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This paper considers the cause for canonization of Gianna Beretta Molla, a pediatrician who died in 1962 because during her pregnancy she refused medical treatment that would have caused her to abort. The acts of Gianna’s cause contribute... more
This paper considers the cause for canonization of Gianna Beretta Molla, a pediatrician who died in 1962 because during her pregnancy she refused medical treatment that would have caused her to abort. The acts of Gianna’s cause contribute to the creation of a specific example mirroring and sustaining the position adopted by the Church in the 1960s and 1970s in matters of abortion, motherhood, family, and right to life. These issues were particularly delicate in those years, when the Catholic Church was facing the rise of liberal and radical positions that contrasted with its doctrine; in particular, law n. 194 of 22 May 1978 constituted the first act of abortion legalization in Italy. In this context, the sanctification of Gianna had strategic importance for the Church as a way of presenting the faithful with the Catholic ideal of motherhood through a concrete example to follow. In this paper, I argue that the way in which the figure of Gianna is represented in the acts of her cause...
Ancient and artificial languages have many roles and uses across cultures and textual genres. Far from sterile or dead, they are highly productive cultural artefacts. By exploring case studies pertaining to religion, literature, music,... more
Ancient and artificial languages have many roles and uses across cultures and textual genres. Far from sterile or dead, they are highly productive cultural artefacts. By exploring case studies pertaining to religion, literature, music, video games, cinema, and social media, we attempt to map and to understand them. This volume collects works by specialists in semiotics, linguistics, media and literary studies, philosophy, history of religions and culture.
This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian... more
This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian writers about the biblical narration of human origins and traditional religious language and ritual, the perceived clash between the immanent and transcendent nature and role of the Church, and the problematic notion of sanctity emerging from contemporary narrative.
In the Catholic tradition, saintly characters work as figurativizations or narrative representations of underlying values and normative principles and therefore represent strategic communication media to disseminate particular models of... more
In the Catholic tradition, saintly characters work as figurativizations or narrative representations of underlying values and normative principles and therefore represent strategic communication media to disseminate particular models of behavior among the faithful. This paper tests the efficacy of the representation of saintly figures in the case of the interreligious dialogue by focusing on the case study of the construction and communication of the figure of the Virgin Mary in the encounter between Catholics and Muslims. What emerges from an analysis of scholarly and institutional texts, as well as from some reflections on ecumenical practices in Marian shrines, is that the representation of Mary as the figurativization of abstract values and norms mostly concerns a cultivated elite and that the dialogue on the respective representations of Mary is quite limited and concerns especially Mary as the model of the perfect pious and devout person.
Catholic religion proposes a set of values implying self-transcendence in the name of a dimension which is superior to the individual. Such a transcendent dimension is often represented as “Heaven” or as the “Kingdom of God”. To reach it... more
Catholic religion proposes a set of values implying self-transcendence in the name of a dimension which is superior to the individual. Such a transcendent dimension is often represented as “Heaven” or as the “Kingdom of God”. To reach it should be the Catholics´ supreme goal. The Church, basing itself on the Bible and on its tradition has elaborated a well codified style of action for the individual to attain it; however, the orthodox idea of following the laws and the ritual path traced by the Church is hard to find in post-Vatican II literature. On the contrary, many novels seem based on an intense questioning on how humans should act in order to reach such kingdom or to bring it about in this world, on how and when will the evangelical promises be fulfilled. What prevails in Italian narratives is therefore a hard individual quest for such a fulfillment, involving the subject both on an intellectual/semiotic level (a tormented effort to interpret, to understand the Scriptures) and...
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National imagery developed as a secular substitute for religion, and in modern society, there has been a ‘transfer’ of sacredness from religion to politics. This paper focuses on Italy, where, despite the legal separation of church and... more
National imagery developed as a secular substitute for religion, and in modern society, there has been a ‘transfer’ of sacredness from religion to politics. This paper focuses on Italy, where, despite the legal separation of church and state, the ‘sacral’ national apparatus still owes a considerable debt to religion. After a short exposition of some of the main theories of civil religion in Italy, this work will analyze a corpus of Italian novels set during the Risorgimento, a period that functions in Italian culture as an atypical founding myth. It will show in particular how civil and religious symbols and rituals intersect in the literary representation of processions. Indeed, the procession is a recurring motif in Italian narrative and presents peculiar aesthetic features. The analysis of this literary motif will take advantage of socio-anthropological theories and will trace a distinction between ordered and disordered, or enthusiastic, processions.
2020 - Introduction to _The Reasonable Interpreter: Perspectives on Legal and Non-Legal Semiotics_, special issue of the _International Journal for the Semiotics of Law_, eds. Angela Condello, Paolo Heritier, Massimo Leone, and Jenny Ponzo.
The new media are opening new horizons for the experimentation in literature and for reaching a broader public.The opportunity of a multimedia diffusion results particularly appealing to authors intending to communicate a strong message,... more
The new media are opening new horizons for the experimentation in literature and for reaching a broader public.The opportunity of a multimedia diffusion results particularly appealing to authors intending to communicate a strong message, especially with a social or civic character. Therefore, “engaged literature” presents a marked attitude to multimediality. Moreover, this genre is generally based on journalistic and judicial styles and texts,thus placing itself at the center of a complex intertextual network. On the one hand, journalistic and judicial texts are referenced and re–elaborated in literary texts; onthe other hand, literary texts are in turn diffused through various channels (e.g. through the web, social networks, radio broadcasts) and they become the subject of a number of intersemiotic translations (e.g. from novel to film, to TV fiction, to songs).The integration of different textual genres and of different expression substances often makes it difficult to recognize and define the literary character of a new generation of deeply intertextual and multimedia engaged texts. This paper presents reflections on the complex status of engaged literature in relation to the new media, and it focuses on a case study, i.e. one of the most famous and controversial Italian engaged novels of the last ten years: Gomorra by Roberto Saviano. Herein, we will not take a stance in the debate about “what is literature,” but we will provide some semiotic considerations on the reasons and the consequences of the uncertain epistemic and aesthetic status of contemporary engaged literature.
The liturgical reform promoted by the Second Vatican Council led to a renewed way of celebrating the Mass entailing new ritual features and the drastic reduction of the use of Latin in favor of vernacular languages. Liturgical changes are... more
The liturgical reform promoted by the Second Vatican Council led to a renewed way of celebrating the Mass entailing new ritual features and the drastic reduction of the use of Latin in favor of vernacular languages. Liturgical changes are still in act and present several problematic aspects fueling debates among Catholics. A significant category of interlocutors in these debates is constituted by the ordinary priests, who have both to apply the directives established by the Holy See and to engage with local communities. While the positions endorsed by ecclesiastic authorities are well known, scarce attention has been devoted to the priests’ opinions and experience. This paper presents therefore the results of an ethnographic study investigating how Italian priests interpret the liturgical use of Latin in the contemporary socio-cultural context, what meanings and values they attribute to the ancient ritual, especially in comparison with the new one, and how they deal with the issue of the translation of sacred and liturgical texts.

THE PAPER IS AVAILABLE HERE: https://www.tandfonline.com/doi/full/10.1080/10350330.2019.1647819
Catholic religion proposes a set of values implying self-transcendence in the name of a dimension which is superior to the individual. Such a transcendent dimension is often represented as “Heaven” or as the “Kingdom of God”. To reach it... more
Catholic religion proposes a set of values implying self-transcendence in the name of a dimension which is superior to the individual. Such a transcendent dimension is often represented as “Heaven” or as the “Kingdom of God”. To reach it should be the Catholics´ supreme goal. The Church, basing itself on the Bible and on its tradition has elaborated a well codified style of action for the individual to attain it; however, the orthodox idea of following the laws and the ritual path traced by the Church is hard to find in post-Vatican II literature.
On the contrary, many novels seem based on an intense questioning on how humans should act in order to reach such kingdom or to bring it about in this world, on how and when will the evangelical promises be fulfilled. What prevails in Italian narratives is therefore a hard individual quest for such a fulfillment, involving the subject both on an intellectual/semiotic level (a tormented effort to interpret, to understand the Scriptures) and on a pragmatic level (the attempt to perform an action that finally makes the fulfillment happen). In most cases the way to transcendence is “revolutionary”, or because it implies the reversal of the Church´s positions (Silone 1968, Testori 1975), or because it passes through the breaking of the earthly order and the irruption in ordinary life of “exceptional” states (Troisi, 1986).
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National imagery developed as a secular substitute for religion, and in modern society there has been a "transfer" of sacredness from religion to politics. This paper focuses on Italy, where, despite the legal separation of Church and... more
National imagery developed as a secular substitute for religion, and in modern society there has been a "transfer" of sacredness from religion to politics. This paper focuses on Italy, where, despite the legal separation of Church and State, the "sacral" national apparatus still owes a considerable debt to religion. After a short exposition of some of the main theories on civil religion in Italy, it will analyze a corpus of Italian novels set during the Risorgimento, a period that functions in Italian culture as an atypical founding myth. It will show in particular how civil and religious symbols and rituals intersect in the literary representation of processions. Indeed, the procession is a recurring motif in Italian narrative, and presents peculiar aesthetic features. The analysis of this literary motif will take advantage of socio-anthropological theories and will trace a distinction between ordered and disordered, or enthusiastic, processions.

Key words: civil religion; procession; literature; order/disorder; nation; symbols; Italy; Catholicism.
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In the history of a nation there are upsetting events threatening national identity. Often conspiracy theories work as counter-narratives contrasting the reassuring official institutional accounts of such shocking happenings. Fictional... more
In the history of a nation there are upsetting events threatening national identity. Often conspiracy theories work as counter-narratives contrasting the reassuring official institutional accounts of such shocking happenings. Fictional literature is one of the main channels for the diffusion of conspiracy theories. Starting from such premises, this paper focuses on a corpus of Italian novels written in the last sixty years and treating four of the most upsetting moments in the Italian national history (Risorgimento, the fall of Fascism, the “lead years” and the passage from the first to the second Republic). The analysis includes novels by Eco, Camilleri, Sciascia, Cammilleri, Alianello, Bianciardi and it shows that it is possible to recognize different types of conspiracy narratives in contemporary Italian literature, each one characterized by peculiar recurrent motifs and characters. The variety and the recurrence of literary conspiracy narratives suggest that further studies are needed in order to reach a typology of conspiracy as a literary genre. Semiotics, with its theories on agency, binary oppositions, passions, manipulation, interpretation and ideology, can provide the analytic tools to carry out such a task.

Key-words: novels, genre, national identity, semiotics, narrative.
The consideration underlying this paper is that religious linguistic (or pseudo-linguistic) phenomena like glossolalia are part of a broader process of meaning making (semiosis) that defines the semiotic identity of religious groups and... more
The consideration underlying this paper is that religious linguistic (or pseudo-linguistic) phenomena like glossolalia are part of a broader process of meaning making (semiosis) that defines the semiotic identity of religious groups and that involves a plurality of factors, such as doctrinal and theological presuppositions, interpretative styles, non-linguistic practices, argumentative and rhetoric styles. This paper studies therefore Christians’ glossolalia in the context of a broader semiotic style.  To this aim, it does not tackle the practice of glossolalia from an ethnographic, anthropological or linguistic perspective, as numerous studies have done, but it rather centers on the discourse about glossolalia, and especially on the role that the interpretation of some key biblical verses plays in the definition and in the evaluation of this practice.
The analysis focuses in particular on the controversy raised by glossolalia between two religious groups characterized by semiotic styles that are antithetic under many aspects: Charismatics and Conservative Evangelicals. A sample of American and European apologetic texts from both sides will be compared in order to show how the condemnation or the justification of the practice of glossolalia implies broader semiotic issues, and especially different ways to interpret the same biblical verses.
Review. In Lexia, rivista di semiotica. Forthcoming.
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2014, in A Contrario, n° 20, 2014/1 Le détail et l’indice : entre littérature, histoire de l’art et épistémologie, pp. 129-142.
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2013, in  Mangano Dario and Terracciano Bianca (dir.), Il senso delle soggettività. Ricerche semiotiche, E|C, pp. 112-116.
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2012, Roma, Arane ANGEL TONGUES AND FUNDAMENTALIST DISCOURSES: SEARCHING FOR AN INTERPRETATIVE STYLE This book focuses on the way Christian fundamentalists interpret the Bible. According to a very widespread stereotype, one of... more
2012, Roma, Arane
ANGEL TONGUES AND FUNDAMENTALIST DISCOURSES: SEARCHING FOR AN INTERPRETATIVE STYLE
 
This book focuses on the way Christian fundamentalists interpret the Bible.
According to a very widespread stereotype, one of the distinctive features of fundamentalism is the literal interpretation of the Bible. This stereotype is far from exact: talking about fundamentalism and literalism opens a range of epistemological, semiotic and ethic problems. Who are fundamentalists? Is it correct to label as fundamentalists those who deny being so? What is the real role of the Bible in the fundamentalist religion? Does a typically fundamentalist interpretative style really exist?

This essay tries to answer to these questions by means of a semiotic method. The first part is an historical and theoretic introduction to the Christian fundamentalism and to the semiotic study of religious texts and rituals, while the second one is a semiotic analysis of fundamentalist literature regarding the speaking-in-tongues phenomenon. Also known as glossolalia, it is the key manifestation of one of the main divisions inside fundamentalist world.

According to the conservative Evangelicals, the gift of speaking in foreign languages was given by God to the Apostles at Pentecost, while according to the Pentecostals, believers can speak in tongues also today. At the root of the debate in question, there is a different interpretation of some verses of the Bible and a diverse approach to the Text. Such differences have a strong influence on the rituals and the practices of religious groups which are however based on a similar doctrine.

The analyses focuses precisely on the way fundamentalist authors interpret the biblical verses concerning glossolalia. It studies how some categories of readers approach a written text that they consider to be sacred, which presuppositions their interpretation is
based on, what questions they ask to the text, which components and which levels of the text they consider to be more pertinent and full of sense. Not only does the analyses show that the two groups use different interpretative practices, but also that they have a distinct concept of fidelity to the text.

To conclude, the present essay demonstrates that the label of "fundamentalism" is imprecise and inadequate, from both an ethic and a scientific, operative point of view.
Semiotics can overcome this abused stereotypical word proposing a study and a classification of authors and religious groups not based on prejudices or ideologies, but just on interpretative styles.


EDITOR: Aracne Editrice (Roma, Italia)
PAGES: 356
LANGUAGE: Italian
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In this volume, some of the most reputed scholars in the fields of religious studies and semiotics propose contributions on a crucial and cross-cultural issue: in what ways do religions conceive the contact with the sacred, through what... more
In this volume, some of the most reputed scholars in the fields of religious studies and semiotics propose contributions on a crucial and cross-cultural issue: in what ways do religions conceive the contact with the sacred, through what paradigms of mediation or immediacy? The publication explores the nuances, subtleties, and contradictions of this dialectics, through essays that bear on several religious cultures and historical epochs.
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This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian... more
This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian writers about the biblical narration of human origins and traditional religious language and ritual, the perceived clash between the immanent and transcendent nature and role of the Church, and the problematic notion of sanctity emerging from contemporary narrative.
2015, Roma, Aracne.
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2015, Roma, Aracne.
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2012, Roma, Aracne.
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Turin Semioticians reflect on the semiotics of Christmas.
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The Convention of CIRCE, Interdisciplinary Center for Research on Communication, University of Turin, Italy, 10 November 2020
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Presentazione del libro di Valentina Ciciliot, "Donne sugli altari".
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Religion, like any other domain of culture, is mediated through symbolic forms and communicative behaviors, which allow the coordination of group conduct in ritual and the representation of the divine or of tradition as an intersubjective... more
Religion, like any other domain of culture, is mediated through symbolic forms and communicative behaviors, which allow the coordination of group conduct in ritual and the representation of the divine or of tradition as an intersubjective reality. While many traditions hold out the promise of immediate access to the divine, or to some transcendent dimension of experience, such promises depend for their realization as well on the possibility of mediation. Traditions that imagine a separation between a transcendent dimension and an immanent one are nevertheless bound to posit channels of communication and exchange between these two dimensions, as in the case of sacrifice as theorized long ago by Henri Hubert and Marcel Mauss (Sacrifice: Its Nature and Function, 1899). A semiotic approach to the understanding of these dynamics is therefore necessary even and especially when mediation is denied by a tradition in the name of the “ineffability” of the deity or of mystical experience.

Exchange between immanence and transcendence involves signs, which are codified into hieratic languages, sacred texts, and liturgical performances. Such codification entails a dialectical movement between the desire for immediacy and the longing for mediation; this desire is never static, but dynamic and tensive, being expressed in a successive attraction to one or the other pole. On the one hand, many if not most religious cultures represent places and moments where the barrier between immanence and transcendence is suddenly abolished, thus allowing immediate and unmediated contact between them; mystical rapture is the epitome of this. On the other hand, religious cultures tend to restructure spiritual immediacy into ritualized formulas, which are not exceptional any longer to the extent that they can be shared by a community and handed down by a tradition.

The dialectic between these two tendencies is not always peaceful. On the contrary, several religious conflicts might be explained as resulting from such a dichotomy and the consequent tension. Stanley Tambiah’s concept of “ritual involution” was an attempt to formulate this process in terms close to the concerns of semiotics (“A Performative Approach to Ritual,” 1978). Tambiah focused on the contribution of the formalization of communication to ritual performance, but left the explanation of revolts against formalism as a desideratum for the study of religion. The dialectic between mediation and immediacy provides a useful shift of perspective on this problem, as ritual involution can in many cases be interpreted as resulting from an insistence on immediacy.

The growing recognition of the importance of mediation is signaled by several recent developments, including: the rise of the subfields of material religion and the aesthetics of religion, the latter especially in German-language traditions of religious studies; the special issue of Signs and Society 2, No. S1 (2014), “Representing Transcendence”; the Social Science Research Council (U.S.) project on “New Directions in the Study of Prayer”; and the emphasis on the importance of “semiotic ideologies,” particularly in understanding processes of modernization in Europe and its colonies, where the idea of a distant or inaccessible deity among certain Protestant groups contributed to the dislocation of older structures of mediation and articulated with new imaginations of spontaneity and immediacy. 

The symposium will promote interdisciplinary and cross-cultural reflection on the semiotic nature of such patterns and ideologies of religious communication and their historical transformations. Various religious cultures will be considered, as well as the relation between the dialectics immediacy/mediation in religion and the same dialectics as it finds expression in the “secular” world (crisis of political mediation, utopias of information without professional media, projects of non-hierarchical construction of knowledge, and other 2.0 trends).

The proceedings of the conference will be published.
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According to James Joyce, “epiphany” is a moment of sudden illumination, when the poet contemplates, through his imagination, the true being of the world in all its beauty and splendor. In his article “Tolle, Lege: Epiphanies of the... more
According to James Joyce, “epiphany” is a moment of sudden illumination, when the poet contemplates, through his imagination, the true being of the world in all its beauty and splendor. In his article “Tolle, Lege: Epiphanies of the Book,” Ziolkowski affirms that epiphany is a term with “a mystical theological aura, having been broadly secularized.” Here, I will show that a deep connection exists between “secularized” and “religious” epiphanies. In particular, I will point out how profane art, and more specifically literature, plays a mediating role in the 20th-century accounts of conversion to Christianism, and mediate the apparently immediate experience of epiphany.
The analysis of three autobiographical stories of conversion  ̶  by Paul Claudel (1913), Simone Weil (1942), and C.S. Lewis (1955)  ̶  will lead us to explore some traits of a semiotic ideology that considers literature, i.e. the product of imagination and poetry, as a stairway leading to Heaven, as a medium that triggers the epiphanic encounter between deity and human being. This religious mediating power of literary language is especially attributed to its poetic form and to its aesthetic character.
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INDICE:
- Semiotica della letteratura impegnata;
- Letteratura impegnata e viralità;
- Il caso Roberto Saviano;
- Conclusioni.
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This issue of “Lexia” will study the codification of martyrdom in the modern and contemporary era, from a semiotic and historiographic perspective. The notion of martyrdom, as we generally mean it today, has been codified within... more
This issue of “Lexia” will study the codification of martyrdom in the modern and contemporary era, from a semiotic and historiographic perspective.
The notion of martyrdom, as we generally mean it today, has been codified within Christian religious thought. Augustine (De civitate Dei) defines the martyr as a witness to the true faith. Lambertini, who wrote a fundamental treatise for the codification of sanctity (De servorum Dei Canonizatione et Beatorum Canonizatione, book III, ch. 11), underlines that martyrdom entails “willingly bearing or tolerating death for the faith in Christ […]. In fact, two persons must intervene in martyrdom; that is, the persecutor or tyrant must absolutely be a person distinct from the martyr, since, on the one hand, the persecutor or tyrant must inflict the punishment and, on the other hand, the martyr must suffer it”.
Whereas the notion of martyrdom mainly developed within Catholicism, it has assumed a much wider scope within Western culture and is now employed with a multiplicity of connotations in different socio-cultural contexts. Therefore, this issue of “Lexia” aims at exploring the plurality of both religious and non-religious meanings related to martyrdom, as well as the figure of the martyr as a thematic role set within well-defined narrative programs.
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