- Academia Europaea – The Academy of Europe, Classics & Oriental Studies, Faculty MemberAccademia Nazionale dei Lincei, Classe di Scienze Morali Storiche e Filologiche, Faculty Member, and 2 moreadd
- Archaeology, Late Antique Archaeology, Late Antiquity, Topography of Ancient Rome (Archaeology), Roman social history, Late Antique Art and Archaeology, and 14 moreAncient Topography (Archaeology), Templum Pacis, Byzantine lighting devices, Liber Pontificalis, Mappae Clavicula, Riuso Dell'Antico, Colour Theory, Urban Morphology, John Brian Ward-Perkins, Morfologia Urbana, Enonciation, Urban Semiotics, Nicolo Dell Unto, and Meaning of colours in antiquityedit
Archaeological Map of The Vatican City with a discussion of the topography and history of the area
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Guide to the Exhibition "I colori del Bianco"
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Catalogue of the Archaeological Museum at the Papal Villa of Castel Gandolfo
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The history of the Roman Municipium of Veii (southern Etruria) through the evidence from the Giorgi Excavations (1811-13) with unpublished documents and the finds preserved in the Vatican Museums
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After a year, the Italian Ministry of Culture has revised the ministerial decree regulating the granting of images of state cultural property. The first decree had been criticised by the entire cultural world for the costs it imposed on... more
After a year, the Italian Ministry of Culture has revised the ministerial decree regulating the granting of images of state cultural property. The first decree had been criticised by the entire cultural world for the costs it imposed on publications, including scientific ones. The new decree has improved this aspect by granting broad exemptions, but it has maintained an overly complex system and the 'concession' regime, with a prior 'ethical' control on the use of the images, which is neither acceptable nor practically feasible.
Il Ministero della cultura italiano dopo un anno ha rivisto il Decreto Ministeriale che regola la concessione delle immagini dei beni culturali dello stato. Il primo decreto avevo sollevato le critiche di tutto il mondo della cultura per i costi che imponeva alle pubblicazioni, anche a quelle scientifiche. Il nuovo decreto ha migliorato questo aspetto concedendo ampie esenzioni, ma ha mantenuto un impianto troppo complesso e il regime della “concessione”, con un controllo preventivo “etico” sull’uso delle immagini, che non è né ammissibile, né praticamente attuabile.
Il Ministero della cultura italiano dopo un anno ha rivisto il Decreto Ministeriale che regola la concessione delle immagini dei beni culturali dello stato. Il primo decreto avevo sollevato le critiche di tutto il mondo della cultura per i costi che imponeva alle pubblicazioni, anche a quelle scientifiche. Il nuovo decreto ha migliorato questo aspetto concedendo ampie esenzioni, ma ha mantenuto un impianto troppo complesso e il regime della “concessione”, con un controllo preventivo “etico” sull’uso delle immagini, che non è né ammissibile, né praticamente attuabile.
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Situating Rome within wider debates on Classical Urbanism is notoriously challenging. It cannot be ignored; the city was the point of reference for a civilization built on urban centres. Rome’s resilient power to absorb, adapt and... more
Situating Rome within wider debates on Classical Urbanism is notoriously challenging. It cannot be ignored; the city was the point of reference for a civilization built on urban centres. Rome’s resilient power to absorb, adapt and re-present itself underpinned its longevity. Yet while this rightly ensures Rome has a profound significance in discussions of the Classical and Late Antique city, the pulse that sustained the urbs Roma aeterna was also very much its own. No urban centre in the Mediterranean world could match its sustained dynamism, and as Purcell (2007) observed in his discussion of the horti of peri-urban Rome, the drivers that underpinned its evolution were often particular to the circumstances of the city itself. The European Research Council-funded ‘Rome Transformed’ Project https://research.ncl.ac.uk/rometrans/ (grant agreement No. 835271, Haynes et al. 2020; 2021; 2022) seeks to understand better this dynamism and its implications, through detailed study of a neighbourhood on the periphery of the Late Republican city, outside Rome’s pomerium, which went on to become the centre of western Christendom for a millennium. The project’s focus is on the eastern Caelian, and most particularly, on the eight formative centuries that ran from the Principate of Augustus to the Pontificate of Leo III. This paper concentrates on the first four of those centuries.
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Si presentano due casi di monete poste in fondazione di edifici paleocristiani: il primo è relativo alla basilica costantiniana di S. Pietro in Vaticano e ai rinvenimenti numismatici che si sono verificati durante la sua demolizione per... more
Si presentano due casi di monete poste in fondazione di edifici paleocristiani: il primo è relativo alla basilica costantiniana di S. Pietro in Vaticano e ai rinvenimenti numismatici che si sono verificati durante la sua demolizione per l’erezione del nuovo S. Pietro. Monete emesse da Costanzo II furono infatti trovate sotto la base delle colonne della navata principale. Il secondo rinvenimento, del VI secolo, è relativo alla chiesa di Santa Maria Antiqua al Foro Romano, sotto i cui pilastri furono rinvenute emissioni forse di Giustino I oppure di Giustino II. I due casi sono interessanti in quanto si pongono allo snodo tra l’evo antico e il medio, testimoniando la sopravvivenza e continuità di un uso «pagano» anche in contesto cristiano. Queste due etichette però potrebbero essere inadeguate perché si tratta di elementi che potrebbero essere considerati come relativamente indipendenti dalle specifiche concezioni religiose, soggetti a una progressiva evoluzione di significato riconoscibile nel lungo periodo. Una pista di ricerca è la verifica dell’uso di queste monete di fondazione in età paleocristiana, se cioè fosse legato alla committenza pubblica civile, dunque non ecclesiastica.
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On the basis of a new integration and interpretation of the inscription ICUR 3900 from the Basilica Apostolorum (Rome, via Appia, now S. Sebastia) attributed to Pope Miltiades, the paper reexamines the architectural type of the... more
On the basis of a new integration and interpretation of the inscription ICUR 3900 from the Basilica Apostolorum (Rome, via Appia, now S. Sebastia) attributed to Pope Miltiades, the paper reexamines the architectural type of the deambulatory basilica, limited in number (6 examples only in RomeI Chronology (the age of Constantine) and proposes an interpretation of its functions and the reason for the early abandonment of the type.
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In the study of the urban development of late antique Rome, the discussion on the Christian basilicas built by Constantine has always played a significant role. In this regard we have a very important source, the Liber Pontificalis,... more
In the study of the urban development of late antique Rome, the discussion on the Christian basilicas built by Constantine has always played a significant role. In this regard we have a very important source, the Liber Pontificalis, consisting in a series of papal biographies in chronological order. The Life of Pope Sylvester preserves the list of ecclesiastical foundations promoted by the emperor with their donations: it is the so-called Constantinian Libellus. The analysis of the list allows interesting results since this document was prepared by the imperial chancellery and the 6th century ecclesiastical compiler of the Liber Pontificalis inserted only a few clearly recognizable interpolations. The structure of the list is extremely regular and helps us to understand some administrative practices and how the emperor adapted the traditional framework to the new situations and to his ecclesiastical policy. On one side the emperor involved the bishops and their churches in the project and building of the basilicas, on the other side the basic schemes and concepts he employed were probably derived from the Roman administrative tradition concerning the foundations of pagan temples.
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Some reflections about the fuure of the topographical research on Ancient Rome
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edizione italiana di Historical reliefs and architecture, in A. RAIMONDI COMINESI, N. DE HAAN, E.M. MOORMANN, C. STOCKS (a cura di), God on Earth: Emperor Domitian. The re-invention of Rome at the end of the 1st century AD, Papers on... more
edizione italiana di Historical reliefs and architecture, in A. RAIMONDI COMINESI, N. DE HAAN, E.M. MOORMANN, C. STOCKS (a cura di), God on Earth: Emperor Domitian. The re-invention of Rome at the end of the 1st century AD, Papers on Archaeology of the Leiden Museum of Antiquities 24, Leiden 2021, pp. 83-89, ISBN 978-90-8890-955
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The paper tries to establish how one might use the concept of epitomization to
evaluate if and to what extent we can find common ground between written and figural
texts
evaluate if and to what extent we can find common ground between written and figural
texts
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At first glance, the urban district of the Caelian Hill in Rome appears characterised by contradictions: it is occupied at the same time by domus of members of the pagan elite, by imposing barracks and – in a later moment – by the Lateran... more
At first glance, the urban district of the Caelian Hill in Rome appears characterised by contradictions: it is occupied at the same time by domus of members of the pagan elite, by imposing barracks and – in a later moment – by the Lateran Basilica. Urban Morphology theory allows a better understanding of the evolution of this area which is a typical example of a “fringe belt”, delimited to the north by the pomerium and the Republican walls, to the south by the limit of the hill with the Marrana river and later by the Aurelian Walls. This district is located on the edge of the city and serves a hinge role between the centre and the countryside.
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The statue of the Nile preserved in the Vatican Museums has a frieze depicting Nilotic scenes; comparison with written sources and especially with Pliny the Elder shows important coincidences that make the frieze's dependence on this... more
The statue of the Nile preserved in the Vatican Museums has a frieze depicting Nilotic scenes; comparison with written sources and especially with Pliny the Elder shows important coincidences that make the frieze's dependence on this source plausible, in the passage about the fight between the mongoose and the crocodile.
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Entry Vatican: Pagan Vaticanum; Saint Peter’s Basilica: Position and Structure; Date of the Building; The Apsidal Area; The Baptistery; The Decoration of the Nave; The Atrium and the Access to the Basilica; Historiography; Bibliography.
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The inscription ICUR 3900 is preserved only through a 9th cent. codex together with other in¬scriptions from the early Christian basilicas of Rome. Unfortunately, the last line, with the name of the builder of the basilica, is missing.... more
The inscription ICUR 3900 is preserved only through a 9th cent. codex together with other in¬scriptions from the early Christian basilicas of Rome. Unfortunately, the last line, with the name of the builder of the basilica, is missing. One century ago, Marucchi attributed it to the Basilica Apostolorum – to day St Sebastian on the Via Appia – and his proposal was widely accepted. After the discussion of some integrations of the text, the paper addresses the interpretation of the essential node: the identification of the praesul, the bishop who took the initiative to build the church, and of the filius, the son who completed the work. The Basilica Apostolorum is surely one of the earliest churches of Rome, dating back to the age of Constantine, but there is no trace of it in the list of the Constantinian buildings in the Liber Pontificalis. A possible explanation is to attribute the building to a private (the filius), who completed the work begun by his father (the praesul). Hypothetically and in a very cautious way, the latter could be identified with pope Miltiades or Sylvester.
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While it is normal in archaeology to discuss the relationship between written sources and archaeological evidence, the use of graphic sources for the reconstruction of the topography of ancient Rome – in particular of Renaissance drawings... more
While it is normal in archaeology to discuss the relationship between written sources and archaeological evidence, the use of graphic sources for the reconstruction of the topography of ancient Rome – in particular of Renaissance drawings and maps – did not develop a debate on methodological issues. In this regard an important starting point for the discussion can be found, instead, in the art-historical studies dedicated to this type of drawings. The evaluation of the reliability of these sources needs a specific philology taking into account the purposes, functions and type of the collections where these documents appear, the relationships between the various drawings and – of course – their chronology. The paper examines some cases where the conclusions of historical and artistic studies have significantly changed the attribution and dating of well-known collections, with consequences that not always are fully evaluated in the archaeological field, due to the disciplinary specializations. Finally, a pair of specific examples are considered to demonstrate that the correct interpretation of graphic Renaissance documentation allows to avoid misunderstandings or calls into question conclusions that seemed well-established. open access: https://books.openedition.org/efr/30270
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Discussione sui difficili rapporti che intercorrono attualmente tra formazione universitaria e Ministero dei Beni Culturali
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The study is an attempt to reassess our analytical tools for understanding the figural Christian language, not considering its iconographical vocabulary but rather some apparently trivial elements, for identifying long-term phenomena... more
The study is an attempt to reassess our analytical tools for understanding the figural Christian language, not considering its iconographical vocabulary but rather some apparently trivial elements, for identifying long-term phenomena whose articulations and ruptures acquire significance when seen with new eyes. Starting from a couple of mosaic portraits of the mid fourth century, the paper addresses the meaning of some features only rarely considered: the ground colour, the shape of the tondo, the two-dimensionality, and frontality of the portraits. This approach highlights some elements of continuity in the figural language between the Graeco-Roman and Christian world, but at the same time, it makes clear that besides the new images there was a new beholder. In other words, the main novelty is the ‘invention’ of the beholder: Christian art presupposed and established him in an explicit way, exhorting his response as an essential part of the artistic device.
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Topographical evolution of the coastal territory south of Rome between Late Antiquity and the Early Middle Ages
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Reconsideration of the textual and archaeological evidence about the iconography of the early Christian apse decoration of the Basilica of St. John the Lateran
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the paper provides a picture of the historical, topographical and archaeological significance of the remains that lay underneath the buildings of the Hospital of St. John the Lateran.
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Analysis and general overview of the historical reliefs and the main monuments of the imperial propaganda of Domitian
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The entry of the Reallexikon synthetizes the question of ancient spolia in the Jewish, Greek and Roman culture up to the Early Christian and Early Medieval period through literary, epigraphic and archaeological sources with a critical... more
The entry of the Reallexikon synthetizes the question of ancient spolia in the Jewish, Greek and Roman culture up to the Early Christian and Early Medieval period through literary, epigraphic and archaeological sources with a critical synthesis of the interpretations of the phenomenon.
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Il penultimo della serie dei tondi figurati adrianei dell'Arco di Costantino - noto come "Rientro dalla caccia" - raffigura l'imperatore Adriano tra due compagni di fronte a un leone ucciso. Alle estremità della scena sono due... more
Il penultimo della serie dei tondi figurati adrianei dell'Arco di Costantino - noto come "Rientro dalla caccia" - raffigura l'imperatore Adriano tra due compagni di fronte a un leone ucciso. Alle estremità della scena sono due palafrenieri con i cavalli. Adriano narra la caccia vittoriosa al Leone compiuta da Antinoo presso il Nilo. Quest'ultimo, nel frattempo sceso al fiume, per un incidente o un malore avrebbe perso la vita e sarebbe stato assunto in cielo trasformato in una stella. Il palafreniere di destra è la chiave per comprendere tutta la scena: volge le spalle all'imperatore in maniera contraria all'etichetta e alle regole dell'arte romana alzando la testa verso il cielo. Egli dev'essere identificato con il "iurator": colui che nelle apoteosi imperiali dichiarava di aver visto l'assunzione in cielo dell'anima del defunto e con il suo giuramento ne permetteva la divinizzazione.
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Synthetic presentation and evaluation of the approaches in studying the Roman streets in central and northern Italy
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In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the... more
In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the meanings of σκιά and σκιαγραφία, another interpretation appears more likely. Σκιαγραφία means “shading”, “silhouette” or “outline”, and finally “sketch” or – even better – “preliminary drawing”, “underdrawing”or “sinopia”. The last meaning is well attested in the sources at least since the late second or early third century AD and a number of passages in the Fathers alluding to the Epistle support the same conclusion. The term is common in the technical terminology of painters on wooden tablets and was a widely employed topos with different nuances according to different authors.
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Methodological observations concerning the urban studies in relation to displacements due to political, military or economic reasons
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A reexamination of the Tiber bridges leads to propose some new solutions, as the identification of Pons Probi in the remains upstream of Ponte Sisto, and Pons Theodosii in those under the Aventine. No other bridges are known from the... more
A reexamination of the Tiber bridges leads to propose some new solutions, as the identification of Pons Probi in the remains upstream of Ponte Sisto, and Pons Theodosii in those under the Aventine. No other bridges are known from the mouth of the river to this point, because they would obstacle the ships traveling upstream to the city. According to Lanciani, the hill of Monte Citorio would consist of fragments of late antique amphorae: due to the proximity of Portus Vinarius and Templum Solis we could hypothesize they were wine amphorae. This allows to identify a functional division: to the Campus Martius arrived wine – descending along the river – and pigs – walking along the via Flaminia, both from the Italian hinterland; under the Aventine on the other hand arrived grain, oil, marble: in general all the goods and commodities imported by sea to the port of Ostia.
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Discussione sulla situazione degli insegnamenti di Archeologia nell'Università italiana alla luce delle evoluzioni normative in relazione al tema della valutazione accademica. Seguono considerazioni relative al dibattito interno tra i... more
Discussione sulla situazione degli insegnamenti di Archeologia nell'Università italiana alla luce delle evoluzioni normative in relazione al tema della valutazione accademica. Seguono considerazioni relative al dibattito interno tra i diversi settori scientifico disciplinari.
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Project for a museum of the Archaeological Excavation under the Basilica of St. John the Lateran - Rome
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A discussion about fakes in archaeology and history of art trying to distiguish various nuances and intermediate positions between the two poles of true and fake
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Fortuna Redux and Pax had already a significant role in Augustan Rome, but their importance grew up under Vespasian. Since the early days of his arrival in the capital his preference for Fortuna Redux was evident so that the goddess... more
Fortuna Redux and Pax had already a significant role in Augustan Rome, but their importance grew up under Vespasian. Since the early days of his arrival in the capital his preference for Fortuna Redux was evident so that the goddess appeared on thirteen issues of coins in front of a single one in the age of Augustus and of the julio-claudian emperors. On the other hand Vespasian dedicated to Pax the great Templum Pacis in the heart of Rome and decorated it with the art masterpieces recovered from Nero's properties.
In 73 and 74 AD Vespasian assumed the Censorship in order to reorganize the empire and the city of Rome, which underwent to new cadastral measurements. In 75 he enlarged the pomerium, and as a consequence moved the Porta Triumphalis which Domitian rebuilt as a four-sided arch. Thanks to a passage in the panegyric by Claudian for Honorius’ sixth consulate, we can identify the Arco di Portogallo on the Via Lata/Flaminia as a pomerial gate and therefore as the late antique heir of the Flavian Porta Triumphalis.
According to Martial, Domitian built the Temple of Fortuna Redux close to this gate: thanks to two marble reliefs depicting the triumphal arrival of Marcus Aurelius, we can place the temple immediately to the north of the gate, outside the city, and to the east of the Via Flaminia. On the other hand to the south of the gate, inside the city, to the west of the road, stood the Ara Pacis of Augustus. The two cults formed a coherent system: upon his arrival from a victorious campaign, the emperor could express his thanksgiving to Fortuna Redux and, once crossed the pomerium through the gate, he encountered Peace, the condition for the civil life of the city, represented by her altar.
In this frame, the Templum Pacis acquires its full meaning and also the role of the marble plan – the Forma Urbis – becomes clear: it was the manifesto of the imperial propaganda in order to proclaim the civil order recovered and the administrative capacities of the emperor.
In 73 and 74 AD Vespasian assumed the Censorship in order to reorganize the empire and the city of Rome, which underwent to new cadastral measurements. In 75 he enlarged the pomerium, and as a consequence moved the Porta Triumphalis which Domitian rebuilt as a four-sided arch. Thanks to a passage in the panegyric by Claudian for Honorius’ sixth consulate, we can identify the Arco di Portogallo on the Via Lata/Flaminia as a pomerial gate and therefore as the late antique heir of the Flavian Porta Triumphalis.
According to Martial, Domitian built the Temple of Fortuna Redux close to this gate: thanks to two marble reliefs depicting the triumphal arrival of Marcus Aurelius, we can place the temple immediately to the north of the gate, outside the city, and to the east of the Via Flaminia. On the other hand to the south of the gate, inside the city, to the west of the road, stood the Ara Pacis of Augustus. The two cults formed a coherent system: upon his arrival from a victorious campaign, the emperor could express his thanksgiving to Fortuna Redux and, once crossed the pomerium through the gate, he encountered Peace, the condition for the civil life of the city, represented by her altar.
In this frame, the Templum Pacis acquires its full meaning and also the role of the marble plan – the Forma Urbis – becomes clear: it was the manifesto of the imperial propaganda in order to proclaim the civil order recovered and the administrative capacities of the emperor.
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Gli scavi Poletti dell'inizio dell'Ottocento misero in luce presso i carceres del Circo di Bovillae una serie di importanti iscrizioni relativi alla venerazione della casa imperiale e una statua di Caligola che entrò nella collezione... more
Gli scavi Poletti dell'inizio dell'Ottocento misero in luce presso i carceres del Circo di Bovillae una serie di importanti iscrizioni relativi alla venerazione della casa imperiale e una statua di Caligola che entrò nella collezione Colonna e attualmente si trova a Richmond.
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The paper compares two major Constantinian monuments of Rome, the Arch and St Peter’s basilica, analysing them on the basis of the model of reception and negotiation proposed by Noel Lenski. While the first presents a completely... more
The paper compares two major Constantinian monuments of Rome, the Arch and St Peter’s basilica, analysing them on the basis of the model of reception and negotiation proposed by Noel Lenski. While the first presents a completely traditional and pagan Constantine, the latter proposes the mirror-image of a perfectly Christian emperor with a more complex play between the various actors of the communication. The senatorial Constantine and the Constantine of the Roman Church are, however, both true, because they both draw on real elements of imperial propaganda, selecting, isolating – and sometimes forcing – the most useful elements to shape the image each one needed to ‘build’ the Constantine closer and more favourable to his position. Choosing only one image or averaging between the two would be wrong and reductive and the only way to grasp the ‘true’ Constantine is to maintain the tension between the two poles of this opposition.
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Riflessioni sui compiti della formazione universitaria nei confronti degli operatori culturali all'interno dei musei italiani dopo le riforme
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The problem of the unfinished portrait heads on Roman sarcophagi is a long debated one. Several solutions have been proposed – serial production, superstition, finishing in stucco or painting – but none without its problems. Rather than... more
The problem of the unfinished portrait heads on Roman sarcophagi is a long debated one. Several solutions have been proposed – serial production, superstition, finishing in stucco or painting – but none without its problems. Rather than propose further explanation, this paper aims to contribute to the comprehension of the phenomenon from an anthropological and semiotic point of view. The sources and the archaeological evidence demonstrate a close connection between the name and the imago – the portrait of the deceased. The imago is equivalent to the name in the figural language, with the same capacity to identify a person (also from a juridical point of view). This conclusion means that the patron had his sarcophagus prepared while he was alive, but without finishing the portrait (a duty of the heirs).
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Internation colloquium in honor of Sible de Bllauw
paper: I VESCOVI E L’USO DEL RITRATTO IN ETÀ PALEOCRISTIANA
paper: I VESCOVI E L’USO DEL RITRATTO IN ETÀ PALEOCRISTIANA
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Bilancio sul sistema della tutela in Italia dopo la legge Madia e le deu successive riforme del Ministero dei Beni Culturali
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The volume deals with the cost analysis of the construction of a typical house in the colony of Kasmene, founded in 644 B.C. by Syracuse in its project of territorial expansion and consolidation in south-eastern Sicily, but abandoned in... more
The volume deals with the cost analysis of the construction of a typical house in the colony of Kasmene, founded in 644 B.C. by Syracuse in its project of territorial expansion and consolidation in south-eastern Sicily, but abandoned in the middle of the fourth century B.C. This analysis takes into account the use of man-hours, materials and resources of various kinds, according to the approach that has been called Architectural Energetics in the last two decades. The author does not limit himself to assessing the construction costs of a single dwelling, but cross-references these data with a demographic analysis in order to understand the effort and time required to build the dwellings of the colony as a whole, with a number of important implications that go beyond the history of the chosen site.
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Recensione del volume dedicato alla storia e topografia dei luoghi dell'amministrazione a Roma in età tardo-republicana e imperiale
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Recensione del corpus dei pavimenti cementizi con inserti di tessere musive
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Il volume rappresenta un importante sforzo per superare un’impostazione degli studi che tendeva a privilegiare i problemi del percorso (Aurelia Vetus / Aurelia Scauri) e della sua datazione, nonché i luoghi comuni sulla sua decadenza... more
Il volume rappresenta un importante sforzo per superare un’impostazione degli studi che tendeva a privilegiare i problemi del percorso (Aurelia Vetus / Aurelia Scauri) e della sua datazione, nonché i luoghi comuni sulla sua decadenza tardoantica. Benché sia chiaro che la viabilità perde la sua funzione di lunga percorrenza e acquista un valore locale e frammentato alla fine dell’evo antico, essa costituisce un elemento fondamentale per ogni ricerca sull’evoluzione del popolamento, sulla storia e l’economia della regione durante l’età imperiale e per tutto il Medioevo: il convegno raccoglie dunque una ricca messe di novità archeologiche e di documenti. Pecche minori si possono individuare nell’ordinamento con cui si susseguono i contributi, poco comprensibile al lettore, e nel corredo cartografico non sempre all’altezza. Nel complesso però il volume è un punto fermo nella ricerca, che costituirà l’opera di riferimento per molti anni per tutti coloro che si occupano di questo territorio con una visione di lungo periodo.
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The volume is organized into five parts. The first, Framing the Frame’, consists of a long, dense and extremely stimulating contribution by the editors, synthetizing and developing the work of the entire group of authors. Four more parts... more
The volume is organized into five parts. The first, Framing the Frame’, consists of a long, dense and extremely stimulating contribution by the editors, synthetizing and developing the work of the entire group of authors. Four more parts follow, analysing (and framing) different fields: Pictorial Space, Bodies, the Sacred, and, finally, Texts. The first paper, ‘Framing the visual in Greek and Roman antiquity: an introduction’, reflects on the core of the volume. Platt and Squire set forth the most interesting results and methodological innovations of the book in a clear and convincing way.
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review of the first systematic and analithical study of the polychromy of the funerary Etruscan Architecture of the rock necropolis at Sovana (Grosseto - Italy)
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This book offers a view of extraordinary scope, both in terms of space and time, about the use and re-use of marble. The area is the Mediterranean between the 7th and the 15th-16th centuries, and this study considers not only the two... more
This book offers a view of extraordinary scope, both in terms of space and time, about the use and re-use of marble. The area is the Mediterranean between the 7th and the 15th-16th centuries, and this study considers not only the two parts which were heirs to the Roman Empire and to classical civilisation, but also the various cultures of Islam down to the Mamluks and the Ottoman Empire.
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Profile of Prof. Ferdinando Castagnoli
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Atti del workshop (Frascati, Scuderie Aldobrandini, 13-14 dicembre 2010) Horti Hesperidum. Studi di storia del collezionismo e della storiografia artistica, II, 2012, 1 (ISBN: 8865072868)
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the history of the coastal Latium with a focus on the territopry of the Vicus Augustanus in the Presidential estate of Castel Portiano from the Iron age to the early Middleages
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La riforma Franceschini dei Beni Culturali pretende di realizzare una approccio "olistico" ma nella neolingua ministeriale si può tradurre con termine meno nobile ma più comprensibile: la tutela è ridotta a spezzatino
Impatto negativo della riforma Franceschini sulla ricerca
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infortuni della bibliometria Scopus
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Assurdità e opacità dellì'ANVUR durante l'emergenza Coronavirus
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Review of the catalogue of the Wilshere collection at the Ashmolean Museum
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Misuse of the archaeological remains on the Palatine Hill close to S. Sebastiano Church for a Rock Concert
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Comparison among 3D images created in the last twenty years with different criteria, ends, and means, illustrating the Roman Forum as examples for a comparative approach and some methodological considerations about the issue of the... more
Comparison among 3D images created in the last twenty years with different criteria, ends, and means, illustrating the Roman Forum as examples for a comparative approach and some methodological considerations about the issue of the virtual 3D reconstruction of ancient monuments.
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Conclusioni dei tre webinar del dipartimento SAGAS dell'Università di Firenze sul futuro dei beni culturali di Firenze dopo la pandemia
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German edition of my article of 2019 on Athenaeum about the list of donations to Pope Silvester by Constantine