry-dependent islands and coastal communities of British Columbia, Canada, this paper focuses on three elements of spatial... more
Drawing from fieldwork conducted to examine the roles played by ferry mobilities in the lives of residents of ferry-dependent islands and coastal communities of British Columbia, Canada, this paper focuses on three elements of spatial mobility assemblages: motives, costs, and frictions. In doing so, this paper contributes to the growing literature on the politics of mobility constellations. Data shed light on the transformative, but contested, power of spatial mobilities. To analyze these dynamics the analysis builds upon Ingold’s ideas on wayfaring to highlight how practices, representations, and experiences of ferry
mobility exercise their transformative power.
mobility exercise their transformative power.